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BW 005B
26 May 13
Review:
In what might have seemed like an unlikely pairing at first, Kowton and Julio Bashmore join forces for a Bristolian crossover that yields the perfect kind of hybrid madness for these times. "Mirror Song" comes on with the gritty percussive dread that embodies Kowton's more recent output, while the more insistent house groove and catchy sample hooks show the poppier sensibilities Bashmore has brought to the table. "And What?" is less easy going, fraying and splintering into that broken snare snarl that could only come from Kowton, dodging any kind of melody in favour of industrial textures and morose bass stabs. For those needing a more linear kind of beat to work with, the "techno remix" of "Mirror Song" should fit the bill very nicely indeed.
FF 039
10 Jun 13
Review:
Edinburgh producer Hostage has no intention of losing the heat garnered from a host of important releases on labels like Herve's Deep Thrills and Black Butter. The newfound interest in the deeper side of things is kept up on "How We Go Down" which features buzzing low bass and tough house beats. "Keep Dark" is sultry speed garage, the sparse "Conscious" veers into 4 x 4 territory and ""Show Ya" wraps things up with a warped rave organ riff and some very late night UKF grooves.
BE 002
27 May 13
Review:
Pedestrian's work is sporadic and unpredictable to say the least and with only two releases having come out in the last two years, we really never know what to expect from this mysterious producer. He is, however, back on James Zabiela's Born Electric label and joined majestically by a healthy team of remixers who take care of his "Hoyle Road" track! We get the original, of course, a sweet and sultry deep house groover but Benjamin Damage and Doc Daneeka rapidly transform it into a hefty techno workout reminiscent of the Ostgut Ton sound. FaltyDL dusts the bass off and produces a heavier, dubbier house cut of the original, backed by some rather splendid synth work, whilst SpectraSoul take care of the d&b sway, giving us the track's vocals over some hyper-speed breakbeats and hard-hitting low-ends. Nice lil' package!
HNHEP 036
30 May 13
4LUX 013-03
31 May 13
BEK 015
28 May 13
Review:
Those who had Gary Beck down as a big room-minimal artist will probably get a shock when they hear Rascal. The title track is a slamming rhythmic affair, pounding and streamlined but also welling up to take in a series of churning chord sequences. It's a reminder that Beck is a diverse artist, something that becomes more apparent on "Video Siren"; there, a driving rhythm and stomping beats underpin a pitched down vocal loop that intones the track title, getting more and more hypnotic as it progresses. It's a million miles away from the fx-laden white noise bombast of big room mnml.
EAUX 491
27 May 13
Review:
The enigmatic Rrose returns with the monolithic sounds of Waterfall Variations, the first Eaux transmission of 2013. Since debuting on the Sandwell District label in 2011 with the Primary Evidence EP, Rrose's Herculean brand of techno has offered a new take on the big room style. The Waterfall Variations EP sees Rrose return to "Waterfall", a track that featured on the 2011 Sandwell District classic Merchant Of Salt, offering an early, previously unreleased variation entitled "Waterfall (Birth)", as well as inviting Stroboscopic Artefacts boss Lucy to remix the original with brooding results. There's every chance "Waterfall (Birth)" will fill many of Europe's festival speakers this summer, while Lucy's remix is more suited to the club, toning down the flamboyance of Rrose's electrifying synths. "Shrouds" sees Rrose merge both the menace of his Sandwell District releases with gnashing spells of harsh electronic manipulations.
BEDER 01CD
10 Jun 13
Played by: John Digweed
Review:
French producer Antoine Husson's album as Electric Rescue seems like an unusual choice for John Digweed's Bedrock label. That said, Sonic Architecture does have some connection to the British DJ's dance floor selections, both past and present. "Unaggressive Complexity" could be an update on the break beat of Hybrid that Digweed championed - albeit with an evil Hoover riff at its centre - while the trippy vocal samples and insane tonal blips of the minimal house groover "Deode" is more in keeping with the Bedrock chief's current playlists. Sonic Architecture is more than dance floor tracks however, and the angelic melodies and glitchy sounds of "Dope" and the jingly guitar riffs and careering electronic bassline of "Airy Field" show that Husson has become a serious album artist.
RINSE 026D
03 Jun 13
Played by: Shadow Dancer
Review:
Canadian techy house maestro HRDVSION (pronounced 'Hardvision', obviously) has always been interested in the experimental side of dance music. Not content with simply learning the tricks of the trade, he admits often that he prefers to constantly try for more difficult, more intriguing ways to approach his sound. This four tracker opens up the listener to his way of thinking in much more detail than a single track could. Sure he aims for the dancefloor, but can't electronic music be a bit deeper, more artistic than that? The acid-trip synths on "Apocalypse6" and the hard techy influences on "Feel You're Fading" make this a buy on sight.
O-TON 066
27 May 13
Review:
Ostgut Ton keep their fires of 2013 well stoked with a new EP from Detroit luminary Edinburgh's most illustrious techno import Rolando who first appeared on the famed German imprint and nightclub with the rare white label 12? 5 To 8 released in late 2010. The D & N's EP marks another release in what's becoming an increasingly impressive year for Ostgut Ton, with a Function LP, Panorama Bar mix from Steffi and numerous 12"s already released. Rolando brings the heat across three tracks that are primed with the sinister funk Detroit-inspired drum sequences tailored made for the residential DJ sets of Herr Dettmann and Fengler
PTL 001
31 May 13
Played by: Shadow Dancer
Review:
Perc Trax Ltd is a sub-division of Perc Trax which will focus on collaborations, reissues and one-off specials. Last year the climbing melodies and peaking acidics of Mat t Whitehead's "A Is For Acid" became a London underground hit, championed by Perc and Truss, aka MPIA3, with Blawan also unleashing it in a Boiler Room set. Whitehead's original mix does not appear on this inaugural Perc Trax Ltd release, but there are no less than two Perc reworks - one of which should come with a warp drive warning attached - and a slamming cover version made by MPIA3 using none of the track's original samples.
POWVAC 005
04 Jun 13
505108 3070737
10 Jun 13
Review:
Antonio De Angelis and Arnaud Le Texier's collaboration yields a killer pure techno release. The title track features that well-worn but effective combination of surging chords and driving hi hats, but the production is so effortless that it stands apart. The same can be said about "Freak Lip". Tougher and more percussive than the title track, the duo use dubby basslines and insistent Morse Code bleeps to create a heads-down Millsian affair. "Leading" is cut from a similar cloth, but is more grainy and frenetic, while the remixes come from Antigone and ROD. The former is a pacy affair, while on the latter, the Dutch producer drops a drum-heavy, percussive workout.
TURBO 146
03 Jun 13
Review:
Tiga's mission to reposition Turbo as a techno label continues with Clock. The title track is stomping and full-on, its concrete beats pushed to the point of distortion, its bassline sounding like a sped-up version of an 80s EBM bass. Joefarr continues with his journey into the noisy side of techno on "Big Jeff", with grainy drums supporting a cut-up vocal sample and agresisive, filtered builds. Meanwhile, "What Goes Around" is more stripped back and jacking, while "Uncle B" is decidedly groovy, its rough percussion and throbbing rhythm playing host to a pitched down vocal and insistent riffs. Fans of early Neil Landstrumm and Relief should check out Clock.
ELECTRIX 002
27 May 13 Traktor Remix Set for Paula Temple's 'Colonized' on R&S Records
CONVEXLP 003
03 Jun 13
Played by: Shadow Dancer
Review:
Femme En Fourrure's tagline, which reads: "Music made for DJs and catwalks; also: for nightly promenades and oceanside sexin'", truly captures the image of the music for its grungy, lopsided UK house flair. Marking the first outside artist on Jon Convex's Convex Industries, Femme En Fourrure have appeared on a few EPs, but this twelve track showdown really gets the ball rolling, starting from the beachy, synth-ridden hymns of "Sunburst" to the meandering and militant two-step roller that is "Golden Sssh", the semi-house-semi-Metalheadz stomp of the inimitable "Bound" and even the straighter but edgier house roller called "2003", these guys clearly know what they're doing. Pure, straight-up electronic diversions for the smaller hours.
DECOY 02
27 May 13
M 02
27 May 13
TOKEN 30D
03 Jun 13
Played by: Laurent Garnier
Review:
Thanks to his sets at Berghain and releases for the Dystopian label, Rodhad is very much a Berlin phenomenon. However, this release for Kr!z' Token label should see him reach a wider audience. "Buzludzha" starts up with dense rhythms and insistent bleeps, but it's the esoteric, spooky textures that lend it a mysterious quality. "Energomash" is a straighter techno tool, enhanced by dry percussion and effective acid builds, while the title track sees Rodhad really prove his mettle. Focused on the dance floor like "Energomash", its bleepy rhythm veers into a dreamy segue that sounds more atmospheric than a dawn stroll through a snow-covered forest.
MASTERS 105
27 May 13
MK 0022
27 May 13
505545 3690044
03 Jun 13
44197
17 Jun 13
CRT 072
27 May 13
HDL 002
03 Jun 13
Review:
Anonymous hand-stamped white label techno isn't exactly unique these days, but Headless Horseman is at least having fun with their anonymity, adopting a faintly nightmarish persona through which to deliver his music. Thankfully his productions more than live up to the presentation; "Decapitation" sounds like it would be capable of doing just that, combining slamming industrial kicks with a razor edged synth arpeggio delivering doom-laden discordant tones. "Graveyard" meanwhile delivers something altogether more gothic, with a halfstep rhythm that concentrates more on atmosphere than the dance; this makes Perc's remix the perfect counterpart, filling in the gaps with industrial stabs and a more floor-friendly rhythm.
RBEMH-1
27 May 13
Played by: Shadow Dancer
Review:
Essential fare from the highly respected pairing of Roman Flugel and Running Back, with the ever inventive German artist digging into his personal archives for Gerd Janson's excellent label as Eight Miles High. Consisting of two full tracks and a triplet of B Side loops, Flugel apparently rescued these productions from some old DAT Tapes (hopefully found in his basement) and they find the prolific producer very much "wearing a techno helmet." The fact that the Lost Tracks 12 arrives with descriptive terms such as strange, dark, heavy, loop, high speed, EBM and industrial should offer some indication what to expect. Indeed lead track "Outtake" sounds like the perfect moment deep into the night at Robert Johnson distilled onto record.
800391 2201055
03 Jun 13
744861 609568
05 Jun 13
DCD 025
23 May 13
PR 08
24 May 13
LWTTS 08
06 Jun 13
SALP 001
10 Jun 13
Review:
Two well-known techno names come together, but will Speedy J's age and experience prevail over Lucy's hunger for experimentation? Happily, Zeitgeber avoids this situation and both producers complement one another, either taking turns to assume responsibility or working so closely that their talents dovetail seamlessly. The found sounds and glitchy percussion of "These Rhythms" and "None of their Defects" are by-products of Lucy's approach, while "Skin" sees Speedy J revisit early 90s trance techno with a robot vocal rambling away in the background. But when their creative footprints are indistinguishable the best results occur: in particular, the stepping rhythms and gamelan drums of "From Here", which also features half-heard sounds and drones, unite Paap and Lucy in one gloriously abstract arrangement.
MOS 019
10 Jun 13
Played by: Shadow Dancer
Review:
Is Boris Bunnik capable of releasing a sub-standard record? Hot on the heels of his excellent Versalife album comes Dawning, recorded as Vernon Felicity. Like a halfway house between his Conforce sound and the more reflective end of Versalife, Dawning inhabits a dreamy, synth-laden netherworld, where low-slung, jacking rhythms and ghostly synths prevail. This combination is audible on the title track, but Bunnik impresses most on "Wrong Notion", with its wiry acidic framework and angelic chords and "3". Forsaking the jacking rhythm that makes "Dawning" and "Breaking Silence" such groovy propositions, "3" is bathed in a glow of introspective synths.
RTCOMP 280
23 May 13
KW 010
24 May 13
Review:
Most techno releases focus on a specific sound - by contrast, Unison manages to combine a range of styles. "Facial Features" is the dance floor slayer on the release, its hissing percussion and slamming beats combining with glacial chord progressions to create a peak-time affair with style and intelligence. By contrast, "Omage" is all about stripped backbeats and a slurred vocal in French that is reminiscent of the minimal house anthem, "Mumbling, Yeah". "See" is more up to date, with a stepping rhythm underpinning dramatic chords, while "Synda" sees Derill deploy a heavier, straighter rhythm, but one that is underpinned by dubby textures.
WAZZMUSIC 001
03 Jun 13
POLEGROUP 016
03 Jun 13
Review:
Exium continue to strengthen their working relationship with Pole Recordings, gracing Oscar Mulero's label with A Sensible Alternative To Emotion, their second studio album. Having spent over a decade refining their own vision of hard edged techno, Exium use this platform of a second album to expand on their established sound, at times easing down the tempos and intensity for a more balanced listen across the 10 tracks. Productions such as the granite heavy "Massless Particle" or tunnelling abstraction of "Absolute Magnitude" demonstrate this is no drastic departure from the Exium sound but there's an equal consideration for melodic arrangements and more subdued moments.
LDR 13
03 Jun 13
CCE 003
05 Jun 13
ELEK 187
06 Jun 13
BELIEVE
06 Jun 13
CP 009
11 Jun 13
NU 054
22 May 13
NON 007
28 May 13
Played by: Philippe Petit (Knotweed/Dmt)
Review:
The Non-Series label has a small but respected catalogue that includes Chevel and Psyk, and now Attanasio delivers the imprint's first long-player. Like the rest of the releases on Non-Series, the focus here is on deep, dubby techno with a serious dance floor focus. "ENVLP" sets the tone with its chugging chords and firing percussion, while "Unchained" and "Wrszw" both go down a harder route as stomping beats are brought to bear on the hypnotic elements. That's not to suggest that Control is merely a succession of rigid club tracks and the woozy melodies and housey groove of "OTR" coupled with the Shed-style stepping rhythm of "The Woman" mean that it is that rarity, a well-rounded techno album.
ARC 0001
25 May 13 | ||
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