DJ Femme Fatale - "DJ Femme Fatale Presents The Real House & Garage Album 3.0" (DJ Femme Fatale 4 Liberty M I RAW Real House & Garage mix 3.0 mix) - (1:26:36) 132 BPM
Review: As a consistent label project, it's hard to ignore how much work LW Recordings have been putting in over the past few months, bringing forward high quality compilation after high quality compilation. Here we see them unveil the 12th edition of their 'Sublime Breaks & Beats' series, boasting twenty five original scorchers. For us the immediate highlights have to include the super groovy chord movements and catchy bass melodies of 'Simmer Skank' from Zemon, alongside Blackboxx's smooth roller 'Closer' and Eater's punchy trap sheller 'Pop It'.
Review: It's been a year since Slime's second instalment of their leading compilation Future Sound Of Garage series. Now the follow-up has finally arrived boasting 28 examples of what they to be consider music of the future. There are too many to name, but highlights include the ethereal and sensual future-step opener "Return" by Monoblue, the seductive, delicate chimes of the shimmering "Ever Feel" by Just Breathe, the sparse and raw 2-step of Pavv's "Let It Go" and even the uber commercial Ibiza-friendly anthem "Stone" by Project X is a (guilty) pleasure.
Review: With a reputation like that of Slime's, when they present their idea of garage future, it tends to be pretty definitive. Here they've done it again with a second installment of Future Sound Of Garage 2. There are 28 new joints here, all bursting with futuristic fizz. Highlights include the robo 2-step opener "Dreams" by Cup & String, the nasty bass and speedy beats of Conducta's "Be Strong" and the warm, washing synth waves of melodic bliss-popper "Goin In" by David Eliza. The future's safe in the hands of Slime!
Review: Dust off your Reebok Classics and prepare to get them dirtier than ever before: Bass enthusiasts Slime have recruited 10 of their favourite garage-minded artists to create a future-focused document that details the genre's roots, relevance, consistent presence and continuous evolution. From the bubble-bass hook of Sleezy's "Wait" to the spliced, diced vocal chops and clattering two-steps of Bad Habit's "Trying Times" via the much darker, almost acid house vibe of Jonah's 4/4 bass juggernaut "Hazmat", this collection neatly joins the dots between post dubstep bass music, dark house and garage with a vision that will still sound sharp in years to come. Welcome to the future.
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