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7
Played by: Juno Recommends Experimental
Review: Since the dawn of the decade, A Winged Victory For The Sullen has delivered occasional albums for Erased Tapes that effortlessly blur the boundaries between ambient, electronic experimentalism and emotion-stirring neo-classical music. "The Undivided Five" marks their first appearance on mighty British independent Ninja Tune, and as a result seems a little more grandiose in scale and ambition than some of their earlier outings. It was recorded in eight different studios around Europe, with the pair combining atmospheric orchestration and traditional instrumentation with occasional glimpses of modular electronics. It feels like a stunning soundtrack to a movie we've not yet seen - unsurprising given that they have previously composed a number of scores - and genuinely gets better with each successive spin.
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ZENDNL 255
01 Nov 19
01 Nov 19
9
Floating Points / Various
Floating Points - "The Sweet Time Suite, Part I - Opening" (Exclusive Kenny Wheeler Coverversion) - (2:58) 73 BPM
Review: The latest instalment in the long-running 'Late Night Tales' series has been curated by experimental beatsmith and jazzbo Floating Points. Sarah Davachi's opener 'Untitled' sets the tone: essentially seven minutes of a single modulating synth chord, it's an early warning that this is no cobbled-together collection of 'chill-out' tunes destined for Top Shop's in-store soundsystem, but instead a journey to some of downtempo music's more far-out fringes, where you'll find straight-up soul and jazz nestled up alongside 70s agit-folk, flotation tank ambience, experimental electronica and more. It might all be a little dense and daunting for the uninitiated, but Floating Points fans will lap it up.
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ALN 52
29 Mar 19
29 Mar 19
10
Review: On Scene Delete, Sasha has decided to flip the script, jettisoning his usual progressive-leaning club fare in favour of original productions that wallow in their largely beatless, ambient nature. In some ways, it's a surprise move, but in others, it makes perfect sense; his DJ and production style has always emphasized atmosphere and texture, making it perfectly suited for the ambient genre. Musically, Scene Delete has some genuinely superb moments, with the obvious Eno, Yokota, Namlook and Reich influences joined by nods to obscure new age records, early synthesizer pioneers and, on a couple of occasions, the glitchy IDM of Autechre.
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ALND 43
01 Apr 16
01 Apr 16
14
Prins Thomas, Echo Troopers, Deathprod, Yoshimi & Yuichiro Fujimoto - "Fred Astaire Session - Intro/Orgone Donor/Soundless Cries With Their Arms In The Air/Little Sun" - (7:07) 157 BPM
Prins Thomas, Bendik Giske, Supersilent, Biosphere, Elektro Nova & Bruce Russell - "Hole/13.1/Aura In The Kitchen/13.1/T03/The Movement Of The Free Spirit - The 1st Movement" - (12:47) 150 BPM
Prins Thomas, Arp, Biosphere, Deathprod, Monopot & Oneohtrix Point Never - "Wyll & Purpose/Call Me Anytime - Oneohtrix Point Never Remix/Orgone Donor/V2 Slight Return/Dronningen" - (7:32) 159 BPM
Prins Thomas, Monopot, Jaga Jazzist & Todd Rundgren - "Dronningen/Plym/Anything" (Vocal Outtake) - (4:20) 127 BPM
Prins Thomas, Stereolab & The High Llamas - "Wrap Your Arms Around Me" (Stereolab vs High Llamas remix) - (4:15) 130 BPM
Prins Thomas, Carmen Villain, Continental Fruit, Mats Gustafsson & Sonic Youth - "The Moon Will Always Be There/The Moon Was My Only Witness/Art 3 - Contrabass Sax" - (6:16) 92 BPM
Prins Thomas, Erik Wollo, Alexander Rishaug & Sun Araw - "Ody At Sea/Satellites/B - Sun Araw Saddle Soap Remix" - (3:18) 156 BPM
Prins Thomas, Bjorn Torske, Mats Gustafsson, Sonic Youth, Serena-Maneesh & Sun Araw - "B - Sun Araw Saddle Soap Remix/Arthur's Return - Extended Version/Introspection/Leipziger Love Life - Ancient Mix/Part 4 - Voice" - (9:36) 159 BPM
Prins Thomas, Idjut Boys & Bjorn Torske - "One For Kenny - Bjorn Torske Remix/One For Kenny - Idjut Version" - (7:28) 101 BPM
Prins Thomas, Bjorn Torske, Kjetil D. Brandsdal, The Orb & Owen Pallett - "H - The Orb Remix/Arthur/Komboloi/No Release - Owen Pallett Remix" - (8:56) 108 BPM
Prins Thomas, Diskjokke, Yoshinori Hayashi & Owen Pallett - "No Release - Owen Pallett Remix/Cold Out /Bit Of Garden" - (6:04) 108 BPM
Prins Thomas, Yoshinori Hayashi, Diskjokke, Meanderthals & Arp - "Bit Of Garden/Cold Out/Andromeda - Basic Idjut Version/The Past - Version By Studio/Andromeda" - (7:44) 108 BPM
Prins Thomas, Bjorn Torske, Dan Lissvik & Gammal Mungolian - "Fuglekongen - Gammal Mungolian Mix/Airwalk/G" - (11:28) 54 BPM
Prins Thomas, Matt Karmil, Biosphere, Andre Bratten & Gigi Masin - "Morals/With Their Paddles In A Puddle/Minor Misconception/Planetarium - Gigi Masin Remix" - (4:56) 119 BPM
Prins Thomas, Andre Bratten, Brian Reitzell & Gigi Masin - "Minor Misconception/Planetarium - Gigi Masin Remix/Ozu Choral" - (5:30) 120 BPM
Prins Thomas, Mungolian Jetset, Bjorn Torske & Gigi Masin - "Planetarium - Gigi Masin Remix/Mush In The Bush/Langt Fra Afrika" - (5:53) 120 BPM
Prins Thomas & Kelly Lee Owens & Elektro Nova & Brian Reitzell - "CBM/Obedience - Bjorn Torske Remix/Phase One/Phase Two Part 3/Honeycomb" - (11:53) 120 BPM
Prins Thomas, Bendik Giske, Elektro Nova, Mungolian Jetset & Ricardo Villalobos - "C - Ricardo Villalobos King Crab Remix/Adjust/T03/C - Ricardo Villalobos Knadel Prince Dub/Shelton's On A Bender" - (8:36) 121 BPM
Prins Thomas, Ricardo Villalobos & Max Loderbrauer - "Everything Is Everything" (Villalobos & Loderbauer: Vilod High Blood Pressure mix) - (3:18) 126 BPM
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STS 300DIGITAL
30 Nov 18
30 Nov 18
16
Various
Review: Music From Memory has a reputation for doing the unexpected. It would be fair to say that few would have predicted the Dutch label's decision to release a collection "electronic and contemporary music from Brazil". As usual, the Red Light Records affiliated crate-digging crew has done a superb job with Outro Tempo, which was compiled by label affiliate John Gomez. Musically, it's predictably varied but always beautiful. It mostly focuses on tracks that fuse traditional Brazilian instrumentation, percussion and musical ideas, with elements of electronica, ambient, jazz-fusion and Reich style minimalism. The accompanying liner notes do a great job in putting the collection in context, explaining how the music was often inspired by political changes within Brazil during the 1980s.
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MFM 016
24 Mar 17
24 Mar 17
17
Image-Respect-Love Anata Ga Jiyu Ni Naru Toki / Into The Blue (Haha Naru Umi Ga Rhythm De Oshiete Kureru Koto) - (5:11) 102 BPM
Played by: Manu Archeo
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MFM 062
03 Mar 23
03 Mar 23
24
Review: It doesn't get better than this... Two stand out tracks from Fluxion's seminal 2000 album Bipolar Defect are brought up to speed by another hugely respected dubsmith - DeepChords. Crisper in finish and with more hypnotic reverberations on the seashore synth ripples, Rod Modell has brought out all the aspects that made us fall in love with Fluxion in the first place and given them a contemporary studio finish. Sublime.
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SUBWAXJPN 06
06 Jul 18
06 Jul 18
25
Review: We recently saw the release of Summer Cottage Soundscapes, a spontaneously recorded debut album from atmosphere-obsessed ambient techno trio Shorelights, AKA Walter Wasacz, Christopher McNamara and Echospace man Rod Modell. Here they pop up on Subwax BCN with a surprise follow-up, delivering a warm, meditative and tactile journey. While they start said journey with a drowsy, sunset-friendly chunk of drifting ambient warmth and end it with a creepy trip into dub techno deep space, in between you'll find two more obviously dancefloor-focused affairs. While these naturally include their usual atmospheric sonic textures and gentle melodies, they're far bolder and more club-centric than the trio's previous excursion.
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SUBWAXJPN 05
16 Apr 18
16 Apr 18
32
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NUDE018SZ 4
27 Dec 23
27 Dec 23
42
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XL 1057DS
02 Oct 00
02 Oct 00
45
Played by: Dj N◉va ▶ Rodon FM 95, Juno Recommends Experimental, Dexta, Mind Field Records, Juno Recommends Ambient/Drone
Review: In the period since the release of his late 2012 album Hardcourage, Drew Lustman has founded his own label as well as dropping singles on Swamp81 and Ninja Tune, slipped out the odd remix and kept up a busy touring schedule. Where he managed to fit in the studio time for a fourth album In The Wild is not clear but a new FaltyDL long player will always be welcome. At 17 tracks long, In The Wild is Lustman's most comprehensive display of his production palette by some distance with the Brooklyn based artist using the afforded space to really go deep into his various creative impulses. It's a lot to take in immediately, but tracks such as "Frontin'" and "Ahead The Ship Sleeps" feel like FaltyDL on top form.
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ZENDNL 212
11 Aug 14
11 Aug 14
49
Review: Traditionally, the UK's Nathan Fake has been closely associated to James Holden's eternal Border Community imprint, a label that has unapologetically stuck to its particular strain of house and techno over the last decade, and a quality that has certainly contributed to its constant success. We've always been great admirers of Fake's dreamy, progressive style of house music, and we see his recent collaborations with London's Ninja Tune as the perfect move for both himself and the mighty record label. Providence, his debut LP for the imprint, stretches the realms of his style to the limit, providing us with 12 highly diverse and explorative slices of IDM-filtered pseudi-house. In reality, there is little to none pure house music in here, but Fake manages to retain a certain momentum that renders these experimental tunes both danceable and enjoyable outside of the bedroom. Deep synths collide with glowing shards of percussion and deep, hyper-space sonics; even Prurient features one of the darker, looser tunes. Recommended!
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ZENDNL 240
10 Mar 17
10 Mar 17
50
Review: if there is one collaboration that we have bowed down to over the last few years, it's most certainly this new found friendship between London's Kevin Martin aka The Bug, and American doom metal guitarists, Earth. One wouldn't immediately make the connection between inner-city future-grime music and suburban stoner rock, but the two styles were in perfect unison, and this is because they're both fascinated with dark, looming clouds of bass. Whether that's through virtual synths or badass bass guitars, it doesn't matter, because the mood is mightily present. Concrete Desert is the alliance's debut LP, and it's all guns blazing from start to finish; tunes like "Snakes vs Rats" or "Metal Drone" represent exactly the sort of freshen-up that each respective act needed - on the one hand, The Bug could have done with some more external influences to the melodic constructions, while Earth needed a new framework to enter the minds of a new, European audience. We've dubbed this style 'metal drone', and we're pretty sure that it's gonna stick after you've hit the ol' play button. Top quality stuff - highly recommended!
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ZENDNL 239
24 Mar 17
24 Mar 17
