Review: For this second set of remixes of tracks from their tenth anniversary album "Find Your Rhythm", 6th Borough Project have roped in some of their closest musical pals to provide sparkling new revisions. Predictably, all and sundry do a fine job. OOOFT! leads the way with a woozy, spacey and impeccably constructed "Deep Mix" of "Bad News", while Frederick delivers two tasty revisions of "Right Next Time", of which the driving, percussive and spaced out "Elegant Remix" is our pick. Elsewhere, Deep Space Orchestra's luscious rework of the same track is a loved-up, slow-building intergalactic treat, while the Haku Dub of "Release" is a bouncy and bounding workout rich in Red Zone style riffs and squelchy acid lines.
Review: Craig Smith and Graeme Clark have gathered together an impressive crew of producers to remix tracks from last year's 10th anniversary full-length, "Find Your Rhythm". Perhaps the most high profile of the lot, Alexander Lay-Far, provides the most stunning of the five included revisions, delivering a punchy, breakbeat-driven version of "Back Where It All Began" rich in fluttering synths, cut-up samples and subtle nods to disco and deep house. Also tickling our fancy is Afrobad's jaunty, polyrhythmic take on "Find Your Rhythm" and Deep Space Orchestra's sub-heavy, intergalactic revision of "One Way Out", which comes accompanied by lots of subtle nods towards bleep-era UK techno. To complete a brilliant package, both Matthias Schober and Jad Lee (as Jad & The) serve up wonderfully deep, floor-ready revisions.
Review: Three years on from their last full-length excursion - the fine Borough 2 Borough on Delusions of Grandeur - Craig Smith and The Revenge return with their third 6th Borough Project album. Predictably, it's a fine set, with the duo tweaking their now familiar blueprint - think sample heavy, Balearic-minded deep house built around killer grooves and impeccable production - to guarantee a slightly more eclectic listening experience. So, while there are moments of locked-in dancefloor hypnotism - see "The Weight" and acid-gospel thump of "Tainted Dub" - they're accompanied by trips into wide-eyed, loved-up two-step territory (brilliant closer "Back Where It All Began"), seductive, synth-heavy dreaminess (Paul Joseph hook-up "Find Your Rhythm"), intoxicating downtempo chuggers ("Someday"), and much more besides.
Review: Here, Graeme Clark and Craig Smith hand over tracks from their recent sophomore album, Borough 2 Borough, to a trio of fast-rising deep house starlets. The results are predictably fine, with Dutch producer Ben La Desh providing the real standout. His version of "Walk Away", all tactile rhythms, wide-eyed electronics, smooth chords and blissful melodies, is unflinchingly Balearic despite its obvious deep house roots. Wolf Music regular Fantastic Man offers up a more upbeat but similarly fluid and melodic take on "Read My Mind", while Uncanny Valley's Cuthead delves into his box of tricks to deliver a warm, humid, scratchy and cowbell-laden interpretation of "Back 2 Black".
Review: It's three years since Craig Smith and Graeme Clark impressed with One Night In The Borough, a landmark album that epitomized all that was good about the cut-and-paste, disco-sampling deep house scene of the time. This sophomore set offers more of the same, delivering tracks that ride a range of tempos in their trademark deep, loopy, hypnotic and pleasingly baggy style. While there are plenty of surprisingly supple, heavily electronic uptempo cuts on offer (see "Feel", the disco rush of "In Your Arms" and the classic, Frankie Knuckles-ish US house of "Read My Mind"), they're still at their best when operating at a slower tempo, as the deliciously jazzy "Walk Away" and sensual throb of "Through The Night" neatly prove.
Review: A long-awaited taste of what to expect from their forthcoming sophomore set Borough 2 Borough, this trio of deep, groove-laden treats from Craig Smith and The Revenge's 6Th Borough Project have been long-awaited. "In Your Arms" has Balearica stamped all over it; concentrated house euphoria with sun-splashed keys and a perfectly executed disco vocal sample, it will melt the heart of everyone in a three mile radius of the club. "U Know U" is just as slow and steady but comes with a more electronic make-up that's almost Italo in its delivery. Gradually developing momentum with classy drama, it's instantly timeless. "Read My Mind" closes this spectacular show with a nagging, hooky tech piece that drives with a sharply edited piano riff, hushed vocals and an ever-morphing rhythm. Beautiful.
Review: Having put their Instruments of Rapture label to sleep, Craig Smith and Graeme Clark return to Delusions of Grandeur. With its shuffling, late night groove, delay-laden atmospherics and sub-bothering, bleep-era bassline, "The Vibes" is arguably their darkest and toughest release to date. It's predictably good, though, sitting somewhere between Morales' darker Red Zone moments and early '90s UK techno. Chicago Damn joins in the fun with a thumping, edit-heavy remix, all fuzzy chords, vintage percussion and old skool vocal stabs. Bluesy bonus track "New Day" - a kind of 6th Borough take on "Deep Burnt" with balls - is pretty tasty, too.
Review: Thanks to three previous 12" and digital samplers, most of you will have a fair idea what to expect from this debut full-length from Scottish house-disco fusionists Graeme Clark and Craig Smith. It's still very much worth listening to the album in its entirety, though. Clearly designed as a proper album to be listened to in sequence, it's beautifully programmed and packs a whole skipload of great ideas (not to mention brilliant samples) into a thoroughly entertaining 90-miniute journey. While it only occasionally strays from house - check the downtempo delight "Settle" - there's plenty of variety within that, touching on classic NYC deepness, loopy disco/house heaviness, sensual slo-mo grooves and string-laden tech-house builders.
Review: Scottish duo Graeme Smith and Craig Smith aka 6th Borough Project present the third and final sampler ahead of the release of their debut album, kicking off with two surprisingly house dominated cuts, "B.U.R.T" and "The Fool", whose intro does indeed fool via a standard tech house first half. Abruptly, the music cuts and from nowhere an immense disco accapella cuts in - the beat returns as a disco fuelled funk attack, 6th Borough Project as we know (and love) them!
Review: This second sampler for Craig Smith and Graeme Clark's excellent debut album once again sees them in fine form. While three of the four tracks stick to their tried-and-tested formula - rock-solid deep house built on heavy, head-nodding loops, long, lazy builds and cute, killer hooks - there's plenty to get excited about. The distinctly old skool "Back To Me" (check that analogue bassline) and hynotic head-nodder "Deep C" stand out, with "BURT (The Journey)" not far behind. The most revelatory moment, though, is "Settle", a dreamy downtempo concoction crafted from syrupy soul samples, echo-laden beats and sinewy strings that sounds like an updated version of Minnie Ripperton's more sensuous moments.
Review: One Night In The Borough, the debut full-length from Scottish disco/house fusionists Craig Smith and Graeme "The Revenge" Clark, is arguably the best thing either producer has done yet (and certainly collectively). This first sampler 12" showcases four of the album's many highlights, offering plenty of loopy, floor-friendly grooves for those who like their house with more than a dash of original disco flava. Choose between the slo-mo MDMA soul of "If The Feeling's Wrong" (our pick), the urgent stomp of "Find A Way", the smart retro house vibes of "Changin" and "Iznae", a delightfully stripped-back chunk of late night deep house bliss.