Review: Swedish disco producer Beatconductor has been carefully crafting his productions and edits since the halcyon days of GAMM, but he's lost none of his enthusiasm for the form. Just take a look at the massive catalogue of releases his Spicy imprint has accrued over the past few years. The Beachlife 'EP' represents the 56th Spicy release and features two great tracks. On "Don't" he throws down a wonderful edit of David Bowie's "Don't Look Down" from 1984 while on "Couldn't" he throws down yet another edit of Sade's "Couldn't Love You More" but hey you could never get enough of this track right?
Review: Sweden's Beatconductor is a man who, by and large, only does Summer time. Hence we have not heard much from him during the winter months. Well, now those months have gone and he's back in the saddle with two more new installments of sunkissed joy. The vibe on "A Message Of Love" is of barely contained euphoria (he's clearly very happy that the sun's out) and features a chorus of gospel-tinged vocals and feel good piano disco. Conversely "Boogie Love" is a slow, slinky, bump n bass 70s smooch-fest that completes the EP perfectly.
Review: Spicy legend Beatconductor takes on the croon of Michael Jackson's "Human Nature" in this California Fantazy EP that also sees the vocals of one Cee Cee doing a fine job on the piano-led title-track. Fitted with extra dub and instrumental versions of both "Human' and "California Fantazy", the former offers a perfect pool-side hit for those special request moments, next to the cool, soul-jazz vibe of the latter. Indulge yourself.
Review: Never a dull moment on this eight-track, 10-mix collection from Sweden's Ture Sj?berg, AKA Beatconductor, which finds him in a re-edit/mash-up frenzy as he reworks a range of classic cuts in often highly unexpected style. Donna Summer's 'Love Is In Control' gets a 60s lounge jazz infusion on 'Finger On The Trigger', Beyonce's 'Crazy Is Love' is given a reggaefied makeover, Angie Stone goes head-to-head with the Steve Miller Band on 'Fly Like A Stone', and so it goes on. Along the way you'll find nods to Stevie Wonder and Tom Jones, before the album's completed by three different mixes of 'Good Vibes' - the Beach Boys if they'd formed in Kingston, JA rather than Hawthorne, CA!
Review: In a musical landscape that's drowning under a sea of often quite lazy re-edits, it's refreshing to find a producer who's made the effort to pay musical homage in slightly more inventive fashion. Step up Beatconductor, who here serves up another motley collection of covers, mash-ups, sample-based tributes and yes, the occasional straight-up re-edit that draws on sources as varied as Teena Marie ('Chemical Flashbacks' bites the vocal from 1980's 'Square Biz'), the Human League ('Human Emotions' marries a Mariah vocal to the 'Don't You Want Me?' riff), Fleetwood Mac ('Dreams (Again)', obviously), The Beatles ('Fixxin A Hole'/'I Can Fixx A Hole'), Hall & Oates (ditto), The Who ('Who R U') and Gladys Knight & The Pips ('Goodbye' reworks 1973's 'Neither One Of Us').
Review: In a world awash with endless re-edits from the "stick a 4/4 kick under it and go to the pub" school of thought, it's always nice to come across a producer who takes a slightly more original and inventive approach to plundering the back catalogues of others. Step up Stockholm native Ture Sjöberg, AKA Beatconductor, who here delivers an album-length EP packed with re-edits and mash-ups that do just that. Putting Adele's 'Rolling In The Deep' vocal on top of chunks of Survivor's 'Eye Of The Tiger', for instance, really shouldn't work on paper, but when coming out of your speakers it most certainly does! Elsewhere you'll hear bits of The Eurythmics (several times), Sister Sledge, Earth Wind & Fire, Yazoo, The O'Jays, Mariah Carey, Christopher Cross, Post Malone and more, all shaken AND stirred into something new and interesting... worth checking for sure.
Review: The ever-prolific Beatconductor returns with another heaving fistful of re-edits, this time on an Italo-disco and Balearic tip (who would have guessed from the title, eh?). There are five tracks to pick from, ranging from slo-mo oddness (the rather fine "Elephant Walk") to well-known floorfillers (another, albeit solid, version of Italo classic "Spacer Woman"). Stuffed in between are a couple of rock-tinged funtime groovers - the pompous "Wild Living" and lazy Balearo-rock of "Hot Passion" - and the spiralling "Infectious Disease", a chugging Italo bomb that just bristles with synth frippery and vocoder silliness.
Review: We've lost count of the number of re-edit releases that Ture "Beatfanatic" Sjoberg has put out over the past few years. While this kind of prolific output can lead to accusations of overkill, Sjoberg's EPs are rarely less than excellent. Here, he's in slo-mo, head-nodding mode, delivering a pair of Balearic chuggers that should put a smile on the face of all but the most miserable of dancers. "Movin" impressively turns a Phil Collins hit (much loved by the Idjut Boys) into a chugging, groovy, slo-mo house shuffler, while the slightly faster "Mirage" breathes new life into a synth-heavy, Latin-tinged jazz-funk cut. As is often the case with Sjoberg's output, the beat programming and arrangement are both spot on.
Review: Perennial re-edit type Ture Sjoberg has taken a few odd turns over recent years, cutting up strange old Eurodisco cuts and unlikely Balearic faves. Here he returns to what he does best, turning a trio of Philly soul classics into percussive disco beasts. Opener "Goodtime" is an exhausting, breathless romp with a near orgasmic pay-off - all thunderous 130 BPM beats, rasping horns and addictive vocals - while "More Philly Love" offers a delicious balance between string-laden, clav-heavy grooviness and soul-aching vocals. Thrillingly, there's also a chance to revisit his previously vinyl-only 2005 edit of the O'Jays "I Love Music", a ten-minute version that rotates around some seriously heavy disco percussion.
Review: While there's no doubt that Ture Sjoberg has released some good records under the Beatfanatic guise, his best work has often been done under the Beatconductor pseudonym. Here he resurrects the name for a five-track stroll through some of his most successful recent re-edits and reworks in a Scando-learic style. So, we get a shorter version of his legendary Vangelis re-jig ("Let It Happen"), a smooth Roxy Music tweak ("Turn U On Again"), a longer edit of White Isle fave "Willow Man" and a seriously dubbed-out extension of old skool electro/cosmic disco groover "Le Club". Oh, and a super-Balearic remake of Pink Floyd's "Another Brick In The Wall".
Review: In recent times, the mighty Beatconductor (AKA Beatfanatic) has spent far too much time re-editing strange Euro-disco and Balearic pop. We always thought this was a bit of a pity, given his immense skills and love of highgrade disco. Maybe he was subconsciously listening to our concerns, because "Sheriff" is his best for some time. It's pure disco gold, tweaking, teasing and gently extending an obscure, Western-themed disco/soul cut. The result is an undulating groover that boasts the sort of pin-sharp strings that sound like they're gently tumbling over the sassy, hustlin' disco-funk groove. Throw in a very cool vocal, and you've got something pretty special!
Review: Swedish producer Ture Sjoberg is a veteran with over 20 years of experience as Beatfanatic, Beatconductor and many other aliases. Originally starting during the original first boom of hip-hop and house, he delivered such classic albums as Adventures In The World Of No-Fi Beats and The Gospel According to Beatfanatic. Hands up if you remember those old blends on GAMM? Simply Beautiful is just that, a one track Beatconductor transmission from Sjoberg that sensitively updates Al Green's slow smoocher of the same name over seven minutes. Retaining most of the Reverend's '70s classic, Sjoberg has added some love-inducing 808 grooves for some late night amorous shenanigans. Smooth!
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