Review: Roll up, roll up! Break Beat Paradise present a clash of the party breaks titans, DJ B-Side Vs DJ BadboE. Both acts have released party fodder separately before, now though they're together in this mean soundclash (actually BadboE is the label owner). This time there are four tracks all in the trademark party breaks vein beginning with the electro-funk-rap jam "Funk Me Again", before Usher gets a go-go sing along makeover on "Rewind It Back". Next "Do You Wanna Ride" sees vintage big band samples blend with hip-house and finally "Get Busy" ends with a Groove Armada/lush disco fusion. Boom!
Review: A ridiculously fun remix package of Danish breakbeat guru Badboe. For the uninitiated, Badboe has developed a style that has clear echoes of 60s and 70s funk yet still fits seamlessly into the modern musical landscape. This man has dipped his toe in almost any genre you care to name - from house to trance; hardcore to trip-hop. On Break The Funk we see his superlative breakbeat jams remixed by the genre's cognoscenti, with the insouciant Fuzzbox Inc remix of "Lose Your Funky Self" and the junkyard percussion on the Pulp Fusion reshape of "Funky Intro" among the many highlights on offer here.
Review: In December 2012 Badboe dropped his killer debut album. In December 2013 Badboe dropped the remix album. Now, as we near December 2014, we're being treated to the instrumentals. And they're worthy additions to the collections even if you have got the previous projects. Highlights include the meandering horn stories on "Ghetto Funkalicious", the dubby funk bubbles and warm skank of "One Of Those Days" and the smoky come-to-bed vibes of "In A Hurry". Pump Up The Funk just keeps on giving - we can't wait to see what comes this time next year.
Review: Dj Badboe treats his four-track Pump Up The Funk EP to a grandiose remix package on his own Breakbeat Paradise Recordings. Although it's an EP categorised as breakbeat, a lot of the remixers draw influences from elsewhere, like the hip house Beastie Boys rap rock of Kool Kertz remix to "Introducing", or the soul cut-ups of the WBBL's remix to "Ghetto Funkalicious". The Captain looks to bit crushed, bleeping disco in their remix to "Sweet Games" while pop music similar to Lily Allen mixed with electro swing defines Listen To The JPOD's remix to "Hit The Maestro". Other styles embedded into this versatile package includes big beat (similar to Fatboy Slim), '90s UK house in (Chuddy's remake of "Green Power Funk") to chunky dub step. All bases, here, are covered.
Review: Boe "Badboe" Pedersen has always been one of he more reliable sources of floor friendly, funk-laden breaks jams. While his style sticks to the tried-and-tested, there's a quality present that's often lacking in similar breakbeat productions. Pump Up The Funk, his second full length, has plenty of dancefloor chops. It features a range of cuts created using snappy rhythms, familiar hip-hop samples (Missy Elliot and Redman are both notable inclusions) and fat funk grooves. There's a casual swing and groove to the material that's endearing, too - something that can't be said about many of his competitors' creations. If breakbeat is your bag, this comes highly recommended.
Review: By now, we should all know what to expect from bootleg specialists Bombstrikes - tried-and-tested mash-ups underpinned by floor-friendly breakbeats. This latest instalment comes from rising breaks star Badboe, who offers two soul-flecked groovers. Both are slightly less hectic and full-throttle than previous Bombstrikes releases, but that's no bad thing. "Shine Like A Halo" fuses a bouncing, midtempo break with wobbly (but surprisingly subtle) bass, the obligatory hip-hop samples and a dash "Son of a Preacher Man". "Masterpiece", meanwhile, takes a similarly soulful approach, contrasting Jurassic 5 raps with sweet soul vocal snatches at a dancefloor hip-hop tempo. The most cultured Bombstrikes release for some time - and that's a compliment.
Review: Disco edit meister Badboe, recently made all our Christmases come at once by releasing a full extended play single, Ghetto Funk Testament. Here however, he's returned to his old ways by teasing us with just one new track. But what a track it is! "Under Your Spell" is a raucous party breaks jam features a strutting Go-Go beat and retro Fresh Prince-style rap from MC Shureshock. On remix duties, Phibes adds some edgier metallic bass, DR Packer opts for a soft and bouncy shuffle, the DiscObeta DoOva is pure daisy age retro hip-hop and Trotter goes for big room beat fun.
Review: Its not often we have the pleasure of a full solo release from crowd-pleasing party animal Badboe. Normally found nestled in re-edit compilations, Ghetto Funk Testament sees him present four solid tunes aimed strictly at the dancefloor. Opener "Eye Of The Beholder" begins proceedings with a cheeky 70s funk loop and loose beats, "Feels Like Funking You Up", manages to meld Leo Sayer and hip-hop (no easy feat), "Refuse To Quit" is a sing-along funky shuffle and finally "Start Up The Phonograph" is house party-smashing daisy age hip-hop at its finest.
Review: A legend of nu-funk, Badboe cues up his second album with this new single on BBP Recordings. Teamed up with UK rhymer MC Coppa, and sampling from Johnny Nash's rocksteady cover of Sam Cooke's "Cupid", "One of Those Days" is amped-up and severely fun stuff, as is Pimpsoul's more bass-heavy, breaks-centred rerub. Another newie from Badboe keeps the funk flowing with some addictive live percussion sitting nicely over a deep bassline.
Review: Oh! It's the one like Badboe back to cause some havoc on our charts this week, and his return comes in the shape of three tasty floor bruisers that'll no doubt appeal across the board. First up, "Get Your Boogie On" manages to balance a sweet r&b vocal with crankin, Ice Cube-style rapping under a rolling, electro sort of groove. Prosper features on both of the following two tunes; "How Funk Is Your Chicken" is a vintage cruiser, all flashy hip-hop breaks and 80s vocalism, while "Gimme What You Got" takes the tempo right down to true hip-hop levels, sounding a little like the Black Eyes Peas back when they were on form. Yessah!
Review: Breakbeat Paradise Recordings are on a roll right now and they return with another action packed compilation. This is the fourth installment of the beloved Bring Back the Funk series. Bring Back The Funk Vol. 4 features brand new joints from BBP all-star producers, Lack Jemmon, B-Side, BadboE & Proper as well as introducing new artists to the label: Hebegebe and Brian Carson, Kibosh and Synoptix who all have some funky goodness up their sleeves. BBP is dedicated to bringing you the very finest in the funkier spectrum of the electronic breakbeat scene.
Review: The latest in Bomb Strikes' series of party-smashing bootlegs and breaks sees Denmark's Badboe chop it up with France's Prosper over these two new cuts. The Fatback Band's "Gotta Learn How To Dance" acts as the basis for "Too Hot To Handle", with some hyped bass added to the funk as well as acapella cuts from Method Man amongst others. "Rock The Beat" sees the duo going for a full-on soulful vocal treatment, complete with some energetic filtering, while Mooqee and Beatvandals's accompanying remix throws on some Jackson 5 magic into the mix too.
Review: Well, thank God for the Tru Funk label, because without them pushing their collaborative mini-comps we'd be living in a world without the sample-heavy side of breakbeat. This is all strictly mash-up material, blending everything from soul to disco and hip-hop in the process. BadboE's "Get Ready Shorty", for example, has got Busta Rhymes' inimitable roar riding over an intricate bundle of funk samples, while "Where's The Party" from Chudy manages to create a deliciously vintage cocktail out of early-era rap and nu-school breaks. Whatever the flavor, you know Tru Funk will deliver. Party-starters, the lot of them!
Review: Breakbeat Paradise instigate another funk quest... But if you follow them for more than a minute you'll know the funk never left them. Label founder Badboe takes the lead, working a Bussa Bus vocal over a warm upbeat summer jam groove. Father Funk follows with a Natisni vocal and a '70s-style Lalo Schifrin OST groove. Dig deeper for piano-pumping diva-driven soul on Timothy Wisdom's "Bad Mother" and a superior EP-closing ode to Grand Puba via Tom Showtime. Brought the funk back recently?
Review: Dubbed 'a musical behemoth of apocalyptic proportions', Funky Presidents is the third Breakers Banquet release and it highlights the label's roster perfectly. BadBoE delivers pure funky party breaks gold with the well-named "Tear The Roof Off" and Roast Beatz gives some modern hip-hop a vintage twist on "Rock Right". Meanwhile El Bomba's "Shotgun" and Cris Crucial's "Comin From Da Underground" both channel feelgood 90s big beat in fine style.
Review: Serious booty-fusion abounds on this new series from Booty Fruit. Badboe introduces Jeru The Damaja and Ini Kamoze to a disco bassline. Roast Beatz gives Grand Puba a sexy, sun-kissed facelift. El Bomba and Hidden Riddim go back to school on their Akai and get clever with a range of well-known samples and big old juicy bassline. Waggles finishes the set with the cheekiest addition that sees the Beastie Boys on a lounge lizard samba flex. Party insanity.
Review: Presenting another collection of the best nu-funk and ghetto breaks from the Breakbeat Paradise label, volume 2 of Paradise Breaks contains a killer selection of hip-hop, funk and bass work from artists at the top of their field such as Badboe, Morlack, Breakbeat Junkie and Jazz K Lipa. Among the 15 tracks, look out for Pimpsoul's low-slung remix of Badboe's "One of Those Days" and the re-energised Southern soul of Jiggy Joe and Prosper's "Sweet Home Smoke".
Review: This is the second instalment of Riddim Fruit's new compilation series, Remix The Version, that see choice cuts from their vaults get reworked by others on their roster. First up is Shimi Sonic's "Hot Peach", which gets tackled by BadPoe resulting in some serious early '90s vibing breaky world-hop. Next up Dephicit's "No Rules" is turned into a killer digital dubby Trap/R&B hybrid.
Review: Jiggy Joe (that's his real name, we've checked his birth certificate) has been a little silent since his previous three bootleg bonus packs came our way last year, but it's clear he's been busy toiling away at his machines to create this monster selection. He leads with "Didgeridoo" which sounds like the Chems circa Exit Planet Dust but with added hype-fuelled lyrics. The two remixes by Bobby C and Funkanomics take it to completely different party pastures, making it a great release in its own right before you even get to the cheeky reworks elsewhere on the package. "Sweets For The Tiger" is the balls out theme Rocky would've endured a million montages for. "Ready Or What?" is the best Fugees remake since Hype got heavy on them years ago while "Tell Me Do You Like It" sees Joe taking a Mylo-favoured sample and making it his very own. Get Jiggy!
Review: Tru Funk are bona fide bringers of beats to soundtrack any good house party and this Essential Selection of Nu Party Break brings together a complete playlist for Saturday night. A whole load of scratching, sampling and cutting comes from DJs AKA, Axe, Kid Stretch and Rudd and Skandi, while it ain't only new school with more traditional funk jams coming from BMD's "Bad Man". There's also some Daft Punk-meets-DJ Shadow-meets-Stevie Wonder action on Funkanomics "One More Headache", while Funky Boogie Brothers bring back the big beat fun with "Street Jam" - and that's not even the half of it!
Review: Funk and disco breaks get put thoroughly through their paces on this exclusive collection from Boogie Boutique, featuring treats galore for DJs and fans of souped-up funk. Badboe's beefed-up treatment of UBB-staple "I Like Funky Music" by Uncle Louis, or Breakbeat Junkie's Northern Soul-indebted "Crazy Jerk" are just two of the highlights from this collection that also features nuggets from Rory Hoy, Chris Awesome and Hayz amongst others.
Review: Nu-funk barons Tru Funk commission 15 brand new blends for your party pleasure. Calling up familiar friends and new faces alike, it's yet another reminder of the Polish imprint's clout. Highlights abound but be sure to digest the slap-bass fusion of Funkanomic's Marvin Gaye homage "One More Headache", Morlack's '80s synth smelting of Zhane's "Groove Thang" and Crystal Waters' "Gypsy Woman" and Roy Hoy / Unknown DJ's mindblowing cauldron of Fatboy Slim, James Brown and Public Enemy on "Xpress Your Big Stuff". Serious floor fire, Tru Funk always deliver.
Review: Two months have passed since their inaugural volume and Beatnik City return with another chop-walloping, swash-buckling party frenzy. Their emphasis remains fully focused on the big beat vibe as each of the contributors boil down myriad genres from blues to rock to roots to classic b-boy hip-hop and recode them around swinging mid tempo breakbeats. Each cut will massage any gathering you perform to, but stand out cuts include The Captain's Toots-tweaked skank-slammer "Feel Alright", the slower, almost Todd Terje style blues stomp of "Beatbox Baby" and the unabashed sing-along feels of Rory Hoy's "Runaway Again". Unfettered booty business aimed directly at the cheeriest parties.
Review: Although the cover of this latest instalment in the Paradise Breaks series echoes the famously trippy sleeves of '70s prog rockers like Yes, the music couldn't be more modern. Actually that said, many of the productions on here do plunder the '70s for inspiration but they choose funk over wizard's capes and that. Highlights include the mighty "Bad Mother" which combines raw soul divas vocals, wah-wah guitars and thumping break beats, J-Sounds' tight and groovy break-funk jam "On And On" and the super catchy shuffle-pop gem "Nobody Else" by Arteo. A totally mixed bag and all the better for it.
Review: It's been well over a year since Breakbeat Paradise last compiled a 'best of' collection. Since then they've delivered countless party bombs from some of the very best in game. In case you missed any, this is the perfect time to get up to speed. Highlights include Kool Hertz En Vogue homage "Whatta Joint", Morlack's p-funk party attack "Funkafize Me" and Prosper's slinky, sultry bass stalker "Slutty Snoop". Label compilations don't get much more satisfying that this - if you missed any Breakbeat Paradise releases recently then get up to speed right now!
Review: Flip the switch and get with the program: evergreen party purveyors Breakbeat Paradise have commissioned a whole bunch of reversions and each one is an instant booty-buster. Highlights abound throughout this raucous bass-bizzled nu-funk adventure but only a twit wouldn't pack Badboe's rub of Kool Hertz En Vouge sampling sizzle-up "Whatta Joint", JiggyJoe's orchestral disco-strung halfstepper rub of Calagad 13's "Back To The Power" or Badboe's take on Rudd's Supremes-slicing "Shake It Out". Paradise found.
Review: Almost one year ago exactly, 'international funk barons', Beatnik City introduced us to their first selection of sensitively retouched northern souls gems on the first volume of this occasional series. Now having fully ingested all the goodness contain therein, we're ready for the next helping. There are ten new wonders to get lost in here. Highlights include hearing The Spinners' timeless melodies given a light and breezy Latin makeover on "Disco Shame", BadboE's smokin' breaks rework of a Velvelettes classic on "Breaking Down Motown" and finally Leygo's percussion-lead stomper, "Feels Good".
Review: This should be considered something of a treat for funk breaks fans. In a bid to raise funds for the Love Music, Hate Racism charity, it gathers together tracks from both heavy hitters (Badboe, Fort Knox Five, Zamali etc) and lesser-known talents on one action-packed compilation. If this kind of party-rocking fun is your thing, it should be an essential purchase, not least because it includes some fine material. Check in particular Super Combo Funk's trad funk/P-funk fusion "I Don't Need No Dope", PulpFusion's fuzzy "Rockin Kids" and the wobble-step influenced "Boob Job" from Bristolian Ewan Hoozami, who happens to be the son of former England rugby player Alistair Hignell.
Review: From funky breaks label Tremendo, this second compilation assembles a crack squad of producers to get loose over these hot new tracks. Alongside new jams from the likes of Telephunken, Rory Hoy and Morlack, Bobby C Sound TV channels the best of Washington's go-go scene on "Ghostin' The Machine", Badboe mixes old school hip-hop with new school funk on "Unhooked Jam" and Breakbeat Junkie goes off on an '80s soul tip on the brass riding "A Journey Into Funk".
Review: The guys at Big Fat Mama Beats have pulled out all the stocks available on this one as they ready up and unveil a mammoth compilation, pulling together twenty absolutely monstrous recordings from across the breakbeat spectrum. There's something for everyone on this one, be it the more old school funk driven drum work on 'Dissin U' from StuC4C, the more rock driven guitar riffs of 'Old Tape' from Adrenalinez, or the super futuristic synthesis on the Chubby Robots rework of 'So Good', originally from The Placenta, featuring Wiccatron. This is definitely one we would recommend getting stuck into on a long play!
Review: Morlack assembles yet another distinguished troupe for his latest label collection. All exclusives, all funky, all guaranteed to smash your party's trousers to pieces, highlights include the Parliament-level squidgy funk on DJ Clairvo's "I Like To Like It", DiscObeta's disco-flexing fix of Redman on "Get It On", Mako & Mr Bristow's super nerdy homage of criminally overlooked hip-hop classics "Re-Freshed Rhymes" and Itchy Bastards' guitar-slapping glitch space disco breaker "Let Yourself Go". Morlack has the honour of closing the show, and he does so with a euphoric twist on an A-Ha classic. Incredible stuff, it needs to be heard to be believed.
Review: Celebrating its 30th release, Paradise Breaks have compiled the most essential cuts from the label so far on this new compilation that comes loaded with goodies from Badboe, Basement Freaks, Omegaman and Infamous amongst others. From the slick sample-tastic "Nothing But The Funk" to the Stetasonic-looping big beat fun of "Sound Like That" by Phunk Sinatra vs Basement Freaks, there's variety aplenty as well as quality nu-disco/breaks action across these fifteen tracks.
Review: This is a bit of a treat for funk breaks fans, as leading label Boogie Boutique gathers together a selection of its finest floor-filling bangers. With cheeky mash-ups and bootleg remixes from the likes of Hayz, Ursula 1000 and Nick Fonkyson, there's much to enjoy, not least the sheer silliness of some of the rump-shaking fusions. Check, for example, the anthemic grooves of Nine Lives The Cat's "Let Me In" (a brilliantly executed fusion of "Just Be Good To Me" and "Cross The Tracks") or Badboe's "Show Me Ghetto". None of the cuts will win you brownie points with chin-strokers, but they'll certainly smash up the dance - and that's all that matters.
Review: A cavalcade of hip-hop/funk mash-ups from Tru Funk's all-star players on this 4th volume of Party Breaks, which kicks off with DJ Axe's Gangstarr-sampling "Funky Flow" and goes into Morlack's "You Can't Stop It Now", which amongst other things, dips into Yarborough & Peoples' classic "Don't Stop The Music". Among the other pearls on this collection are Nynfus Corporation vs MustBeat Crew's "No.1", a fun-filled nu-breaks stomper that uses Salt 'N' Pepa, Skee-Lo and KRS-1 to great effect, while BadBoe predictably does wonders with the sultry delights of Minnie Ripperton's "Inside My Love".
Review: German funk baron Quincy gives us another fine slice of Lime Sorbet radio show with this 15 strong collection of nu funk gems. The faces are there - Basement Freaks with the butt-shaking cut n' paste party joint "City Jam" and Ursula with a retro-gaze car-chase "Tension" - but there's also refreshing presence of fringe nu funk players like Michael Devillis with the horn-hooting "Craziest Things" and Peurto Rican selector Stereo77 with his dusty, low swung bass wig out "Algeria". It's the work of a true selector, and the continuous mix simply proves Quincy can use the turntables as well as he can curate.
Review: Welcome to the sunkissed and free world of Swing Set Sounds, a label committed to sunshine melodies and grooves. Having cleverly built interest in this, their first artist compilation, by revealing a track at a time, the album is set to put the label (and the artists!) firmly on the map. Highlights include the slow and low organic hip-hop grooves of "Imagine This" by Shimi Sonic, the big drummed funky breaks of "Watch The Man" by D-Funk and the sparse Latin grooves of "La Majeur" by The Fritz. Once you visit this world, you won't want to leave.