Review: Following a release on its sub-label, Nick Harris brings his A Sagittariun project to Hypercolour. The title track resounds to cinematic orchestral flourishes and moves rather skilfully from rolling break beats into dance floor friendly kicks. "The Pathway" offers no such musical distraction and centres on tough, insistent kicks, a succession of filtered breakdowns and splintered percussion. To mark his appearance on the label, Hypercolour have commissioned US producer Matrixxman to rework "The Pathway". Taking the tempo down, his version has a cavernous, spacious feel. The kicks feel like they are submerged, but Matrixxman keeps the dance floor focus thanks to the use of rickety percussion and wild horn stabs.
Review: London/Bristol based tech house institution celebrates a decade in the business. They've seen a few faces and phases, tech-wise or otherwise but at the end of the day remained consistent in their pursuit of quality grooves. Alex Jones and Jamie Russell present some great music here and there are many highlights. From electronica legends such as Warp's Luke Vibert, minimal house pioneer Matthew Herbert (with the deep and dusty microhouse of "Downgraded") as well as techno's one time enfant terrible Neil Landstrumm through to new favourites such as Swedish hypnotic techno hero Sebastian Mullaert (the tunnelling "Shadowed By I"), Italian hardware mavericks The Analogue Cops plus up and comers Yaleesa Hall x Malin Genie with the banging' "Buchan Trap". We applaud the label for their ability to keep on the pulse of the ever changing electronic music landscape and heres to another ten years.
Kerrier District - "Techno Disco" - (4:40) 112 BPM
Tom Demac - "Four Leaves Right" - (7:54) 120 BPM
Luke Vibert - "Stabs Of Regret" (FaltyDL remix) - (3:52) 95 BPM
Garnier - "Confused" - (10:38) 130 BPM
Lucretio - "Vampire Killer" - (6:22) 134 BPM
J. Wiltshire - "False Awakening" (Tuff City Kids remix) - (6:45) 128 BPM
Last Magpie - "Separation" - (9:09) 126 BPM
A Sagittariun - "Delta House" - (6:33) 107 BPM
Zoe Zoe & Enoah Ballard - "1234" - (5:41) 124 BPM
Losoul - "Time & Space" - (8:11) 122 BPM
Roberto Clementi - "Novism" - (5:56) 122 BPM
Review: London's Hypercolour crew have now become synonymous with quality house and techno, and although they are originally rooted in the UK strain of the genres, recent years have brought along a whole new heap of styles and talent on their catalogue. First up, we should give credit to Axel Boman and the ridiculously hummable tech-house groove that is "Depression 01", followed supremely by a hard-hitting house banger in the name of "Lynn" by the unstoppable Dense & Pika. Other choice cuts on here include Kevin McPhee's nasty "CC-XXX-YY-NNNNN", Jimmy Edgar's sexier-than-ever "Hush", Lucretio's smooth "Vampire Killer", and...of screw it, it's all pretty damn killer. HOT.
Jimmy Edgar - "Hush" (Kyle's Detroit Retro Metro remix) - (6:30) 124 BPM
Tom Demac - "Obstructing The Light" (feat Duncan Edward Jones - original mix) - (6:51) 110 BPM
Review: There's something quite insurmountable about the Hypercolour back catalogue, stretching as it does through vast swathes of quality house and techno material back to 2006. Thankfully the good folk at the label have consolidated some more of the finest gems off those releases and bundled them together for a one-hit fix of high quality gear that sits left of centre. Whether it's Space Dimension Controller remixing Luke Vibert or Rolando tackling A Sagittariun, the tones are rich and diverse on all fifteen tunes, without a single dip in the quality. Our pick would be the angular delights of JoeFarr's "Trapington" with its squashed soul in amongst rough and tumble drum science.
Review: As the title of his latest release suggests, mystery man (or woman) A Sagittariun has been around for a while. It's no surprise then that this release, like the rest of his catalogue, draws on older sources for inspiration. "3--4-3" is constructed from clipped drums, a shuffling rhythm and features the kind of wide-eyed, jazz-tinged keys that you'd associate with classic Prescription releases. Rolando's version of the track features this melodic element, albeit underpinned by a tough, linear rhythm and splintered percussion, while label boss Alex Jones' version is all about a splurging, noisy bass and a low-slung rhythm. The best track on the release however is "Delta House", a slower groove full of demented jazz squalls and a woman moaning ecstatically.
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