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115937 5814091
06 Oct 06
Techno
06 Oct 06
Techno
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120825 4453506
02 May 08
Minimal/Tech House
02 May 08
Minimal/Tech House
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BPC 165
02 May 08
Minimal/Tech House
02 May 08
Minimal/Tech House
Played by: Paul Mac, Valerio M, Enzo D'errico, KRL, Shadow Dancer, Fer BR, Subotika Motech Records, Orlando Voorn, Juno Recommends Minimal Tech, Nihil Young, Dominik Eulberg, Josh Wink, Axer Rouf, Samuel L Session, Groove Magazine, Igness, Marcel Fengler, Gregor Tresher, Rodriguez Jr, Joel Alter, Tiga, Perc, KAi ACiD, Eats Everything, Seth Troxler, Daft Punk
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O-TON 026
24 Aug 09
Techno
24 Aug 09
Techno
Played by: Itokim, Detroit Grand Pubahs, Veztax, Audiolabor / S-Tek, Shadow Dancer, Mirko S., HEAVEN TO HELL RECORDS, James Ruskin, Luke Slater, Mattias Fridell, Frenkie V, Daniel Deluxxe AKA D.I.C.E, DADUB
Review: Long associated with the harder side of techno - on the evidence of his recent mix and pretty much any of his longer club sets, unfairly so - this release sees Berghain Ben Klock attempt to show a more musical flavour. The first version of the title track sees airy, spacey Detroit chords copper-fastened to a typically dense Klock drum pattern, with both seemingly disparate elements acting in unison to create a climax that’s as epic as Berghain’s Gotham City architecture. A similar approach applies on the second version: it features the same snappy drums and crackling percussion underpinning Klock’s previously undocumented lush leanings, but despite this, it would be wrong to assume that it’s merely a continuation of the first version. Tellingly, there are also dark, droning tones and hints of the ruthlessly utilitarian approach of his colleague, Marcel Dettmann - and these nuances are also audible on the third and final track, "Static Test". Although there is a building chord sequence, it sounds like a distraction to the main event - a rolling, functional techno rhythm, powered by whiplash percussion and an underlying hint of menace. Top release.
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O-TON 042
22 Nov 10
Techno
22 Nov 10
Techno
Various
Played by: Josh Larue
Review: You have to admire Ostgut Ton's ambition. While celebrating a decade in dance music with a compilation of exclusive, previously unheard music is now standard practice amongst leading underground labels, few would have the balls to release it with such a killer tracklisting as Zehn. Across the 30 tracks (count 'em!) you get a who's who of Berghain and Panorama Bar associates delivering a quite outstanding selection of left-of-centre techno and deep European house, with Marcel Dettmann, Boris, Virginia, Steffi, DVS1, Martyn, Tobias and Ben Klock all featuring. Highlights naturally come thick and fast, from the spacey electronics, heady textures and hypnotic rhythms of Function's "DX3 Analog Bass Seq", and the rush-inducing, string-laden house warmth of Matthew Styles' remix of Dinky's "Planes", to the picturesque intelligent techno of Doms & Deykers.
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OSTGUT CD 034 DIGITAL
30 Oct 15
Techno
30 Oct 15
Techno
Review: Part nine of ten in Ostgut Ton's tenth various artists compilation and they're pulling out the big guns now to celebrate proceedings with a big bang. Star resident Ben Klock has taken quite a long hiatus from production but he's still got it, as shown on the tunnelling and cyclical cut "Sirens". Fellow resident and Detroit ex-pat Ryan Elliott serves up the soulful and emotive "Smith Lake" which is brilliant and reminds us of Exos or "Dead Eye" era Baby Ford. Finally resident party animal Len Faki surprises many with the ambient mix of his undisputed anthem "Rainbow Delta" and it is absolutely sublime; you can just drift away to this one, you'll see!
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OSTGUT LP 20-09 D
06 May 16
Techno
06 May 16
Techno
Review: Quite a number of techno fans will go weak at the knees when they spot this expansive collaboration between longtime friends and occasional studio partners Marcel Dettmann and Ben Klock. It's their first combined release since 2013. Every one of the 7 tracks are full of high quality, atmospheric, late night techno workouts, from the creepy riffs and off-kilter drums of "Phantom Studies", and the horror-influenced post-dubstep shuffle of "The Room", to the raging, mind-altering dancefloor heaviness of "Bay Boy" and sparse, minimalist techno closer "The Tenant". Given their abilities as producers, we'd expect nothing less than superbly produced, club-ready cuts. Predictably, Phantom Studies delivers that in spades.
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OTON 100DIGITAL
27 Jan 17
Techno
27 Jan 17
Techno
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BPC 064
22 May 20
Techno
22 May 20
Techno
Review: Fadi Mohem returns to Klockworks, this time to share a release with label owner Ben Klock. Inspired by 90s minimalism, opening track "Prefix" is a stripped back, bleep-laden affair. Powered by an angular rhythm and hissing percussion, it recalls vintage material from DBX. "Gateway" has a more contemporary flavour, as the pair deploy a swinging rhythm and lead-weight kicks for maximum impact. "Hydrocarbon" is much more visceral, with Klock and Mohem dropping the kind of gritty, swinging drums more commonly associated with Neil Landstrumm's 90s work. Shifting styles again to focus on modern sounds, "Prism" is a linear workout that resounds to hypnotic, clicking percussion.
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KW 34
24 Jun 22
Techno
24 Jun 22
Techno
