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Friday 24 May 2013
Singles
P 013
24 May 13
FPR 05
24 May 13
MTR 049
24 May 13
SH 001
24 May 13
MTM 003
24 May 13
599954 5573122
24 May 13
GGR 023
24 May 13
TP 024
24 May 13
TSM 043
24 May 13
TNT 003
24 May 13
RSTRU 020
24 May 13
SUBCULTSSP 5
24 May 13
100564 90
24 May 13
MRR 00000014
24 May 13
PR 08
24 May 13
VW 021
24 May 13
361015 2784573
24 May 13
100570 93
24 May 13
PM 007
24 May 13
HE 00093
24 May 13
DS 009
24 May 13
NLM 130
24 May 13
425078 3612532
24 May 13
MKR 016
24 May 13
RR 058
24 May 13
LCSERIES 22
24 May 13
100568 51
24 May 13
MFL 057
24 May 13
MRDIGI 039
24 May 13
KW 010
24 May 13
Played by: Philippe Petit (Knotweed/Dmt)
Review:
Most techno releases focus on a specific sound - by contrast, Unison manages to combine a range of styles. "Facial Features" is the dance floor slayer on the release, its hissing percussion and slamming beats combining with glacial chord progressions to create a peak-time affair with style and intelligence. By contrast, "Omage" is all about stripped backbeats and a slurred vocal in French that is reminiscent of the minimal house anthem, "Mumbling, Yeah". "See" is more up to date, with a stepping rhythm underpinning dramatic chords, while "Synda" sees Derill deploy a heavier, straighter rhythm, but one that is underpinned by dubby textures.
FREQDGT 092
24 May 13
CEL 0107
24 May 13
DSRL 195
24 May 13
AR 018
24 May 13
CC 027
24 May 13
100577 21
24 May 13
100574 04
24 May 13
SLR 108
24 May 13
TMMR 100
24 May 13
SUB 163
24 May 13
100560 92
24 May 13
SOLD 012
24 May 13
CC 029
24 May 13
QNZ 239
24 May 13
RHYTHM 002
24 May 13
Review:
Paul Du Lac's Rotterdam operation Bio Rhythm present Being Hieroglyphic, an EP replete with three brain melting cuts from the master Jamal Moss under his intermittently utilised alias The Sun God! When it comes to real Chicago house music characterised by grubby tape soaked rhythms that weave their way deep into your cerebral cortex, no one does it better than Moss, and "Maum" sets the tone here, with analogue sounds that feel far too rusted dripping over the elasticated bassline, whilst distant chords lend the track that spiritual edge. Alongside this, the title track ploughs even deeper into the mainframe, with malfunctioning vocals forming part of a liquefied groove whilst Moss goes freeform on some delightful key playing. This sense of defective machinery somehow being utilised in an effective way is also very much in evidence on the lolloping mutant dance freakery of "Molokan (Rhythm edit)."
DD 904
24 May 13
TM 05
24 May 13
C2M 007
24 May 13
DREXTRA 021
24 May 13 | ||
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