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FEATURED RELEASES

Born On Road is one of the new-school of labels pushing the current moment's gritty, jump-up infused sound, the sound that has captured so many new fans to the genre in the past couple of years and which has catapulted the careers of Ben Snow, AC13 and others. This EP comes from the former and it's an excellent representation of where the sound is at right now, a massive, heavy piece of work that features David Boomah on a wicked vocal feature. The title track nails the sample, before rolling out with the foghorn sound on full display. It's top stuff and we're very much into it.

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V's Edits / Various

Funk We Dance Vehicle

When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".

Eli Escobar

Last Summer Night People NYC

Here's something to set the pulse racing: a brand new album from sometime Classic Music Co contributor Eli Escobar, a producer who has proved to be one of the most distinctive and consistent in house music over the last few years. "Last Summer" contains a mixture of short interludes and inspired, almost uniformly dancefloor-friendly workouts that bring together a range of complimentary influences. Our picks include the atmospheric and acid-fired deep house warmth of "Flashing Lights", the muscular peak-time Moroder-isms of "(All Night) Rhythm", the melodious, sun-kissed Balearic house brilliance of "Blu" and the woozy warmth of "Last Night".

Maceo Plex / Fairmont / Nico Garreaud / The Vinyl Depreciation Society

Four To The Floor 16 Diynamic Music

Each edition of the Four To The Floor series always presents four tracks that are some of the strongest secret weapons from the sets of label co-head Solomun. Now in its 16th installment, be captivated by Lone Romantic Maceo Plex on the epic dancefloor drama of "Mutant Magic" and its killer vocal, Canadian veteran Fairmont is in fine form and serves up the moody tunnel vision of "Plastic Head TV" while Nico Garreaud's "Louisville Lip" (Abaze edit) is aimed squarely at the main room at peak time and The Vinyl Depreciation Society provide more sonic narratives - best heard under the strobelight - on "Princept".

Charlotte De Witte

Selected EP KNTXT

Belgian techno heroine Charlotte de Witte presents the first of a new double EP here. On the subject of the release, De Witte says that this duality is essential to explore her interests, both as a producer and DJ, and it was only natural to release them simultaneously for release on her ever reliable KNTXT imprint. The Selected EP features three stark and austere expressions in main room, peak time techno such as "Form" and "Time" - all featuring the signature grunt of the Roland TB-303 throughout, while final cut "Amar" is a sublime and soothing ambient cut that's perfect to close the EP out.

Juan Maclean

The Lone Dancer Lovedancing

Next on Sleazy McQueen's ever reliable Lovedancing label is a proper stalwart of the New York City music scene who should need no introduction - the one the only The Juan Maclean. On his new EP The Lone Dancer, get stoned into the groove of the infectious disco house stomper "Body Language Pro" which then receives a worthy rework by label main man McQueen in collaboration with Cole Medina, and followed by the lo slung boogie down antics of "Let Me Come Into Your Life".