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Audiojack

Browse the latest digital releases by Audiojack
Surface Tension
Subterranea - (7:19) 120 BPM
Under Your Skin (feat Kevin Knapp) - (4:38) 115 BPM
Binaural Dreaming - (4:01) 89 BPM
925 Shift - (5:39) 125 BPM
Easy Rider - (6:13) 126 BPM
Psychoactive (Part 1) - (7:37) 128 BPM Hot
Psychoactive (feat William Letford - Part 2 - extended dub version) - (6:46) 130 BPM
Feels Good (feat Jem Cooke) - (6:39) 126 BPM
First Dawn (feat The Silver Reserve) - (6:29) 116 BPM
Surface Tension (Story version) - (1:04:00) 126 BPM
Review: Following up the lead single "Under Your Skin" with Kevin Knapp, veteran duo Audiojack of Gruuv Recordings fame finally unveil their full length album on Crosstown Rebels. The Leeds natives James Rial and Richard Burkinshaw last served up an LP back in 2009, so it's another career high for the pair and features a diverse array of moods and grooves across 10 tracks. From the balearic downbeat chill vibe of "Binaural Dreaming", to the funky and bass-driven tech house of "Easy Rider" or similarly the acid laced "Psychoactive" (Part 1) which are more typical of the pair. Not to mention the utterly euphoric second single "Feels Good" featuring vocalist Jem Cooke, its a cohesive effort by these staples of the Ibiza party circuit.
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CRMLP 046
30 Apr 21
Deep House
Feels Good
Feels Good - (6:39) 126 BPM Hot
Feels Good (Patrice Baumel remix) - (7:24) 126 BPM
Review: Earlier in the year Audiojack teased their forthcoming second album, Surface Tension - their first full-length excursion for 12 years - with a pleasingly off-kilter and bass-heavy cut featuring an atmospheric vocal from Kevin Knapp. 'Feels Good', which features storied singer Jem Cooke, is also taken from Surface Tension. It's arguably even better than its predecessor, with Cooke's delay-laden vocals riding crunchy drum machine percussion, ghostly chords and a restless, rolling electronic bassline. The accompanying Patrice Baumel remix is simply stunning, too, with twinkling piano motifs and atmospheric stabs rising above a smoother but weightier, kick-drum driven groove. As it progresses, Baumel introduces sparkling synths and richer chords, taking an already excellent track into the stratosphere.
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CRM 251
23 Apr 21
Deep House
Under Your Skin
Under Your Skin (Club Cut) - (6:37) 126 BPM Hot
Under Your Skin - (4:38) 115 BPM
Under Your Skin (Pearson Sound remix) - (5:05) 115 BPM
Under Your Skin (Pearson Sound Skeleton dub) - (4:50) 115 BPM
Review: Crosstown Rebels follows up a killer album by drum & bass legend DJ Krust with this new one by Gruuv main men Audiojack, who team up with American expat in Berlin Kevin Knapp. The result is "Under Your Skin", an off-kilter and experimental cut that's quite unlike anything you've heard from the producers before, with its intoxicating and bass-driven vibe that's perfect for the chill-out or warm-up alike. With this in mind, it receives a remix from quite the suitable candidate in the form of Pearson Sound. The UK bass hero taking the track into the more hypnotic realms in pursuit of his typically low end theories.
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CRM 247
19 Feb 21
Minimal/Tech House
Inside My Head
Inside My Head - (7:40) 125 BPM Hot
Behind The Curtain - (6:51) 125 BPM
Review: Following impressive outings on Gruuv and Knee Deep in Sound, Leeds-based tech-house stalwarts Audiojack return to Crosstown Rebels for the first time since 2017. It's the long-serving production partnership's first release of the year and contains two typically on-point cuts. "Inside My Head" sees the duo doff a cap to fellow Leeds dance music royalty Nightmares on Wax via a heavyweight, bass-heavy peak-time workout that utilizes the same Cuba Gooding vocal sample as the veteran Warp act used on their 1990 cut "I'm For Real". As tribiutes go, it's rather good. There's a little more funk to the swinging tech-house/hip-house fusion of "Behind The Curtain", where rap samples and jammed-out electric piano lines ride a sweaty but rubbery groove.
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CRM 211
01 Mar 19
Minimal/Tech House
No Equal Sides EP
No Equal Sides - (7:36) 122 BPM Hot
Tunnel Vision (feat Stee Downes) - (5:53) 120 BPM
In Principle - (7:26) 120 BPM
Review: Mainstays of 20:20 Vision, Audiojack return with a full-bodied three tracker of tech house delights, starting with aplomb on the peak-time belter "No Equal Sides". There's a sugary-sweet melodic hook that rises and falls in the comparatively dark mix of raw drum hits and throbbing sub bass to create an alluring nocturnal blend which begs for you to raise your hands in appreciation. Changing shape as the track ploughs on, the brief moments of daylight make this an unstoppable club smasher. On "Tunnel Vision" the pair enlist Stee Downes for some assistance and opt for a more mellow, broken beat affair, while "In Principle" embraces that broken flavour further with another restrained but devoutly cheeky party juicer.

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VIS 230D
02 Dec 12
Deep House
Get Serious EP
Get Serious - (7:48) 124 BPM Hot
Definition Of A Track - (6:44) 126 BPM
Polka Dot Dress - (6:52) 124 BPM
Take It Back - (9:19) 125 BPM
Review: Given the 1990s style 20:20 Vision label artwork employed on this release, it would be safe to say that Audiojack have gained plenty of inspiration from the Leeds' imprint's now distant past. From start to finish, the Get Serious EP sounds like the sort of record that could have been made in the 1990s by the label's trio of founders - Huggy, Ralph Lawson and Carl Finlow. With clear influences from Prescription Records, early tech-house, bumpin' New York grooves and dubby Nottingham deep house, Audiojack have made an EP that sounds both curiously current and decidedly old. It certainly makes for an entertaining four-tracker.
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VIS 216D
13 Nov 11
Deep House
Audiojack EP
No Rest For The Wicked - (8:04) 125 BPM
Mind Games - (8:50) 125 BPM Hot
No Rest For The Wicked (HOSH) - (8:21) 120 BPM
Mind Games (Luna City Express) - (6:46) 125 BPM
Review: Audiojack goes back to the old school for this release. "No Rest for the Wicked" may have the benefit of modern day production techniques, but at its heart is a timeless progressive house bassline and insistent piano keys that are reminiscent of "Plastic Dreams". HOSH's remix gives the keys that shimmering feeling that Derrick May's productions used to exude and Luna City Express's version opts for a more tribal take. However, it's Audiojack's own "Mind Games" that impresses most with its humming bass, 'life' vocal sample and emotive techno chords last heard on classic Inner City releases like "Good Life". Get into it!
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GRU 009
10 Oct 11
Minimal/Tech House
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