Review: Teniente Castillo's Madrid-based disco/nu-disco imprint Play Pal Music got off to the perfect start last year, delivering a sweet compilation of re-edits, reworks and original tracks that found its way into the playlists of many top selectors. This follow-up repeats the formula, delivering a wide range of goodness, from the string-drenched nu-Balearic goodness of Trip Guitar's "El Vuelto", to the baggy, horn-heavy, filter-sporting disco-funk revivalism of Disco Tech's "Let Me". Highlights are plentiful, from the superb re-edits of Get Down Edits (whose touchy-feely "Holdin' Me Back" is excellent) and Beaten Space Probe (check "Gotta Play Funk", with its woozy synth doodles), to the heavy electrofunk of Juan Laya and Thomass Jackson.
Review: Further proof of the constant rise of Mexican post-disco (or should that be post nu-disco?) arrives in the shape of The End Has No End, a seven-track mini-album from Mexico City-based twosome Avanti. With a delightfully slow tempo, rubbery post-punk bass, dubwise effects and crazy industrial funk sax aplenty, it comes on like some kind of long lost early '80s Latin space funk masterpiece. There's plenty for those of a horizontal persuasion to enjoy, from the low-slung grittiness of "Take It" and smacked-out post Balearic groovery of "Final Discourse", to the weird-out guitars and stuttering synth-bass of "Dead End". Recommended.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.