“There is no such thing as tech house, there is no such thing as deep house, there is simply house music, good or bad.” It’s debatable whether this statement on the front page of the We Play House website from founder Red D is true or not, but it certainly makes a music journalist’s job pretty redundant. Fortunately, despite the ‘one-size-fits-all’ approach that We Play House utilize in the above blurb, it appears that they’re also not opposed to paying homage to a certain genre or time period. Thus we have the first in a series of Our Beat Is Still New releases that pay tribute to Belgian New Beat, the late 80s Belgian acid house and post-industrial rave tinged productions that provided a tweaked out, sexually explicit warehouse alternative to the more mainstream UK’s Eurobeat. Across four planned 12” releases, the label will call on some of their New Beat loving contemporaries, with this inaugural set featuring Juju & Jordash, JD Twitch, Metrobox and the promise of a tantalizing famous anonymous producer.
Belgian house mavericks We Play House have announced the latest release in their vinyl only coloured series, featuring contributions from Luv Jam and Outlander, with the latter’s first new material in 15 years.
Red D’s We Play House label has put itself on the map in 2010 largely thanks to a steady flow of immaculate retro house 12”s primed for club play. However, San Soda’s debut opus Immers & Daarentegen showcases musical passions and influences that reach far beyond the sweaty confines of a dancefloor.
San Soda (aka Nicolas Geysens) and WPH boss Red D (real name Bart Van Neste) became friends while playing for amateur Belgian football side FC Leiejongens, and when Geysens handed his team mate a CD containing some early demos, Van Neste was suitably enthralled to put into action previously unrealised plans to form a label: and so We Play House was born.
Immers & Daarentegen showcases the full breadth of the 23-year-old’s talent, and, like any good electronic album, there are a range of tempos and styles on offer. Opening track “Juno Love” makes slow and stately progress into “Milieutechnologie 1”, the first of a sprinkling of instrumental hip-hop interludes, while breakthrough club hit “Let’s Go” – initially recorded with Red D under their FCL moniker – sits happily alongside more melodic, introspective deep house moments.
“Kousevoetjes” betrays a fondness for smoky, late night jazz and a knack for clever sampling, while “Hypocrisy”, six tracks in, is the first offering in which a house beat truly comes to fore. “Doorsnee” is submerged deep beneath oven warm pads, clipped soul vocals and all round Detroit goodness, while the well written melodies on “Cocomo” and “Shouts In Peace” remind the listener that this is an album with a healthy mix of ‘real’ songs (in terms of arrangement and rhythm) and rough musical sketches.
The album also comes with a bonus mix by Red D containing a selection of WPH tracks past, present and future – all recorded in one take with two turntables and one CDJ. It’s a nice little bonus to a superb album, and one that points to a bright future for both label and artist.
The fourteenth instalment of the Juno Plus Ones To Watch series takes us to Belgium, and the small city of Deinze. It’s here that Nicolas Geysens, aka San Soda, had his house music epiphany, thanks to the music policy of resident DJs at the Clues nightspot. Flash forward a couple of years and one of those DJs – Red D, real name Bart Van Neste – is at the helm of the fledgling We Play House imprint, which has piqued the interest of house music cognoscenti, thanks in no small part to the contribution of 23-year-old Geysens. One of those guys who falls into the ‘far too talented for someone so young’ category, Juno Plus caught up with San Soda to discuss his upcoming debut album and the unlikely role of amateur football side FC Leiejongens in his nascent production career.