Mitsuaki Komamura’s Weedis label has been active since 2006 and in that time has been dedicated wholly to showcasing the producer’s sound, one which tinkers with the various structures of house and techno. The subtle creativity and substance which lie deep within the core of all his tracks make Komamura’s music a fascinating listen both in the midst of late set in a darkened room with nothing but a strobe light to accompany it, and also outside the limitations of a dance floor. The label’s output so far has been sparse and irregular – three 12″s in two years – but invariably contains both the quality and character to set it apart from the colossal mounds of digital releases that flood the internet.