Raster Noton isn’t an obvious place to turn to if you’re looking for some laughs, but there is no doubting its ability to twist new shapes and possibilities for techno music. Of all the label’s artists, Vladislav Delay has shown consistently that he’s most at home when operating at the fringes of dance floor electronic music - the brief dalliances as Luomo excepted - and in that respect Espoo is no different to most of his back catalogue.