De Fabriek - "Lullabye" - (10:37)
De Fabriek - "Lullabye" (Dunkeltier 'Hey Robot' mix) - (7:27)
Dunkeltier - "Tik Tok Goes The Clock" - (7:27)
De Fabriek - "Come Down" - (13:30)
De Fabriek - "Come Down" (Khidja 5am mix) - (13:09)
Review: Platform 23 again explores the dense voids, this time with a touch of the funk with a reissue of Dutch experimentalists De Fabriek and two tracks from their Music For cassette series, this time calling all Hippies. Featuring both original and reinterpretations from modern-day heads Dunkeltier and Khidja, this EP is something of an oddity, showcasing the bands' expansive range, moving away from the noise, drone and industrial soundscape releases they had become known for and crafting here, free flowing, groovy longform jams. Active since the late 70s to today, De Fabriek (The Factory) have never considered themselves a real band, also being a label too, with an evolving and irregular line up centred around Richard van Dellen, they present their music and output as a kind of work-union. With literally four decades and dozens of releases across all formats, 1988's cassette release Music For Hippies has become something of a cult curio, with the long improvisational tracks, Lullabye and Coming Down eschewing the rougher, industrial experience for something completely different. In opener Lullabye, we go full leftfield P-Funk meets Motorik undertones. An incessant beat is laid from the start and doesn't cease for over 10 minutes, while spoken vocals call closer to the Krautrock realms of Can and hark to Liebezeit's stylised grooving best. Analog, echo washed, with touches of glam and wrapped in simple effects pedal work, the secrets are passed to Dresden / Berlin inhabitant Dunkeltier aka Sneaker DJ aka Thomas Smorek. His darker moniker, appearing on obscure edits for Macadam Mambo and the much-missed Bahnsteig 23, his Hey Robot mix adds bass, percussion, strings and synth to remold Lullabye into a late night, red light, basement denzien. This is followed by an additional, bonus reimagining, creating an all-new time piece, an ear worm of the best kind with Tik Tok Goes The Clock. Come Down is a more resembling De Fabriek werk, edited to fit, the darkness is entered as snapshot vocal quips, oscillations and synthesised mutations are laid over a lazy, relentless ostinato rhythm where cymbals crash on the bar. Inviting, calling, De Fabriek's aptly titled downer is in fact, a joyous journey. To complete, label affiliates, Khidja take a break from finalising their debut album to unfold their Psychebabble Mix, a dozen plus minutes of warped, twisted, cassette machinations that suck the listener further along the trip. Added bass propels their edit suddenly to a new direction, a hook for mind and for the open willed, the body.