Review:
Has Stil Vor Talent gone back in time? On the evidence of Backflash, it sounds like it. The original version is based on a spacey groove and pulsing rhythms, with shiny synths bouncing off the loose groove. It's about as cosmic as contemporary house music gets. Niko Schwind's take is more conventional sounding, but he also uses a breathy vocal intoning the mantra 'got to get it' and a teased out rhythm to create a similar effect. "Disco Light" and "Down To" are more contemporary sounding, but there are also references to the past, in the shape of the Chicago claps on the former and the sensuous disco strings on the latter.