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Charlotte Bendiks
Browse the latest digital releases by Charlotte Bendiks
Review: The title of Charlotte Bendiks' latest release relates to feeling safe after arriving home, while more broadly, it addresses questions that focus on 'belonging, becoming, and embodiment'. The title track is an offbeat affair, with Bendiks conjuring up rickety drums and woozy synths. On "Leaving Diego", she ups the pace to deliver a dense rhythmic workout, where a rubbery bass and mysterious, detuned guitar squalls prevail. These elements come together and gradually build to a heady crescendo. "Steykeh Sexual" sees Bendiks focus on club material. Centred on a plucked bass, chiming bells and dense tribal drums, it's tailor made for more discerning dance floors.
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OMDD 052
08 Sep 23
Techno
08 Sep 23
Techno
Various
Played by: Juno Recommends Electro
Review: Dresden label Uncanny Valley's big name supporters include the likes of Jimpster, Steve Bug, Scuba and Ripperton, which gives you an idea of the kind of leftfield-leaning deep house and techno to expect from this 10th birthday compilation. Big names may be in short supply but quality certainly isn't, with the album's 18 full-length tracks ranging from RJ's floaty, dreamy opener 'Nie' to the acid throb of Iron Curtis's 'Ensuite', and from the jazzy bruk beat-isms of Lake People's 'Roaming The Streets' to the psychedelic small hours deepness of Charlotte Bendiks' 'Pasco', with a DJ mix from Conrad Kaden tying the whole collection together nicely.
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UV 10YEARS
30 Dec 20
Deep House
30 Dec 20
Deep House
Various
Played by: Juno Recommends Electro
Review: To celebrate notching up 50 releases, Uncanny Valley offered up a septet of colour-coded EPs featuring never-heard-before cuts from its growing roster of artists. With that campaign finished, they've now collected together all of those tracks on one suitably epic compilation, All Colors Are Beautiful. It's a pleasingly positive, life-affirming and kaleidoscopic collection all told, with the likes of Lauer, Jules Etienne, Johannes Albert, Cuthead and Basic Soul Unit taking it in turns to deliver cheery, synth-heavy cuts that variously join the dots between deep house, nu-disco, synth-pop, proto-house, jacking acid, crunchy electro, Motor City techno, ghetto-tech and glassy-eyed late-night sleaze. The results are uniformly excellent, making this one of the most essential compilations of 2020.
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UV 050
22 Dec 20
Electro
22 Dec 20
Electro
Various
Review: As the pleasingly matter-or-fact title makes clear, this compilation gathers together 15 of the standout tracks released by Dresden label Uncanny Valley in 2019. As you'd expect, it offers a tastily off-kilter collection of cuts that variously mix and match elements of deep house, cheery nu-disco, dub disco, acid-fired early morning anthems, saucer-eyed hardcore rave revivalism, superior tech-house and throbbing electro-disco, with the contributions from Credit OO, Jules Etienne, Perel, The Golden Filter, Jor-El and Break SL standing out. That said, all 15 tracks are superb and firmly focused on the dancefloor. In a word: essential.
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UV 2019
24 Jan 20
Deep House
24 Jan 20
Deep House
Review: It's no coincidence that Bendiks comes from Tromso; it has long been one of Europe's house and techno capitals, with Bjorn Torske, Mental Overdrive, Biosphere and Royksopp all hailing from this small Norwegian city. This release on Comeme sees Bendiks exploring the distinctive Tromso sound, with tracks like "Hjemme" and "Kaia" combining poppy hooks with hazy textures and lazy tempos. That's not to suggest that Bendiks is shy of banging the box; both "Moped Jacks" and "Tellstainnj" are tough, jacking affairs and on "Noir" she drops a noisy, muddy techno track, but at every turn her production is defined by an offbeat, almost otherworldly, sensibility.
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COMEME 038
05 May 17
Techno
05 May 17
Techno
