Review: This collaboration, originally released last year on Adam Beyer's label, now gets two different but equally effective remixes. First up is the Pleasurekraft pair with a peak time version. Underpinning the original track's vocals with a visceral bass, heads-down drums and murky riffs, it strikes a flawless balance between being functional and Pleasurekraft's idiosyncratic sound. John Monkman, who has released on Kompakt and Crosstown Rebels, has also supplied a remix. At first, his take sounds understated thanks to its low-slung rhythm and a more subtle use of the vocals, but a series of drum rolls quickly propel it towards the big room.
Review: "Teach Me" was originally released on Drumcode back in 2014 - and now label boss Adam Beyer hands the creative reigns over to Amelie Lens to provide two storming remixes. Unless you have been hiding up a gum tree for the past few years, it will have been impossible to have avoided her rise to stardom. Releases on Second State, Elevate and Arts, as well as unmissable gigs have raised her profile faster than her peers - and these reworks provide an insight into Lens' popularity. The main mix is a bruising, grungy workout that drops and builds to the sound of vocal samples, rolling break beats and a visceral bass. Meanwhile, the acid version will sear its way into your consciousness with a 303 line that stings as badly as a dying wasp.
Review: Drumcode head honcho Adam Beyer and Chicagoan legend Curtis Jones (aka Green Velvet) had discussed writing music together for a long time. Also, Beyer's protege Layton Giordani had admired the mohawked Jones' work for as long as he could remember. When he got to DJ alongside him at Belfast's Shine - the spark and subsequent friendship was immediate. The outcome of this respected trio's musical journey comes in the form of "Space Date" which will be familiar to many who've followed their sets over recent months. Featuring a relentless main room stomp with steely hats and droney synth leads, all accompanied by Green Velvet's trademark vocal delivery. The thunderous peak time energy of "Rome Future" is likewise guaranteed to rock the house - that killer Reese bassline particularly is sure to blow the doors off!
Review: A big congratulations to Adam Beyer and his esteemed Drumcode imprint celebrating 20 years in the business. His techno powerhouse has continuously and effortlessly remained relevant, championing the work of fellow Swedish legends Cari Lekebusch, Joel Mull and Christian Smith, to late noughties heroes like Paul Ritch, Kyle Geiger and Pig & Dan to present day stars like Nicole Moudaber, Joseph Capriati and Luigi Madonna. There's a lot of serious peak time artillery on here, rest assured. But for us, the highlights weren't limited to Alan Fitzpatrick's uplifting and downright epic "Terra Firma" with its massive drop, head honcho Beyer and Mark Reeve's "Nine Of You" with its darkly fierce and tunnelling groove plus Truncate's killer remix of Dustin Zahn's "Miss You". Honourable mention to newcomer Boxia; he's surely one to watch if the banging "Revolution" is anything to go by!
Review: The boss is back! The legendary UK pioneer and Bedrock head honcho gives us a live set from Canada's second city, complete with crowd noise. Digweed's knack for sniffing out the most cutting edge progressive and tech house grooves is second to none and you can bet that this set is chock block full of narrative, innovative grooves: one journey you'll never forget! Featuring contributions from Germany's Recondite ("Tame"/"Baro"), Glasgow's Sei A ("You Can Bring"), Berlin's Smash TV ("Cascadia"/"God Key") and Los Angeles' Eagles & Butterflies amongst a host of other big names. Also comes as six continuous mixes for your listening pleasure. Enjoy!
Review: One of Europe's biggest electronic music parties sets out an impressive taster for this year's event. Mixed by French DJ/producer Brodinski, it moves from the deranged, siren-led "Slope" by Joe, through the swinging techno of Randomer's "Bring" and the chord-heavy groove of Brendon Moeller's take on Appleblim & Peverelist's "Over Here" before moving into more raw forms. This is articulated by the rough analogue jack of Marquis Hawkes' "Outta This Hood" and the firing, lean techno of Robert Hood's "Protein Valve (Edit 1). Brodinski also deserves kudos for dropping the grainy, surging bass and crisp drums of Claro Intelecto's rumbling electro killer, "Tone"