Review: Next up from Breaka's own: Breaka Recordings imprint, we see something very special as he unveils four collaborations of the highest quality with the likes of both Frazer Ray and Bakey. We begin with Frazer's two contributions, kicking off with the charming moogy subs and scattered drum rhythms of 'The Loudest Woiioii Ever', combining funky rhythms and futuristic compositional designs. Next, 'Phone's Ringin' gives us a much more minimal yet euphoric style of experimental dance music, before we take the pace up a tad on Bakey's first collaborative input on 'Club Dynamics'. This track sees us explore the delicacies of new school breaks, before 'Pro Perc' unleashes choppy 2-step-style rhythms atop a heavily laden percussive field to give us the perfect send off.
Review: Returning to the constantly evolving sounds of 2TUF4U, we explore a vibrant collection of new school garage remixes here as the crew launch a brand new compilation series by the name 'Undeniable Grooves'. We open up with Karl Tuff Enuff Brown seeing his classic 'Jump Dup' re-tuned into a steadily bubbling epic, with FRD Productions reworking their own 'Can't Stop' original into a much more chord driven shakedown. We then jump into London's Unique 3 who rework their own 'Feel It' original into a chiming sweetspot anthem, Closing off with DJ $ki getting to work on Karl Brown's 'Intro 8' original, giving us one final dash of old school UKG flavour.
Review: Decibel and Flowdan tore things up with "Skanks" earlier this month, and now they're back with a tasty remix package spanning all types of bass styles. Network delivers a deep and dark bassline house version, pitching Flowdan's vocals down into the murky ether, while I Killed Kenny builds on the original's frenetic style with a rave-infused UK funky bomb, something mirrored on DJ Cable's similarly furious remix. Lol Gurlz meanwhile offer a moody and atmospheric take filled with syncopated, head-nodding drums, while Toni Moretti's remix offers much the same but with trippy hi-resolution percussive tones. Amazing stuff!
Review: U Wot Blud seriously have to be contenders for having the best label name ever. Their music ain't bad either and here they present who they feel are some dead cert "Rising Stars". All elements of bassland are covered over these four tracks, often many in just one song - highlights include the Robin S-getting stretched into linear garage house of Forbid's "Lost", the ADHD wobble attack of Pavv's "Out Here" and the doomy shuffle of "Givin In" by Albzzy.
Review: As summer rapidly approaches, the eyes and ears of the UK start to gesture towards a more laid back, UKG set of vibes. For this one Eddie Craig and FooR team up for a garage-breakbeat fusion by the name of 'Premonition'. It has all the makings of an instant classic, from the the emotive chord patterns and crunchy drum arrangements to the encapsulating lead vocal performance. This one comes complete with a selection of remixes with SBS & Proper Tingz taking it down a darker route, Selekio reworking it for the big room environment and Eddie Craig himself bringing forward a complete garage overhaul.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.