Review: Renowned alias collector Natal Zaks has largely impressed since transferring to Dekmantel last year via the two-part Political Dance release. "Pillow Peace", his return to the esteemed Dutch imprint, is something of a fluttering, sun-kissed summer treat. While the beats are typically solid and the bassline warm and heavy, it's the melodious musical elements he layers on top - think sparkling synth lines, lilting new age motifs and tactile chords - that really catch the ear. Fittingly, those undulating, synthesizer heavy, new age influences are explored further on the flip, where Zaks joins forces with Young Marco as Andet to deliver a blissful, head-in-the-clouds interpretation.
Review: Man of many pseudonyms Natal Zaks brings his Central project to Dekmantel, with the first of a series of EPs entitled Political Dance. It's an expansive affair, with the Danish producer delivering a quintet of tracks that meld distinctive Detroit techno, early US deep house, broken beat and deep space ambient influences into attractive new shapes. Highlights abound, from the rolling, loved-up grooves of the starry "Keep Love On Me", and Motor City deep house shuffle of "Body Issue", to the horizontal bliss of "Longest Way Between Two Points", and tech-jazz swing of standout "This Is Hand". Impressive stuff, all told.
Review: Natal Zaks is a talented chap. To date, he's released a large amount of very good material, under numerous pseudonyms, for a wide variety of labels. Here he returns to Dekmantel with the second part of the Political Dance series, under the now familiar Central guise. Just like its' predecessor, it's a deliciously positive, melodious and atmospheric affair. The brilliant "Detour King" sounds like Space Dimension Controller, Vincent Floyd and Boyd Jarvis jamming on Mars, while "Political Dance" is a deliciously loved-up journey into early New Jersey deep house, with some distinctively spacey flourishes to boot. Zaks also doffs a cap to ambient house era intelligent techno on the luscious "Convenient Departures".
Review: Dutch party crew/ label Dekmantel has achieved more in the past decade than most labels, and that they are able to call on such a heavyweight line-up for the third installment of their celebratory series is evidence of this fact. The release starts with the steely drums and mournful, rainy day pianos of Levon Vincent's "UK Spring Vibes" - which is a rare contribution from the US artist outside of his Novel Sound label - and continues with the fist-punching acidic sweeps of Legowelt's "Blue Austral Techno". Shifting the focus back to the other side of the Atlantic, Joey Anderson weighs in with the spooky, swirling synths and understated "Opened Gate", while Danish artist Central rounds off the EP with the jazzy abstractions of "Six Five Two".