Listening to Miami 2014 it sounds like this year's WMC will be dominated by interpretations of classic US house. Prok & Fitch's "South Keys (original club mix)" is a storming tribal affair, while the key changes and heavy low end on My Digital Enemy's "Change" is reminiscent of New Jersey garage. Garage of a UK variety is audible on the rolling snares and rubbery bassline of Hot Since 82 's "Hot's Groove", but in the main, this compilation is US-dominated. Piemont's "Microsleep (original mix)" recalls the darkest excesses of Armand Van Helden house, replete with scary sirens, while the Kevin Knapp take on Richy Ahmed's "The Drums" is a clap-heavy Chicago jam.
There's a distinctly old school flavour to this compilation as Thee Cool Cats take to the controls. Patrick Topping's "Forget" sees the fast-rising producer serve up insane rave stabs and diva vocal samples over insistent cowbells and slamming beats, while Catz'n'Dogz mine a different part of 90s music culture. The duo's "Booty Comes First" is inspired by the rude and raucous sound of ghetto house, as pre-orgasmic moans and a slamming rhythm reinforce the vocal that "yo booty comes first". At the other end of the emotional spectrum, Tough Love impress greatly with the acid-laced, soulful house of "Dreams", while the next generation of Detroit techno, fronted by Dantiez Saunderson and working with Altus Project returns to early 90s US house with the vocal-led "I Need You".