Review: Following up great releases by the likes of Distro, Affiliate and Negativ, Brighton bass and garage experts 877 return with local man of many talents: KXVU. He joins the team with his take on dark and minimal UK funky. He is co-founder of the renowned Southpoint label and is a prolific producer in his own right. From the bombastic bounce of lead track "Jaguar" ( which receives a killer rework by Italian Lorenzo BITW that lunges right for the jugular!) to the fierce and frantic bass attack of "Sukai" - we believe this talented young artist has found his truly comfort zone sonically.
Review: For the sixth instalment in Z Records impeccable "Under The Infliuence" series of crate-digging compilations, boss man Dave Lee (AKA Joey Negro) has turned to fellow London scene veterans Simon and Robin Lee, AKA Faze Action. Their selections are, as expected, superb, mixing their own edits of familiar favourites (Midway's ace "Set It Off" and Mikki's "Dance Lover" for starters) with material that's as obscure and over-looked as you'd expect. Standouts in the latter category include the smooth '80s boogie of Leston Paul's "All Nite Tonight", the sublime Afro-disco of Bebe Manga, the thrillingly up-tempo hustle of Oscar Perry's "Body Movements", some superb South American disco from Don Lurio and Michele Claire's lesser-known version of disco favourite "In The Bush".
Review: When Eskimo Recordings approached Bill Brewster with the idea of putting together a compilation exploring his epic record collection, the acclaimed journalist and DJ decided to take a widescreen approach. While the CD and vinyl versions are split into multiple, themed editions ("Post-Punk", "Balearic" and "House"), this vast, 41-track digital edition gathers everything together in one place. Predictably, it's a hugely impressive and eye-opening set, with Brewster serving up largely obscure or long-forgotten cuts that range in scope from trippy, dubbed-out post-punk disco, jaunty jazz-funk, synth-heavy boogie and heavily percussive Afro-disco grooves, to saucer-eyed European synth-pop, the dub techno of Maurizio, Swag's early UK tech-house and the East Midlands deep house bump of Charles Webster's "A Love From San Francisco" project. In other words, it's a cracker from start to finish.
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