Review: London G Anton returns to Plastician's Terrorhythm imprint with four synth-snapping jams that poke, provoke and prod the broad underbelly of futuristic bass music. No matter how dark or light, though, every track boasts smooth, well-polished veneer; the carnival of bleeps that is "Swaggy" (think Doshy or the current output on Shadow's Liquid Amber), the smooth talking chips-down emo soundtrack of "Blue Bubbles", the moody piano-stroking blues and gnarly bass development of "Murder" and the loopy, siren-zapped slo-mo footwork flavour of "Ferris Bueller". No days off for Anton for the foreseeable.
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