Review: Again with the very unique sounds of Lobster Theremin we are treated to some truly experimental composition here as ASOK brings forward four stunning creations. We begin our journey with the emotional soundscaping and shuffling subtle percussive processes of 'Hex', before landing on the more expansive breaks work on the title track 'How It Is'. Next, we find ourselves treading into a more up-beat design in 'Hyperspace', again packed with well cleaned rolling breaksy drum works and expansive pads, before we finish up on the nostalgic waves of 'We Are', rounding up proceedings perfectly.
Review: For his debut release on Lobster Theremin, ASOK aka Stu Robinson goes deep. The title track features rolling break beats, layered textures and a smokey vocal sample. "Frontier" is based on a similar approach, although this time the rickety 808s underpin a melancholic feeling and a brooding, dark bass that works its way through the arrangement. "Nowwhat" sees a flurry of dense, rhythmic activity, with Robinson dropping wired tonal sequences and eerie chords, while he closes out this atmospheric, moody release with "It's Over". Featuring the same type of vocals as the title track, it unravels over tight electro drums and woozy filters
Review: Stu 'Asok' Robinson has come a long way since making his debut on Use of Weapons in 2012, progressively moving further towards the analogue-rich sounds of vintage Motor City techno. The Liverpool-based producer's full conversion to the Detroit cause can be heard on this sampler for forthcoming debut album A Mind Forever Voyaging. Robinson begins with the intergalactic ambience of "6800", before blending classic Motor City chords and punishing broken techno beats on the impressive "The Killing Game Show". Finally, he pushes a pounding kick drum to the fore on the Model 500 influenced throb of "Loom (Special Beats Mix)".
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