Review:
It seems as though Dutch producer Bas Mooy is attracting a lot of attention from the UK of late, which may be due to a strand of British industrialism and EBM rearing it's head in a recent and brutal resurgence. This time Bas Mooy releases his The Room At The End ep for industrialist flag bearers Perc Trax. "Fasad" dispenses with broken beats, hollow synths and broken radio transmission vocals, while "Loaded" initially takes a similar shape to the sparked delays of Roman Lindau's "Borne", only to morph into a brooding dynamism similar in sound to early Stroboscopic Artefacts releases. "Pose" is a slab of functional club techno, teetering on the edge of dub techno with it's filtered saw wave gestures. The sinister alien synth line of "Kneel" is the perfect cue for a nightclub to dim it's lights to a dark shade of crimson - ideal Berghain fodder.