Review: Given that he founded the label two years ago this month, it's something of a surprise to find that Heart Breaker is Danny '80s Child' Worrall's first release on Masterworks Music. As usual, the five re-edits on offer mine the producer's vast collection of '80s electro, P-funk and synth-soul for inspiration. Opener "Dancing Real Close 2 U" is a subtly beefed-up rearrangement of a P-funk/'80s soul fusion, while "The Next Step" is a Tiger & Woods style electrofunk-goes-house loop jam. He changes the formula a little on the organic disco cheeriness of "Love Is U", before reaching for the hairspray on the Jam & Lewis-on-steroids vibe of "Closer 2 Your Luv".
Review: Warrington-based 80s Child is turning into a one-man re-edit machine, delivering floor-friendly touch-ups of synth-heavy electrofunk, 80s soul and boogie jams on a regular basis. There's naturally much to admire about this third EP for regular home Midnight Riot, from the rolling boogie-house revision of stone cold classic "Flashback" - all carefully cultivated loops, filters and metronomic pulse - to the chiming synthesizer melodies, vocal breakdowns and delay-laden drums of "This Love". Arguably best of all, though, is the heavyweight swing, looped vocals and killer synth bass flex of "Run From My Love", one of his strongest rubs to date.
Review: Warrington-based 1980s obsessive Danny "80s Child" Worrall tends to eschew the obvious, delivering re-edits of '80s soul jams and overproduced, mid-'80s electrofunk curiosities. He's at it again here, dropping five more soulful, synth-laden nuggets for the Midnight Riot label. There's some saucer-eyed '80s soul in the shape of the touchy-feely "Missing", some gigantic, radio-friendly synth-rock ("Control"), and a dash of deliciously smooth, slow-dance fare ("Kiss U"). Better still is the New Jack Swing-flavoured dayglo rush of "Be Together", and "All Alone", a riotous electrofunk jam built around a familiar bassline and Shep Pettibone style drum edits.
Review: Following a pair of well-received outings on Ruben & Ra's Retrospective imprint, 1980s re-edit specialist Danny Worrall pops up on Midnight Riot with another five-track collection of electrofunk rubs. There's plenty of party-starting fodder on show, from the bustling horns and rubbery grooves of opener "Make You Mine" to the Prince style Purple Funk throb of "Hot", and shiny synths and looped vocals of "My Future is Clear". Arguably best of all, though, is the sumptuous '80s soul re cut "Secret Love". There's also a version of Hall & Oates "I Can't Go For That", though it barely changes the original's winning formula.
Review: Seamus Haaji has gathered together a suitably impressive cast of producers for this fourth volume in his Re-Loved label's "All Stars" series of EPs. Conan Liquid kicks things off with a heavily compressed chunk of Clavinet-sporting, delay-laden disco house (the fittingly titled "Hot"), before Frank Virgilio flexes his muscles (and squelchy synths) on the down-low P-funk/disco-funk fusion of "Bite My Groove". Chewy Rubs steals this show with an even more tooled up version of what sounds like a Motown style 1960s soul stomper (the bounce-along heaviness of "Good People"), while Danny "80s Child" Worrall serves up a breezy, colourful and cheery rearrangement of a percussively stuttering '80s soul gem.
Review: DJ Butcher has gathered together an all-star cast for this latest re-edit missive on his always on-point ChopShop label. Experienced scalpel fiend Leftside Wobble kicks off proceedings with "Dope Love", a heavyweight, hip-hop style funk cut-up that makes great use of Candi Staton's vocal from "You Got The Love". Fast-rising, Warrington-based boogie lover 80's Child weighs in with a deliciously glassy-eyed chunk of downtempo soul, before the lesser-known Love Drop delivers "To Prove My Love", a great blue-eyed soul/AOR disco shuffler made from a classic chunk of West Coast stoner rock. Finally, West Country producers Situation steal the show with "Jay Bee", a tasteful James Brown re-work that bobs and weaves in all the right places.
Review: There's a reason that Midnight Riot's eponymous compilations frequently charge to the top of the Juno Download charts. Put simply, they never disappoint. This ninth installment sticks to the now tried-and-tested formula - house-friendly re-edits and originals from across the disco, boogie, soul and funk spectrum - but predictably hits the spot throughout. As usual, there's a bonus mix - this time put together by globe-trotting scalpel jockey Rayko - and tracks come from both label regulars ('80s Child, Ziggy Phunk, Chewy Funk) and an impressive array of new or unheralded talents. It's in the latter category that you'll find some of the most impressive fare - see Phil Jaimes deliciously Balearic "Nowhere To Hide" and Cosmocomics' kaleidoscopic synth-funk jam "Mary Jane" - though the standard remains pleasingly high throughout.
Review: If tooled-up, house-friendly disco and boogie reworks is your thing, you should already be familiar with Seamus Haji's Re-Loved label. Here the long-serving DJ presents an expansive collection of high-grade edits, revisions and remixes from the label's recent past, plus a couple of bonus all-action DJ mixes. There's naturally not enough room to list all of the highlights, but our current favourites include the celebratory disco-house bump of Birdee's "Start The Weekend", a tasty combo of Class Action vocal snippets and sweeping, string-laden peak-time riches, the percussive Afro-disco/deep house fusion of Frank Virgilio's "Clouds", the sweaty, horn-heavy bump of Hotmood's bustling "We Got It", and the kaleidoscopic electrofunk colour of '80s Child's boogie-soul re-rub "Comin' Back 2 U".
Review: You're only five years old once, so why not celebrate in style? And here Warrington lad Danny Worrall's disco and re-edits label Masterworks Music do just that, with an anniversary collection packing a whopping 50 back catalogue nuggets. You'll excuse us the full track-by-track, then, but suffice to say that this is the label that helped launch the careers of Dr Packer and Natasha Kitty Katt, both of whom feature here, and with names like Ziggy Phunk, Rayko, Alkalino, Chuggin' Edits and Fabiolous Barker also on bill, you should already have a pretty good idea what to expect. Classy stuff all round, and a great VFM package - here's to five more years!
Review: The first "Masterworks Legends" compilation saw label boss Danny Worrall giving digital debuts to a whole host of previously vinyl-only cuts. We're not sure whether he's taken the same approach this time round, but the quality of the material remains pleasingly high. Beginning with Dr Packer's hot-to-trot revision of Kiu D's Blaxploitation disco workout "Dynamite", Worrall offers up a swathe of hypnotic, disco-tinged house head-nodders (Ooft's "I Am Love" being a glassy-eyed standout), tasty '80s electrofunk revisions (Woodhead, The Silver Rider, Coutel, his own '80s Child project), thumping disco club cuts (Natasha Kitty Kat, Kiu D, James Rod, Ponchartrain) and sparkling nu-disco box jams (Gradient Logic). If you're looking for more tried-and-tested treats to pep up your sets, you should add this to your cart right now.
Review: If you dig Masterworks Music's celebratory, feel-good approach to disco re-edits and reworks, we'd advise picking up this bulging, 26-track collection of killer cuts from the label's recent past. It begins with a superb disco-funk cut-up by The Funk District and ends with a smooth, rolling and glassy eyed boogie-era disco revision by Saskin S that's almost worth the admission price on its own. In between, you'll find a swathe of superb revisions from some of the edit scene's finest - South Beach Recycling, Hotmood, Chewy Edits and Dr Packer included - with the selected tracks variously touching on electrofunk, boogie, P-funk, Latino disco and super-sweet '80s soul.
Review: To kick-start a fourth year of disco-fuelled madness, Hot Digits chief Fingerman has put together this sizeable compilation of previously unheard exclusives. As you'd expect, there's far more killers than fillers to be found amongst the 28-track deep selection or re-edits and original productions. Highlights include the clarinet-laden electrofunk-meets-disco bounce of Frank Virgilio's "It's Your Boogie Baby", the disco-goes-hip-hop flex of Tony Disco's delicious "Rolling Paper", the sparkling nu-disco goodness of "When It Comes To Funk" by Stephen Richards, the driving disco-house bump of Ash Reynolds' "Cold Girl" and the fuzzy electrofunk wobble of Don Dayglow's "Many Things". Throw in fine contributions from Chewy Rubs, Le Visiteur, norse man Jarle Brathen and, of course, Fingerman, and you have a must-buy collection of cuts.
Review: We should probably think of this tasty compilation as an early Christmas present from Danny Worrall's Masterworks Music imprint. Removing the gift wrap reveals a veritable selection box of disco, boogie and nu-disco treats. Worrall kicks things off with the wiggly synth lines and looped grooves of "What Would You Do" (a re-edit of a well-known, singalong synth-disco anthem) before handing over the reins to a succession of well-regarded re-editors and producers. Highlights come thick and fast, from the sax-laden disco-house bounce of Hotmood's "This is How I Do" and the Clavinet-sporting disco-funk throb of the Funk District's "Holiday Bounce", to the soaring peak-time disco of Downunder Disco's "Party Down" and Chewy Rubs' cheeky, Moodymann-meets-Todd Terje loop jam "Future Love".
Review: Nu-disco hero 80s Child has come a long way since Masterworks Vol 1, the inaugural release on his Masterworks label a year and a half ago. Now we have the follow-up and it reveals how the label's sound has grown. There are 26 sizzling bangers on board this time, boasting a million delirious dance floor moments. Highlights of which include the fizzy thump-funk of 80s Child's "Computerized", Peza's doomy analogue electro mash up "Filmed Message" and the smooth, synthetic boogie of "Much Too Much" by Deelicious.
Review: The first installment of the Masterworks' Bag Of Tricks series went down a treat upon its summer release. Now it's the autumn and they've rustled up some more edits, 15 in fact, again featuring some big names on the nu-disco scene. This new comp will one and all swinging from the rafters from fireworks parties to Christmas knees-ups. Highlights include the Cathy Dennis-sound-alike cowbell jam "You Know How" by RobJamWeb, the swaggering guitar strut of "The Walk" by Silver Rider and Rabo & Snob's quirky, perky hiNRG pumper "Harry Rama".
Review: Fresh from the runaway success of his brilliant "Sunny Bigler" single, Leon Sweet has been installed as the man behind the decks for the second volume of Paper Disco's Trash The Wax series. Sweet's two-hour DJ mix is excellent, of course, but it's the unmixed tracks - a combination of unheard bits and recent Paper gems - that make this compilation essential. Expect a range of re-edits and original tracks that variously touch on nu-disco, Italo, boogie and, of course, house. Highlights are plentiful, and include a trippy slow acid version of The Balearic Beat Boy's "Waiting For Me", a typically rubbery mid-80s soul re-cit from 80s Child, and a killer, filter-heavy rework of Melba Moore by Neil Diablo.
Review: Having already carved a decent name for himself in the nu-disco universe, 80s Child (aka Danny Worrall), now turns his hand to running labels. Masterworks is his new imprint, and this eponymous compilation is its debut release. It's a total all-you-can-eat buffet of contemporary disco, featuring a whole host of familiar names. There are a whopping 23 tracks on here, some of the best include Tomas Malo's sultry grinder, "After The Rain", Yam Who?'s bouncy sunkissed disco joint "Find Out" and the digi-freestyle breaks of TV's "Love Situation".
Review: To help turn a Halloween house party into something like the Rocky Horror Show or Michael Jackson's "Thriller" video, let Nude_isco's Night Of The Living Edits scare those trick-or-treaters away. There's jamming horror P-funk from Swifft Edits, '80s pop, rock and disco from 80s Child, a floor-filling edit of Talking Heads' "Psycho Killer", and some Afrika Bambaataa inspired electro from Funk Hunk - with plenty more shocks and horrors to devour.
Review: We Mean Disco! deal in quality and they also like to tease - they released a short preview of their latest comp a whole month ago, whetting appetites to a frenzy. Well, Allstar Nuggets Volume 3 is finally here and it's bursting with a whopping 26 pumpers including the chrome and carpet slap-bass jam "Double Express", the breezy Eurodisco of Butch Le Butch's "He's So Shy" and Max K's uplifting retweak of Tullio De Piscopo's hazy classic "Stop Bajon".