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PN 17
10 May 13
Review:
The ever-correct Prime Numbers series is still going strong, this time bringing together a thoroughly eclectic range of producers to lay down some solid club fodder. Adesse adopts the tenderest approach, bringing a soft African lilt to a subtle arrangement of light drums and poignant chords. Truss is certainly in no mood to chill on "Redbrook", going for a big room techno flavour that favours rigid beats, acid parps and epic swathes of organ. Massimo Di Lena is on a far more twitchy tip, with a snagging assortment of percussion and some woozy synths that leave one feeling wonderfully dizzy.
PN 20
17 May 13
Played by: Sccucci Manucci
Review:
Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
DREF 017
13 May 13
50WEAPONS 027
17 May 13
Review:
In the shift from minimal to deep house there were always going to be winners and losers, and it sounds like Carsten Aermes aka Phon O ended up on the right side. On Schn33, there are echoes of his minimal past, as loose drums form the basis for the title track, but the German producer is in a different place thanks to the use of building chords, icy synth lines and the sweetest strings this side of Derrick May. "Go" is also indicative of his shift towards deeper climes, but the repetitive vocal sample intoning the track title, coupled with billowing chords mean it is a more tracky, toolish affair
TOB 034
13 May 13
Review:
Sean Johnston's Hardway Bros aligns on the Throne Of Blood label with some rare original produce in the shape of A/B Musique, a killer single brandishing some assistance from fellow Axis members Scott Fraser and Timothy J Fairplay. Eschewing the Balearic nature of previous Hardway Bros material, the title track is geared as homage to Belgian New Beat and hits the spot as soon as those hollow drums kick into gear. The aforementioned Mr Fairplay provides some punk funk swagger via intermittent guitar riffage and the vibe throughout is geared towards interplanetary love parties. On the virtual flip, "Shorty" feels a bit darker, with tough multi layered drum breaks and fuzzy edged arpeggiated bass lines gradually teasing out a seemingly never ending fluctuating precession of delay laden acid lines and swirling hypnotic vocal smudges. Scott Fraser turns in a murky basement remix of "Shorty" which is tinged with a machine made melancholia that tastes decidedly Detroitian.
SGD 1359
13 May 13
Review:
With numerous vinyl, CD and cassette releases over the past 20 years, Orphx are true techno veterans; Boundary Conditions marks their third release for Adam X's Sonic Groove label, and sees them continue to blur the lines between techno, industrial and noise music with stellar results. "Outcast" begins with a tunnelling bass pulse, slowly giving way to savagely distorted synth blasts, gradually building to a frenzy of broken noise. "Vanishing Point" is similarly beautiful in its abrasiveness, coating its simple beat with distorted drum rolls and delicate tones, while "Periphery" takes a gentler approach letting its textures and rhythms unfold and breathe in more cavernous surroundings. Once again the duo prove why they are one of techno's most enduring outfits.
WU 034
13 May 13
ADR 3004CD
13 May 13
VR 011D
15 May 13
Review:
Despite making a name for himself in his hometown of Portland, Oregon, Elliot Thomas has yet to make his mark in electronic music at large. Judging by this first solo single for Voyeurthythm, he could be a name to watch in coming years. Brimming with snappy analogue drums, vintage synths and tear-jerking melodies, "Sirius" is a delightful slab of stargazing deepness with some impressive influences (early Chicago deep house, the Burrell brothers, classic Detroit techno). It sounds like something that could have been made in '88 or '89, right down to the analogue warmth present throughout. "Desert Light" follows a similar template, delivering bubbling electronic arpeggios, yearning synth melodies and subdued analogue drums. Recommended.
425064 4845581
17 May 13
080729 7533613
17 May 13
DPKCOMP 1
20 May 13
Review:
House music workaholic Daypak Solo presents his DPK series on one compilation. While he was labeled as just being a minimal producer, Colours shows this categorization is way too narrow. "Orange Skies", with its Reese bass, aching vocals and icy chords, sounds like next generation Detroit techno and "There Is Love" could be his own version of Levon Vincent's steely house, as a repetitive vocal sample is fazed in over rigid drums and a tracky rhythm. Despite these diversions, there is also no sign that he is relinquishing his roots and the Format B remix of "Child of the Night" is the finest example of the stripped back German house sound, replete with an elastic bassline.
DCD 025
23 May 13
NX 104
16 May 13
Review:
Spanish duo Samot & Surit aka NX1 continue their deep dance floor techno mission on NX1 04. Like its predecessors, the fourth instalment is all about fusing esoteric, soft-focus elements with robust, rhythmic elements. "NX1_04-010" sets the tone for the release, its eerie filters and spacey breakdowns unfolding over sharp, metallic rhythms and heavy beats. "NX1_04-011" is more moody, with grey scale textures combined with a bleeding acid line and a slamming rhythm, while "NX1_04-011 " brings the release to a fitting climax. There, the kicks are heavier, the percussion more firing and even the chords resonate with a darker intent.
BLPGRN 003
13 May 13
Review:
German producer Redshape featured on Steffi's recent Panorama Bar mix, opening the selection with the deep ambience of his Palisade project. In this instance however, he focuses on the dance floor and "Focus" brings with it the menace and swagger we have come to expect from the man in the red mask. Waves of percussion hiss and itch, mournful tones play in the background and at the arrangement's heart is a bass that is by turns grinding, brooding and ominous. Steffi also contributes a track, "Attacke"; its claps are heavy and chords are eerie, but its pounding groove cannot compare to the Red menace.
080256 0200483
17 May 13
Played by: Dave Clarke
Review:
Dave Clarke's remix project with Jonas Uittenbosch aka Mr Jones has turned into a fully-fledged production outfit with this release on Fabric's new Houndstooth label. We're not sure what "Spek Hondje" means, but irrespective of how it translates, it is sure to soundtrack underground parties in grimy basements thanks to its pulsing acid lines, grinding bass and panel-beating metallic rhythms. Vox Spek Hondje featuring Bear Who is even darker and more edgy, as pitched down vocals navigate their way through a grime-coated arrangement. "Bassapella Spek Hondje", which also features Bear Who, goes deeper down the wormhole with a noisy, grinding bass at its centre-piece, more effective than a pneumatic drill to the temple.
SEO 003
15 May 13
PE 65280-3
13 May 13
PLE 653163
11 May 13
880319 614125
13 May 13
Review:
Arguably the most recognisable of Panorama Bar's resident DJs, Steffi follows Cassy, Tama Sumo, Prosumer and Nick Hoppner in cooking up the fifth batch of tracks to make the Panorama Bar mix series. Exclusive material comes from Big Strick, Fred P, Dexter, Juju & Jordash and Steffi herself, while other house cuts come from former drum and bass staples Endian (Commix) and Trevino (Marcus Intalex). Other veterans to feature in the mix include DJ Skull with his original '93 pressing "Don't Stop The Beat", while Steven Tang's Obsolete Music Technology chips in with "Latency". Newer sounds come from Fear Of Flying's BLM, US-based deep house producer Chris Mitchell, DJ Fett Burger and Will Martin collaboration with John Barera; one half of Boston outfit B-Tracks.
COR 12104DIGITAL-X
13 May 13
TT 018
20 May 13
Review:
Dubbed "future techno" by the ever vigilant genre officials over at Radio 1, Der Ausgang is a curiosity. Tasty, crisp, even efficient though it is, its creators look at each track as an accoutrement to a set rather than it's memorable peak. What sort of musicians want to become the scene setting though? On reading their bio, it becomes very simple to understand; musicians who know what they want. They describe the collection as: "All of the impact - none of the vulgar, desperate crap." From the names of the tracks (they are actually people's names) to the tasteful combination of lo-fi and hi-fi sounds, there's plenty of impact too. Each is a beautifully crafted slice of perfectly minimal techno, and if you like techno, what's not to love about that?
IOSYS 004
10 May 13
CLRDA 005
13 May 13
MOTE 035D
20 May 13
Played by: Joachim Spieth (Affin)
Review:
Following Psyk's excellent label debut for Mote Evolver in the shape of Distane, the producer returns for another EP of robust, yet minimalistic techno. The title track is as tripped back as they come, utilising simply a stomping kick drum and metallic bell tones to create a devastating techno tool; "Surface" is similarly sparse, but trades earth shaking qualities for an idiosyncratic combination of irregular claps which are thrown into the mix alongside slender synth stabs. "Intern" meanwhile takes things on a funkier tip, where distant snare rolls and marimba-like tones combine to create a deceptively simple techno tool; it's a stark contrast to "Somewhere" which is significantly brighter in its approach, accenting Psyk's fierce rhythms and dub chords with a colourful cluster of house-inspired stabs.
GOB 108
15 May 13
BARN 014
13 May 13
Review:
Introduced to the world by Nathan Fake back in the original days of MySpace, it was only after several years the producer finally released their debut record on the Swedish imprint Studio Barnhus in 2011; Hammerfest was a three track collection of analogue techno with euphoric undertones in the Border Community vein, filled with icy synths, unusual melodies and shimmering backdrops. The producer's second release continues in much the same style; "Shakes" combines jittery sample manipulation in the style of Soundstream with unrelenting analogue weirdness, while "Helmet" pairs lively breakbeats with sonorous keys and an undulating synth wash; both are as brilliantly odd as the surreal cover art suggest, and give the L.I.E.S. and Sex Tags camps a run for their money.
100569 40
17 May 13
HTH 015
14 May 13
UNDERDIGI 004
13 May 13
MT-03
21 May 13
Review:
The Stroboscopic Artefacts-affiliated artist drops a functional but memorable techno release. The title track is based on rasping drums, crashing snares and a siren riff that ploughs through the arrangement, getting more intense as it progresses. It sounds like an update of Luke Slater's remix of Joey Beltram's "Forklift", re-imagined at a less frenetic pace. By contrast, the Jonas Kopp and Dimi Angelis & Jeroen Search are less intense and are based on bleepy tones and pulsing basslines. Indeed, the only track that is comparable in intensity is the Developer remix of "The Fall Of The Empire Is Imminent", where the US producer copper-fastens atmospheric textures to stomping beats.
DAME 019
20 May 13
AFR 002
15 May 13
KD 005
15 May 13
TVQ 003
13 May 13
TRAX 568/01Z
12 May 13
TRESOR 261
17 May 13
BRM 2013-12
15 May 13
SIN 023
20 May 13
Review:
The latest edition of the Singularity series sees LAG delivering a relentless hard techno release. Thankfully, it does not follow the linear, banging approach; "Applied Mechanics" revolves around a pounding industrial rhythm, but buried deep inside the arrangement is a lone vocal sample. "Proving Grounds" is also cut from a similar cloth and its clanging drums house a bleating riff and this time a meaner vocal. "The Snarl" sees LAG depart from straight 4/4s and its loose chain mail percussion, coupled with a stepping rhythm has echoes of Traversable Wormhole. Voidloss delivers two remixes of "Applied Mechanics", which are hewn from crashing metallic drums and paranoid sounds.
PHC 015
21 May 13
Review:
Oliver Ho's more minimally minded venture signs up for the Halocyan imprint with an EP that ably demonstrates the creative paths those that evolved from the maligned scene were able to adopt. There's still an air of restraint about "Last", with its sparing use of drums where repeated synth phrases will suffice, and it makes the hat all the more exciting when it comes in as an afterthought at the end of the bar. "Dumb" is more aggressive in its demeanour, not least because of the abrasions afforded by the lead synth, while the drums clang out an industrial march of doom. Al Tourettes and Appleblim bring their shared vision to "Last", working that poised bassline into a snappy and finely garnished groove of garage mutation. Steve Moore takes "Dumb" and fits it to an urgent kick, piling on some trademark soundtrack synths that add the perfect amount of tension to the track.
HROOM 161
14 May 13
SUB 800
16 May 13
SWAY 027
20 May 13
MONOCLI 55
21 May 13
R 140
12 May 13 | ||
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