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SWITCH GENRE
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ALOEP 011
22 Apr 13
ALOLP 011
06 May 13
PRCSD 005
22 Apr 13
Review:
Sometimes a straightforward approach is the best and the Kamikaze Space Programme version of "Ray's House" shows that this is true. Based around a jacking rhythm and a repetitive vocal sample, these two elements are more effective than a truck full of 'advanced sound design' techno. The Unbalance version is also straightforward; opting for a stepping rhythm, its shaking percussion and reflective vocal samples make for an accomplished deeper take. At the other end of the spectrum is Mattias Fridell's version of "Section Zero". Remaining true to his production form, he unleashes a thumping, rolling groove littered with spaced out chords. Finally, the Ness take on "Vaporized" uses chiming bells and a pulsing bass to create a Sandwell-esque experience.
NSR 024
19 Apr 13
DPR 492
25 Mar 13
FORTE 007
09 May 13
GCR 32
06 May 13
100549 97
10 Apr 13
100557 21
29 Apr 13
OTM 059
21 May 13
912004 2332141
25 Mar 13
100529 28
28 Mar 13
100537 00
05 Apr 13
KR 068
22 Apr 13
RKT 017
05 May 13
KOXI 010
22 Apr 13
GNR 024
28 Mar 13
FLE 011
15 May 13
FHR 028
16 May 13
GVA 034
31 Mar 13
BAD 006
05 Apr 13
Review:
Feral offers club techno with real depth and texture. The Joel Alter version of "There You Go" features storming beats and insistent vocal snatches, but it also evolves to include a sensuous chord progression and an infectious vocal sample. Alland Byallo's take on "Rolling Energy" also has reflective qualities thanks to its sensuous chords, but the heavy bass and rolling groove prime it for the floor. Markus Suckut's take on "There You Go" meanwhile is stripped back and stepping, its heavy bass and hissing percussion the focus of all the action. But depth is never far away on this release and John Osborn's remix of "Rolling Energy" is a droning, multi-layered affair.
DCS 007
22 Apr 13
DASR 094
09 Apr 13
ADR 3004CD
13 May 13
DIDREC 032
15 Apr 13
BOR 096
06 May 13
DREF 016
01 Apr 13
Review:
Hard techno's Germanic beginnings may have given the genre it's unforgivingly industrial edge, but it soon spread across the globe faster than a HAARP electrical storm. Stepping up to the mantle with the likes of Presk and Blawan, Abstract Division have built a monolithic slab of near-impenetrable beats from their home in the Netherlands. It's as challenging as it is beguiling; the minimal sounds of "Collision" break through the colossal build and washed-out claps of "Comprehend", pulsing like the techno nights worth remembering. When the house revival begins to crumble, you know where we'll be.
DREF 017
13 May 13
080729 7533613
17 May 13
UDR 020
15 May 13
DARKNET 037D
28 Mar 13
MIKO 006
09 May 13
XTC 022
10 Apr 13
WLT 025
21 May 13
NCR 027
09 May 13
SLAP 002
26 Apr 13
ARD 067
23 Apr 13
100530 59
04 Apr 13
TWV 006
27 Mar 13
100565 04
09 May 13
MZZ 016
17 May 13
MZZ 009
17 May 13
MZZ 005
13 May 13
FFD 022
27 Mar 13
BBR 034
03 May 13
100556 76
23 Apr 13
BBDG 031
28 Mar 13
NK 41
01 Apr 13
CLRCD 012
19 Apr 13
BB 002
15 Apr 13
PN 20
17 May 13
Played by: Sccucci Manucci
Review:
Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
PN 17
10 May 13
Review:
The ever-correct Prime Numbers series is still going strong, this time bringing together a thoroughly eclectic range of producers to lay down some solid club fodder. Adesse adopts the tenderest approach, bringing a soft African lilt to a subtle arrangement of light drums and poignant chords. Truss is certainly in no mood to chill on "Redbrook", going for a big room techno flavour that favours rigid beats, acid parps and epic swathes of organ. Massimo Di Lena is on a far more twitchy tip, with a snagging assortment of percussion and some woozy synths that leave one feeling wonderfully dizzy.
DFM 006
04 May 13
FRESHIN 039
17 Apr 13
DSRD 158
20 May 13
SBTG 030
20 May 13
TRAX 568/01Z
12 May 13
DERR 007
15 May 13
DWR 0018
02 Apr 13
05/2013
10 May 13
GYNLTD 005
29 Apr 13
TRANSLUCENT 050
06 May 13
IOSYS 004
10 May 13
MONOCLI 54
07 May 13
100542 89
16 Apr 13
EZ 13C1317
26 Apr 13
SHR 003
06 Apr 13
10055590
13 May 13
BPR 038
29 Apr 13
100539 15
29 Mar 13
SR 022
06 May 13
BB 128
29 Mar 13
NLD 225
02 Apr 13
SUBCULTSSEP 4
29 Mar 13
KONST 029
20 May 13
NXR 003
22 Apr 13 |