Review: When quizzed about his debut full-length before a Juno Plus party last year, John Talabot paused for a minute. "It's not really house, more electronica - like a proper album," he finally remarked. It's an apt description. Fin is clearly rooted in house - and the kind of melody-driven, atmospheric tackle that the Barcelona-based producer excels at - but it's certainly not a dancefloor-focused set. There are off-kilter downtempo moments, slo-mo compositions and twisted beatscapes that recall the impossible-to-pigeonhole antics of Hyetal (circa "Broadcast"), Sepalcure and Instra:Mental. Then there's closer "So Will Be Now" (one of two collaborations with Pional), a near-genius chunk of future garage/deep acid house fusion that's so beautiful it almost hurts. As transformations go, Fin is stunning.
Review: With their new-ish label Young Adults, Leeor Brown and David Fisher's aim is to source the best underground house and nu-disco being made across the globe. This has led them to releasing a new mini mix, entitled House Slippers, and here are the eight tracks featured in the their full, unmixed glory. It's an impressive selection that covers such territory as the Michael McDonald fronting Junior Boys-isms of "Only This Moment", the cloud nine electro-house of "Maybe Snakes (Permanent Vacation remix)", the retro French Touch loops of "Fake Bitches" and the synth-laden proto-acid of "Just Wear It".
Review: The fourth drop on the fledgling Outernational ensures standards are maintained with James Johnston and Ben La Desh providing a track on each side. Glaswegian producer Johnston is in fine form currently, having established the No Matter What label he runs with Alex Agore in the collective hearts of the deep house cognoscenti, and "That Was Now" is a sublime example of embellishing thick set house music with the spirit and soul of classic disco. Hints of glistening strings and a well plucked bass guitar sit deep in the mix as the packed groove builds effortlessly towards a quite lovely drop and build back into a final movement where the subtle disco elements become more prominent. Not to be outdone, Dutch juvenile delinquent Ben La Desh counters with "Drug Carrier", a quite intoxicating burner that's got several distinct rhythmic movements, with the point where some wide filtering introduces a heavy vibing Baltic disco mid section.
Review: Dutch producer Ben La Desh has already clocked up singles for Mood Music, Dirt Crew and Moustache amongst others, it's clear it's all about the quality with this guy. This is his second release for Young Adults, and it's a winner. "Afrodesia" is a lolloping blue-sky roller based around an Afro sample and drenched in white isle synths. "Your Love" sounds like 70s funk samples all chopped up and rearranged, "We Are" is smooth commercial Euro house and "Why Don't You" on a deep and techy number. Nice!
Review: Holland's Ben La Desh has, in just a short amount of time, notched up some serious ammunition on a selection of upmarket labels. Here though, he returns to his beloved Dirt Crew for the appropriately-named Stellar Talk EP - which features four slices of intergalactic tuneage. All display a certain star quality, but especially so on the deep and pad-heavy Chicagoisms of the title track, the totally wasted cosmic Moroder vibes of "Whiplash" and the proggy Balearica of disco-tinged closer, "Call Her".
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.