Believe it or not, but Oz-man Chris Abrahams has been dealing in wayward, left-of-field music since the mid 1980s, proudly offering his piano skills as a base for some of the nuttiest electronic soundscapes to have hit the continent down-under, and the rest of the globe for that matter. He reappears here on his native Room40 with Fluid To The Influence, and ambitious LP that scatters its noisy wings across eight slices of experimentation recalling the American noise tradition set out by labels such as Hanson. It's not all dread and destruction, however, and Abrahams skilfully manages to inject plenty of warmth and peace with his piano over abstract sound surrealism that resides in a world of its own. Recommended.
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