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NONPLUSLP 004I
11 Mar 13
Played by: Paul Mac, Spec., Alkalino, Juno Recommends Techno, Simonlebon, Menorah, Resident Advisor, Cosby (Car Crash Set), Larssen, Jt86, Eats Everything, Dapayk Solo
Review:
The Boddika-helmed Nonplus unveil Think & Change, the label's first compilation and what a way to mark such an event. Calling on a cast of the great and the good of contemporary techno and bass music, Think & Change arrives sporting some thirteen tracks, a statement of how far Nonplus has come since its emergence in 2009 as an outlet for the Autonomic family of artists, gradually mutating into a more wide ranging approach, with material from Actress, Kassem Mosse and Basic Soul Unit ensuring a reputation as one of the most respected labels in the bass music diaspora. The highlights on this compilation are many, but you should be checking Four Tet's contribution "For These Times" (easily his best, least fussy club track to date) "Bad Chicago" from Martyn, and Kassem Mosse's excellent "Broken Patterns".
505545 3688454
06 May 13
Review:
Tom Rowlands is the spectacle-wearing-half of the Chemical Brothers and he debuts his solo work on Erol Alkan's Phantasy Sound. Rowlands merges new school styles of throbbing and jacked-up house - replete with marching snares, curdling cow bells and cut vocals - with powerful stylings of EBM. Pitch that against a synthesiser that sounds like its being hung, drawn and quartered and you have Rowlands' title track "Through Me". Meanwhile, the chainsaw synth of "Nothing But Pleasure" dominates the track, which builds into a druggy drop made for party-harder dancers moshing like they were at a Rage Against The Machine or Justice concert - harking back to the days when French electro labels Institubes and Ed Banger ruled.
PN 17
10 May 13
Played by: Joseph Terruel
Review:
The ever-correct Prime Numbers series is still going strong, this time bringing together a thoroughly eclectic range of producers to lay down some solid club fodder. Adesse adopts the tenderest approach, bringing a soft African lilt to a subtle arrangement of light drums and poignant chords. Truss is certainly in no mood to chill on "Redbrook", going for a big room techno flavour that favours rigid beats, acid parps and epic swathes of organ. Massimo Di Lena is on a far more twitchy tip, with a snagging assortment of percussion and some woozy synths that leave one feeling wonderfully dizzy.
CHURCH 002
26 Apr 13
Review:
Although it has only one release to its name - Happa's Beat Of The Drum - London club night turned record label Church is looking to be an imprint to keep close tabs on, especially on the strength of this second EP, from young London producer Rumah. Although his debut from last year demonstrated an atmospheric, syncopated style of bass music, "Stutter" shows a marked progression into swung techno styles, with a weighty track full of concrete rhythms and glassy synths; "Murmur" is similarly powerful, throwing acid flecks and sunken vocals into the mix. Meanwhile, Apes & Seb Wildblood offer their own take on "Stutter", tempering some of the original's more ferocious attributes with some subtle dub techno elements, while James Fox refixes "Murmur" into a slinky, mid-tempo house groover, whose swelling synths offer something considerably deeper.
DREF 017
13 May 13
082367 0042237
03 May 13
Review:
Next month sees Freerange boss Jimpster return to the album game with Porchlight and Rocking Chairs, this release acts as a neat teaser for what to expect. Lead track "Rollergirl" pumps in arpeggio like a night drive scene from a '80s music video clip, while breathy male vocals whisper in the tracks background. It's a melodic piece fuelled by muted tension and soft aggression. Accompanying it is "Hold My Hand", a track featuring all the Jimpster trimmings; deep piano chords, spoken word vocals, chromatic synth loops and soft, yet thumpy drums.
MINUSMIN 2
24 Apr 13
Played by: Juno Recommends Minimal/Tech House, Sean Danke, Resident Advisor, Timo Maas, Troy Pierce, DJ Hell, 2000 And One
Review:
Richie Hawtin's label has long been associated with the minimal sound, but this release frees itself from that sound. The title track is stripped back, but it serves up a new take on classic electro thanks to its shuffling 808s and woozy, reflective synths. Tale of Us return to a more conventional approach on "Discochord" but they still avoid hiccupping mnml sounds and the squelchy acid line is accompanied by atmospheric synths. Finally, "Lost City" is more grimy and nocturnal, but again the menacing 808s and reflective synths make it sound a million miles away from the label's trademark sound.
SGD 1359
13 May 13
Review:
With numerous vinyl, CD and cassette releases over the past 20 years, Orphx are true techno veterans; Boundary Conditions marks their third release for Adam X's Sonic Groove label, and sees them continue to blur the lines between techno, industrial and noise music with stellar results. "Outcast" begins with a tunnelling bass pulse, slowly giving way to savagely distorted synth blasts, gradually building to a frenzy of broken noise. "Vanishing Point" is similarly beautiful in its abrasiveness, coating its simple beat with distorted drum rolls and delicate tones, while "Periphery" takes a gentler approach letting its textures and rhythms unfold and breathe in more cavernous surroundings. Once again the duo prove why they are one of techno's most enduring outfits.
PN 20
17 May 13
Played by: Sccucci Manucci
Review:
Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
WU 034
13 May 13
IV 42
25 Feb 13
TOB 034
13 May 13
Played by: Phuturelabs
Review:
Sean Johnston's Hardway Bros aligns on the Throne Of Blood label with some rare original produce in the shape of A/B Musique, a killer single brandishing some assistance from fellow Axis members Scott Fraser and Timothy J Fairplay. Eschewing the Balearic nature of previous Hardway Bros material, the title track is geared as homage to Belgian New Beat and hits the spot as soon as those hollow drums kick into gear. The aforementioned Mr Fairplay provides some punk funk swagger via intermittent guitar riffage and the vibe throughout is geared towards interplanetary love parties. On the virtual flip, "Shorty" feels a bit darker, with tough multi layered drum breaks and fuzzy edged arpeggiated bass lines gradually teasing out a seemingly never ending fluctuating precession of delay laden acid lines and swirling hypnotic vocal smudges. Scott Fraser turns in a murky basement remix of "Shorty" which is tinged with a machine made melancholia that tastes decidedly Detroitian.
FW 029
06 May 13
Review:
Having signalled his return to pounding techno on a rowdy Echochord release recently, Mike Dehnert ensures that rattling sensation in our eardrums remains with Placide, a four fingered assault on your senses through home stable Fachwerk. Apparently inspired by some spam email entitled "Give It To Me Raw!" Dehnert elected to record opening track "Drehimpuls" live in Paris for extra rawness, with suitable results; the track literally barrels through a thick wall of corrugated sonics. The remaining three tracks sound slightly cleaner in comparison, though the sheer sound design at play ensures the unpredictable serrated synth of "Charger" or booming warehouse groove of "Eigenzeit" prove just as memorable. Final track "Isolant" is undeniably funky too, trapping some lost female vocal deep beneath the mangled kicks and smacked out whistles.
506030 3980404
29 Apr 13
BAC 025
02 May 13
100529 64
25 Apr 13
NX 104
16 May 13
Review:
Spanish duo Samot & Surit aka NX1 continue their deep dance floor techno mission on NX1 04. Like its predecessors, the fourth instalment is all about fusing esoteric, soft-focus elements with robust, rhythmic elements. "NX1_04-010" sets the tone for the release, its eerie filters and spacey breakdowns unfolding over sharp, metallic rhythms and heavy beats. "NX1_04-011" is more moody, with grey scale textures combined with a bleeding acid line and a slamming rhythm, while "NX1_04-011 " brings the release to a fitting climax. There, the kicks are heavier, the percussion more firing and even the chords resonate with a darker intent.
ECB 365JX
06 May 13
Played by: In Flagranti
Review:
It's been nearly three years since we last heard from former 'next big thing' Rex The Dog (aka producer Jake Williams). His career has stuttered somewhat, following a string of well-regarded singles on Kompakt, Kitsune and Compuphonic. This, though, is an impressive return. While hardly groundbreaking stuff, there's something irresistible about the Moroder-on-pills groove and Jamie McDermott's spinetingling vocal (think Anthony Hegarty meets Sylvester meets Donna Summer). Yes, it sounds like a modern update of "I Feel Love", but its been lovingly rendered by Williams. It also sounds like a big hit in the making.
PLE 653163
11 May 13
HES 024
11 Feb 13
Review:
The first release of the year for Hessle Audio sees the long-awaited release of "Raw Code", a live favourite of the sets Peverelist and Kowton perform with fellow Bristolian Asusu as part of Livity Sound. It's been high on the request line for some time, having featured in acetate form on mixes dating as far back as the label showcase for Benji B's Radio 1 show from February of last year, securing it a place on Ben UFO's recent Fabriclive mix. The lead track sports the kind of instantly recognisable string bursts that have characterised Kowton's recent crop of grime influenced techno productions, together with a bouncy yet mechanical groove dominated by weighty sub bass. It comes backed with "Junked", a slower, decidedly more broken production reminiscent of the experimental rhythm tracks present on Pearson Sound's Clutch EP released last year. Essential.
SA 017
29 Apr 13
Review:
Kangding Ray continues his gradual ascendance through the Stroboscopic Artefacts ranks with the Tempered Inmid EP, the Raster Noton regular's first full release for Lucy's label. The producer, real name David Letellier, first appeared in Stroboscopic colours last year with a contribution to the digital only Monad series and has since appeared on a split release, laid down two tracks for the Stellate series and remix Dadub. So the chance to see the Frenchman explore his sound palette in a more expansive release for SA is exciting, and the four tracks on Tempered Inmid represent a further definition of Ray's futuristic and classically informed style of techno-meets-electronica. If you can imagine the fuzzy edged electronica of Clark mixed with Surgeon's precision club tools and brushed with the childlike tones of Aphex Twin then Tempered Inmid will certainly appeal.
COMEME 021
01 Apr 13
Review:
Comeme is one of the most brilliantly unpredictable labels and Beating PC shows why it is held in such high esteem. "Puqui" unfolds with psychedelic chords drawn out over a low-slung groove, the synths veering into the realms of tripped out. The title track sees loose drums combined with a languid funk guitar, while there are further surprises on "Eat Me", where a dubbed out bassline and lost vocal intoning 'what are you doing here' is fused with dreamy synths. It's a similar situation on "Voy a Ver", where darker guitar riffs chimes in over a groovy disco rhythm. Maintaining its unpredictable edge, "Berberecho" is a faster, jacking affair with a rubbery bassline and squelchy bleeps.
50WEAPONS 026
15 Mar 13
Review:
Rocking up to his regular home at 50 Weapons, Bambounou brings yet more of his playful, experimental bass music to bear with this rock solid three tracker. There's a great focus on wild, disorientating noises hammered into solid rhythms, whether it's the metallic swirls that slop around the insides of "Filled", or the jerky tap drips that inject the funk into "Brim". Aside from the spicy sounds, there's also plenty to hold onto, not least with the whopping great chord stabs that also inhabit "Brim". Having said that, "Boarder" is more intent on plunging you into a bizarre soundworld of bold VHS synth drones and snaking percussion that seems intent on dodging the groove at all costs.
100562 19
06 May 13
BLPGRN 003
13 May 13
Review:
German producer Redshape featured on Steffi's recent Panorama Bar mix, opening the selection with the deep ambience of his Palisade project. In this instance however, he focuses on the dance floor and "Focus" brings with it the menace and swagger we have come to expect from the man in the red mask. Waves of percussion hiss and itch, mournful tones play in the background and at the arrangement's heart is a bass that is by turns grinding, brooding and ominous. Steffi also contributes a track, "Attacke"; its claps are heavy and chords are eerie, but its pounding groove cannot compare to the Red menace.
FROWNDIGITAL 006
06 May 13
100553 94
10 May 13
SPK 140DIG
06 Oct 12
COR 12102DIGITAL-X
11 Mar 13
Played by: Alexander Robotnick, Joseph Capriati, Juno Recommends Minimal/Tech House, Pan-Pot, Brisboys, Jay Lumen, Karotte, Tom Wax
Review:
Paganini drops a heavy, functional EP for Sven Vath's label. The title track sets the tone for the release, a dark, slamming affair characterised by heavy, concrete beats and hissing percussion. A similar approach applies on "Fire In My Arms", but here the central riff drones like a strike craft moving in to drop its deadly payload.
"Polyester" is more straightforward, as a rolling groove drops and builds again, powered by metallic drums. "Hot" sees Paganini revisit the approach on the title track with insistent vocal samples littered in the arrangement, while "Parallel" features a vocal snippet intoning "I'm stretched" over a belching acid line.
PE 65280-3
13 May 13
CLRCD 012
19 Apr 13
TEXT 020
10 Dec 12
Played by: Paul Mac, Seth Merlo, Kisk, Mike O'mara(Development Music), Juno Recommends Deep House, Juno Recommends Techno, Dominik Eulberg, Fab Mayday, Benton, D3adl1ne, Cosby (Car Crash Set)
Review:
The "Jupiters" remixes are finally available on digital format and this time it's a strictly UK affair, with Happa and Jamie XX on remix duties! Happa's re-interpretation of "Jupiters" is a thumping beast of a track, where a startling bass drum churns its way across a militant percussion - violent hi-hats and snares all round, coated graciously by the most ominous synth stabs to have ever appeared on a Four Tet record! Jamie XX's take on "Lion" is a calmer, sub-heavy parade of swinging drums and mutating bass lines, growing in ferocity with every new bar.
EDLX 010
20 Sep 10
ADR 3004CD
13 May 13
880319 614125
13 May 13
Review:
Arguably the most recognisable of Panorama Bar's resident DJs, Steffi follows Cassy, Tama Sumo, Prosumer and Nick Hoppner in cooking up the fifth batch of tracks to make the Panorama Bar mix series. Exclusive material comes from Big Strick, Fred P, Dexter, Juju & Jordash and Steffi herself, while other house cuts come from former drum and bass staples Endian (Commix) and Trevino (Marcus Intalex). Other veterans to feature in the mix include DJ Skull with his original '93 pressing "Don't Stop The Beat", while Steven Tang's Obsolete Music Technology chips in with "Latency". Newer sounds come from Fear Of Flying's BLM, US-based deep house producer Chris Mitchell, DJ Fett Burger and Will Martin collaboration with John Barera; one half of Boston outfit B-Tracks.
BLKBTR 41
21 Apr 13
Played by: Juno Recommends Techno
Review:
From the label who gave us Gorgon City and Rudimental comes another exciting new act, DVWLX (or David Wilcox as he's known to the taxman). Taking the bass flavours of labels such as Pets and Dirtybird but dropping the tempo down a notch or two, "Not Another Love Song" oozes a classy sense of timelessness. "Get Out" is darker and deeper again with a lovely succession of reverberating, dubbed out textures; think 2020 Vision's early output and you're not far off. "Just Like That" takes us deeper again, nodding at formative progressive sounds while maintaining a slight cheekiness with cool VonStroke style diced vocal hits. As far as debut records go, this is near-on faultless.
COR 12104DIGITAL-X
13 May 13
TR 021
07 Nov 11
Played by: Redux Records, Sim, Sean Gormally (Sean And Dev), Alkalino, Juno Recommends Minimal/Tech House, Och
Review:
Baby Ford's long running Trelik label enjoyed a more prolific year in 2011 than at any time in the past decade, and Whalesong is a fitting end to a glorious 12 months. If you've been following Och's releases, then you'll know what to expect here. The title track sees the mysterious producer drop dubbier, full blooded beats and billowing chords over a surging groove, while the use of shuffling drums and a stuttering vocal lend the track a memorable signature. "Blind Is The Wind" is an unusual ambient affair thanks to the inclusion of a confused vocal, but Och returns to his natural habitat on "Last Chance Saloon", which features more of the same pumping beats and dreamy chord sequences.
CLRDA 005
13 May 13
CSERIESCOMP
30 Jul 12
OSMUK 028EP
22 Apr 13
Review:
Always open to teaming up with like-minded souls for their releases on Osiris, the ever-prolific Kryptic Minds are on the prowl once more, this time with the equally active Killawatt in tow. Kicking off with the brooding and short-lived "Swung Operations", it's business as usual in the Osiris camp with plenty of industrial clangs and booms meeting with punchy digital percussion. The bleak tones continue apace into "Reaching Through", even as some discernable melody comes pulsing through from a dub techno chord, but the beat does more than enough on its own, working a rapid kick and sizzling hat to deadly effect without ever going overboard. "Cunning Juncture" finds equal worth in the minimal approach, bringing a measured amount of techno influence into the dubstep framework with sterling results.
NL 014
29 Apr 13
Review:
After time well spent roaming across labels such as WNCL, Idle Hands and Brainmath, Kevin McPhee returns to his starting point of [NakedLunch] with a new grip of tracks that display an artist still exploring new avenues for his sound to maraud down. "Version One" kicks off on two minutes of bizarre melody that profoundly hides its tempo until everything pauses for a solid house beat to take hold, making for an eye-opening vision of singular groove. "It's What She Wants" is uncompromising in a wholly different way, pumping and clunking on a productive factory of percussion before the less-than-obvious appropriation of R&B vocal comes loping into the mix. "P1:P2" is positively conventional by comparison, but it's no straight up house cut by any regular stretch with its own unique metallic clang and a decisive switch up into more melodic territory for the later part of the EP.
BIS 006
30 Apr 13
Review:
The ever-interesting Eddie Ruscha returns with a new Secret Circuit full-length, the first on Tim Sweeney's excellent Beats In Space imprint. Given the usually vivid style of his psychedelic electronica, it's no surprise to find that Tactile Galactics is a mesmerizing trip from start to finish. Ruscha darts between kaleidoscopic space disco, wide-eyed shoegaze house, analogue psychedelia, touchy-feely ambience and intense, druggy Italo, somehow shoehorning 25 years of musical misadventure into 70 spellbinding minutes. It's bold, melodic, hypnotic, beautiful, blissful, intense, inspiring and exciting. Put simply, Tactile Galactics is a great album.
DOLLYDUBS 2
18 Mar 13
Played by: Paul Mac, Scott Fell, Earl Grey, Nowakowski, Dusty / Jazz & Milk, Alkalino, Dairmount (Room With A View Recs), Roberto Rodriguez, Juno Recommends Techno, Tom (Shur-I-Kan) Szirtes, Commodore 69 (Hot N Heavy), Posthuman, Tom (Shur-I-Kan) Szirtes, Blind Prophet (South Fork Sound), Simonlebon, Resident Advisor, Tom Taylor, Ben Pearce
Review:
Ahead of a forthcoming new album for Brainfeeder, Martyn drops this killer induction into Steffi's recently established Dolly Dubs imprint. The offshoot launched in relatively low key fashion late last year, with Swedish producer Staffan Lindberg at the helm. The addition of Steffi's compatriot Martyn is however big news, with the three track Newspeak EP the Dutchman's first proper release since Hello Darkness, the single that bookended his album for Brainfeeder in March of last year. Long term devotees of the 3024 boss's output should be familiar with the sub heavy snap of the title track which featured on his Essential Mix for Radio 1 last Spring, whilst lead track "Oceania" is a rolling, broken treat.
50WEAPONS 027
17 May 13
Review:
In the shift from minimal to deep house there were always going to be winners and losers, and it sounds like Carsten Aermes aka Phon O ended up on the right side. On Schn33, there are echoes of his minimal past, as loose drums form the basis for the title track, but the German producer is in a different place thanks to the use of building chords, icy synth lines and the sweetest strings this side of Derrick May. "Go" is also indicative of his shift towards deeper climes, but the repetitive vocal sample intoning the track title, coupled with billowing chords mean it is a more tracky, toolish affair
CSDIGI 012
06 May 13
BARN 014
13 May 13
Review:
Introduced to the world by Nathan Fake back in the original days of MySpace, it was only after several years the producer finally released their debut record on the Swedish imprint Studio Barnhus in 2011; Hammerfest was a three track collection of analogue techno with euphoric undertones in the Border Community vein, filled with icy synths, unusual melodies and shimmering backdrops. The producer's second release continues in much the same style; "Shakes" combines jittery sample manipulation in the style of Soundstream with unrelenting analogue weirdness, while "Helmet" pairs lively breakbeats with sonorous keys and an undulating synth wash; both are as brilliantly odd as the surreal cover art suggest, and give the L.I.E.S. and Sex Tags camps a run for their money.
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