Review: Thanks to the release of two stellar productions - the druggy disco single "Glamoflage" on Opilec and the tropically minded "The Caribbean House" on Bear Funk - 2018 has already been a great year for Niccolo Bruni AKA Billy Bogus. Here the Pizzico Records co-founder rounds off a successful 12 months with another tasty offering: an album-length collection of sample-rich original productions on In Flagranti's Codek label. Highlights are naturally plentiful, from the dreamy, slowly building fizz of "Uniporn" and slo-mo, tropical-tinged psychedelic chug of "Enter The Ninja", to the enveloping choral creepiness and doom-laden dub disco bass of "Necula" and the Balearic instrumental synth-pop colour of "Spiaggi Cannibale".
Review: Billy Bogus debuted his Caribbean House project on Bearfunk last autumn, serving up a sumptuous single ("Gong Bong") that brilliantly joined the dots between dub disco, string-laden Balearica and picturesque nu-disco. This follow-up debut album naturally contains that superb track, plus seven more hard-to-pigeonhole cuts that variously doff a cap to '80s new wave pop dubs ("Night Drive"), distorted, techno-tempo analogue wonkiness ("Lonely Man"), Scandolearic space disco headiness ("Love By Proxy"), flash-fried dub disco ("Jesus Freaks"), Chicago jack-tracks ("Nature Nature") and blissful, delay-laden pop oddities ("Streets Like Noodles"). There's a lot going on throughout, but that's no criticism; it's simply one of those albums where you'll hear something new on each successive listen.