Review: NYC combo 79.5 are, like Midnight Magic and Escort before them, a live outfit whose trademark sound and output is shaped by the rich musical history of the city they call home. That superb sound was outlined on last year's eponymous debut album, tracks from which appear in remixed form on this must-check EP. There are two takes on previous single 'Feel Like Dancin': an extended deep house take by Malik Hendricks with added Afro-house percussion, and an impressive low-tempo chugger titled the 'Generalisation Dub'. 'B.D.F.Q' also comes in two contrasting variations: the spacey electro-meets-ghetto-house flex of the Jubilee Remix, and an extended version of FSQ's Midnight Magic style neo-disco interpretation. A percussive and joyous J Kriv house revision of 'Our Hearts Didn't Go That Way' completes a fine package.
Review: Rare Wiri bring us three new rubs of the tracks that made up German nu-disco regular Andy Bach's 'If You Leave' EP, released in November last year. Romanto's take on 'Come On Now' strips away the deep house elements and transforms it into a hazy summer nu-disco jam, Stephane Deschezeaux's Organic Remix of 'Dimesions' injects a little more funk and soul into what was quite a trippy, Balearic-leaning original, before 'If You Leave' - a fairly 'accessible' and pop-oriented nu-disco cut in its original form - gets handed over to label boss Rayko, whose rework gives it a deeper, more underground kinda feel.
Review: Leeds label Shades of Sound seem obsessed with serving up melodious and colourful music tailor-made for sunny days and humid dancing at dusk. They're at it again on 'Disco Archipalego', a bold and entertaining label debut courtesy of Sydney producer Arp Decco. There three typically sparkling and kaleidoscopic original tracks on display: the mid-tempo, synth strings-laden Balearic piano house-meets-Reverso 68 cheeriness of 'Disco Archipalego', the synth solo sporting piano house-with-acid-bass flex of 'New Life', and the gorgeous 'Breeze', whose snaking sax solos, joyous melodious and chunky TB-303 bassline create a suitably loved-up mood. 'Tech Support' turn 'New Life' into an acid-flecked, sunrise-ready breakbeat house gem, before Joe Morris rounds off a fine EP by giving 'Breeze' a nostalgic, Balearic house-goes-breakbeat re-fix.
Review: Discuji returns to UNKNOWN Season with a bang, bigging up Baltimore's vibrant music scene with his latest collection of remixes. Adding to the excitement is NYC's legendary DJ-producer DJ Romain who makes his debut on UNKNOWN Season, delivering funky filter disco remixes reminiscent of that iconic NYC sound. From DJ Romain's infectious grooves to Discuji's TransPacific Dub, inspired by M-Scape & Yoshi Horino, this package ventures deep into disco-infused tracks made for the party - turn it up!
Review: "Shut The Lights Out" is a funky throwback brimming with infectious energy, courtesy of Berlin production duo Lovebirds and vocalist NILE. Lovebirds channel their well-regarded love for 70s and 80s sounds into a groovy production. The foundation is an arresting funk beat, bolstered by classic disco instrumentation and dreamy synths. NILE's vocals are the perfect compliment, with a motivational spoken-word style that adds another layer of interest. The package is completed by a remix from disco aficionado Birdee, who takes the original's sparkling energy and adds their own signature touch. Birdee's remix is an upbeat and spacey take, perfect for extending the dancefloor journey.
Review: Montenegro-based rework maestro Mitiko (real name Sasha Mitich) has been a busy boy this year, with this EP-turned-mini album marking his sixth missive of 2024 to date. There's plenty to get the blood pumping and the feet moving across the seven tracks on show, from the lightly housed up vocal disco rush of 'Along With You' and the filter-sporting Afro-disco joy of 'Fungi Mama', to the slow-motion disco-funk headiness of 'Ghost' and the build-and-release excellence of the stomping, string-laden peak-time disco of 'Peak At You'. Those seeking mid-tempo thrills are catered for via 'Get Up and Boogie', while 'Latin Hustle' is a memorable revision of a Spanish language dancefloor gem.
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