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Items 101 to 150 of 423 on page 3 of 9
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Review:
Despite making a name for himself in his hometown of Portland, Oregon, Elliot Thomas has yet to make his mark in electronic music at large. Judging by this first solo single for Voyeurthythm, he could be a name to watch in coming years. Brimming with snappy analogue drums, vintage synths and tear-jerking melodies, "Sirius" is a delightful slab of stargazing deepness with some impressive influences (early Chicago deep house, the Burrell brothers, classic Detroit techno). It sounds like something that could have been made in '88 or '89, right down to the analogue warmth present throughout. "Desert Light" follows a similar template, delivering bubbling electronic arpeggios, yearning synth melodies and subdued analogue drums. Recommended.
BBR 035
17 May 13
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17 May 13
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PURE 0031
14 May 13
IFU 0003
15 May 13
BARN 014
13 May 13
Review:
Introduced to the world by Nathan Fake back in the original days of MySpace, it was only after several years the producer finally released their debut record on the Swedish imprint Studio Barnhus in 2011; Hammerfest was a three track collection of analogue techno with euphoric undertones in the Border Community vein, filled with icy synths, unusual melodies and shimmering backdrops. The producer's second release continues in much the same style; "Shakes" combines jittery sample manipulation in the style of Soundstream with unrelenting analogue weirdness, while "Helmet" pairs lively breakbeats with sonorous keys and an undulating synth wash; both are as brilliantly odd as the surreal cover art suggest, and give the L.I.E.S. and Sex Tags camps a run for their money.
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14 May 13
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14 May 13
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13 May 13
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13 May 13
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15 May 13
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13 May 13
Played by: Phuturelabs
Review:
Sean Johnston's Hardway Bros aligns on the Throne Of Blood label with some rare original produce in the shape of A/B Musique, a killer single brandishing some assistance from fellow Axis members Scott Fraser and Timothy J Fairplay. Eschewing the Balearic nature of previous Hardway Bros material, the title track is geared as homage to Belgian New Beat and hits the spot as soon as those hollow drums kick into gear. The aforementioned Mr Fairplay provides some punk funk swagger via intermittent guitar riffage and the vibe throughout is geared towards interplanetary love parties. On the virtual flip, "Shorty" feels a bit darker, with tough multi layered drum breaks and fuzzy edged arpeggiated bass lines gradually teasing out a seemingly never ending fluctuating precession of delay laden acid lines and swirling hypnotic vocal smudges. Scott Fraser turns in a murky basement remix of "Shorty" which is tinged with a machine made melancholia that tastes decidedly Detroitian.
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17 May 13
DASR 097
14 May 13
IMUSICIAN A 12287
17 May 13 | ||
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