Review: Audio Addict don't tend to put out music that's weak, thin or otherwise not suitable for the dancefloor. Burnzy's Liberation EP is a testament to that, all six cuts do some serious damage and the release overall is certainly on the sharper end of the spectrum. 'On The Spot' is the best of the bunch and it's got a rough, Sofa Sound edge that injects a satisfying level of oomph into the arrangement. 'Take Over' is a close second and its incredibly unique concoction of swirling basses and gargling pulsars adds a wicked futuristic element. Top EP from the Audio Addict crew.
Review: One of the most consistent and hardest working platforms for new-gen D&B talent in the last 10 years, DJ Hybrid's Audio Addict has a golden tracklist for breaking new names with the likes of Kumarachi, RMS, Agro, Section and Mr Hybrid himself all coming through the label. Now comes the new chapter. A new logo, a new approach with larger V/A releases that celebrate the most exciting names emerging but the same mission applies: to devastate your sets with the most contemporary and up front examples of this thing we call D&B. It starts right here with this crucial six-pack. From the moment Newcastle's Hexa opens with an electro-flavoured growler "Flourish" to the moment T Zone closes the EP with the dramatic strings and foul bassline of "Killers", this is the sound of Audio Addict kicking into a new decade stronger and more consistent than ever before.
Review: Audio Addict are one of the most prolific labels in the game and an imprint which we regularly feature in these pages, mostly because of their penetrative ability to get the heart pumping with some dirty jump up. This is the second instalment in their New Addictions series and it's a percy, with contributions from J Select, Kamoh, Erbman , Burnzy and Joely and T Zone. J Select comes out the blocks straight away with 'Glitch', a giant, cavernous stepper with oodles of space in the arrangement for its multitude of coarse basses to blow you away. Erbman has the other highlight, with a growling, wobbling underground of sounds below its skipping drum line. Big stuff.
Review: Deep in the Jungle have emerged as arguably the biggest standout new jungle label in recent times and, off the back of their growing family of artists, they've decided to try and represent both where the label and the genre are in 2020. With artists from DJ Hybrid, to Conrad Subs and beyond, it's a statement of intent from the imprint. The music reflects that intention as well, with jungle sounds throughout but punctuated with that modern, sharper edge that we've come to expect from our newly revitalised scene. DJ Hybrid's 'On A Riddim' is the best example, as a punchy bass note streams out of a bedrock of clattering breaks, whilst we're seriously digging the rolling reece's of 'The Rhythm' by Conrad Subs. All of these are proper percys.