Review:
Lee Van Dowski takes up where Luciano left off with Father and Fourges et Sabres. "On" is a rambling organic groove, supported by loose, at times almost ramshackle drums which support melancholic sax playing and then later what could be Middle Eastern pipes. The whole thing threatens to fall apart at every bar, but Van Dowski keeps it together through the use of an effective filter. Despite this, "On" constantly surprises, and by turns reveals mad guitar strumming, rambunctious jazz squalls and even half-heard chanting. "1977" is not as off the wall and is based on a tighter drummy groove, but it too has an adventurous feel thanks to its skittish piano lines and bluesy guitar riffs.