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Chris Carrier
Browse the latest digital releases by Chris Carrier
Review: Part 2 begins in a much more chipper mood. "Calais Douvres" seems to spill a joyous attitude out of every hole. A bristling beat and hollow percussion sets the tone from the off before Carrier's signature groove swings in and sweeps the listener off their feet and on a fun filled ride.
"Quadrilette" keeps a similar attitude, but this time adds a churning bassline that is so raw you can hear it rattling away at its deepest depth. Tribal-like percussion adds the funk and the tone is lightened further by the female vocal as made famous by Til West's "Same Man." Ending with the drum led "Le Divan Japonais," the release saunters into a rhythmic groove. Sub bass murmurs beneath the percussion at first but then makes itself more prominent as Carrier lets loose.
As a child, Carrier was exposed to all the classic sounds of the 60s and 70s through his parents. Yet as an adult, he discovered the techno raves of the early nineties. Both of these influences can be heard in Carrier's music, as he attempts to bring the best parts of both sounds together into one place. He manages this task with a seemingly natural ease here.
At a time where the boundaries between genres are continuing to blur, Gosse De Paris, both parts 1 and 2 make their own conclusions on the formula of modern electronic music.
"Quadrilette" keeps a similar attitude, but this time adds a churning bassline that is so raw you can hear it rattling away at its deepest depth. Tribal-like percussion adds the funk and the tone is lightened further by the female vocal as made famous by Til West's "Same Man." Ending with the drum led "Le Divan Japonais," the release saunters into a rhythmic groove. Sub bass murmurs beneath the percussion at first but then makes itself more prominent as Carrier lets loose.
As a child, Carrier was exposed to all the classic sounds of the 60s and 70s through his parents. Yet as an adult, he discovered the techno raves of the early nineties. Both of these influences can be heard in Carrier's music, as he attempts to bring the best parts of both sounds together into one place. He manages this task with a seemingly natural ease here.
At a time where the boundaries between genres are continuing to blur, Gosse De Paris, both parts 1 and 2 make their own conclusions on the formula of modern electronic music.
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126643 7715787
16 Apr 10
Minimal/Tech House
16 Apr 10
Minimal/Tech House
Review: Following a fine recent hook-up with old pal Dan Ghenacia on the reborn Music For Freaks label, Chris Carrier returns to Robsoul Recordings, an imprint he first graced way back in 2004. He begins with the booming, tech-house/disco-house hybrid "Fever Tree", before doffing a cap to his angular, metallic tech-house passed on the chunky box jam "To The Wonder". On "Feel Good Tonight", he successfully dips his toe into the crystal clear waters of vintage U.S deep house, layering rich chords and snaking sax samples atop a bumping groove. Finally, he doffs a cap to fellow Robsoul regular Rob Mello on the low-slung, peak-time workout "Inside".
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RB 170
18 Nov 16
Deep House
18 Nov 16
Deep House
Review: Robsoul veteran Chris Carrier can usually be relied upon to deliver the goods. This four tracker for the Paris-based imprint is chock full of his usual bumpin' beats, bowel-botherin' basslines and boompty-inspired cut-ups. "Bongo Thunder" (curiously named, as it doesn't feature bongos) leads the way, jumping between cut-up hip-hop breakdowns and booming boompty rhythms. The tech-tinged title-track delivers a little more swing and some Rob Mello-ish electro sounds, while "Acid Drop" thunders from the speakers like the four horsemen of the apocalypse going speed dating. Closer "Japan Air" has a deliciously jazzy swing, bringing a tough EP to an uplifting close.
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RB 112
12 Oct 12
Minimal/Tech House
12 Oct 12
Minimal/Tech House
Review: Some fun acid house from the Robsoul Recordings archives available for the first time digitally. Originally out back in 2004, School Of Acid sees veteran French producer Chris Carrier tee off against Robsoul boss Phil Weeks and Bay Area house music staple Hector Moralez under their Fries & Bridge nom' de plume The title track is an all bouncing, all jacking acid house house work out, with Hector's "This Is Acid" vocal refrains riding the 808 drum pattern and undulating acid lines as neat little scratch noises drop in the mix. 'Turn It Out' sees Fries & Bridge drop a loose kick drum pattern that gets overwhelmed by a pulsing sub bass before a scattergun of hats signal a further onslaught of bubbling acid synths. Finally, 'You Got Me Open' sees Carrier fly solo and a lot deeper, crafting a solid groove aided by neat vocal edits.
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RB 21
18 Jun 10
Deep House
18 Jun 10
Deep House
Played by: Adam B (Homegrown Music), Fragedis, Brothers' Vibe, Juno Recommends Funky House, Sccucci Manucci
Review: Part 2 begins in a much more chipper mood. "Calais Douvres" seems to spill a joyous attitude out of every hole. A bristling beat and hollow percussion sets the tone from the off before Carrier's signature groove swings in and sweeps the listener off their feet and on a fun filled ride.
"Quadrilette" keeps a similar attitude, but this time adds a churning bassline that is so raw you can hear it rattling away at its deepest depth. Tribal-like percussion adds the funk and the tone is lightened further by the female vocal as made famous by Til West's "Same Man." Ending with the drum led "Le Divan Japonais," the release saunters into a rhythmic groove. Sub bass murmurs beneath the percussion at first but then makes itself more prominent as Carrier lets loose.
As a child, Carrier was exposed to all the classic sounds of the 60s and 70s through his parents. Yet as an adult, he discovered the techno raves of the early nineties. Both of these influences can be heard in Carrier's music, as he attempts to bring the best parts of both sounds together into one place. He manages this task with a seemingly natural ease here.
At a time where the boundaries between genres are continuing to blur, Gosse De Paris, both parts 1 and 2 make their own conclusions on the formula of modern electronic music.
"Quadrilette" keeps a similar attitude, but this time adds a churning bassline that is so raw you can hear it rattling away at its deepest depth. Tribal-like percussion adds the funk and the tone is lightened further by the female vocal as made famous by Til West's "Same Man." Ending with the drum led "Le Divan Japonais," the release saunters into a rhythmic groove. Sub bass murmurs beneath the percussion at first but then makes itself more prominent as Carrier lets loose.
As a child, Carrier was exposed to all the classic sounds of the 60s and 70s through his parents. Yet as an adult, he discovered the techno raves of the early nineties. Both of these influences can be heard in Carrier's music, as he attempts to bring the best parts of both sounds together into one place. He manages this task with a seemingly natural ease here.
At a time where the boundaries between genres are continuing to blur, Gosse De Paris, both parts 1 and 2 make their own conclusions on the formula of modern electronic music.
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RB 84
08 Apr 10
Funky/Club House
08 Apr 10
Funky/Club House
Various
Review: Bringing some good vibes for this summer, Politics Of Dancing's eighth anniversary digital compilation sees the respected Parisian label present a celebratory release in two parts. Part one features rising Romanian duo NTFO opening up with the deep and airy groove of "Twisted Fury", local legend Chris Carrier appears with the funky microhouse of "Half Faces", while the label head honcho himself teams up with Olivier Romero on the trippy afterhours joint "Countdown" and scene stalwart Ray Mono delivers rolling and hypnotic tech house just the way you like it on "Lockdown".
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PODD 002
28 Jun 21
Minimal/Tech House
28 Jun 21
Minimal/Tech House
Chris Carrier / Phil Weeks / Drive D / Goshva / Westboy / Andre Crom / Martin Dawson / Bastian Schuster / Jacuzzi Boys
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OFFSPIN 001
19 Mar 10
Techno
19 Mar 10
Techno
Various
Review: Next up from the Robsoul Essential crew we take in this stunning new selection as they present the sixth edition of Smokers Delight. It's jam packed with goodies across the hip hop scale, from the smooth yet soulful approach of Ladybird & JFilt on 'All I Wanna Say', to the almost breakbeat drumwork of 'Nightlife' from DJ W!ld and choppy rap stylings of 'Players' from El Pres Beats. It's a fantastic compilation, bringing together a tonne of different futuristic styles, glued together by their emotional sound design. There are a couple of instant favourites for us, including the killer minimal disco link up of Phil Weeks, Joss Moog & Around7 on 'What Can I Do?', alongside the boombap inspired drum work and techy phone melodies of 'Warned Bros.' from Homequest. It's a great listen start to finish!
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RBCD 81
17 Jul 20
Hip Hop/R&B
17 Jul 20
Hip Hop/R&B
Various
Played by: Juno Recommends Deep House
Review: This is the third 'best of' from Phil Weeks' Robsoul in just five months - the label celebrates its 20th anniversary in 2020 - but the quality standard remains high. Featuring several of Weeks' own productions alongside cuts from the likes of DJ W!LD, Jordan Peak and Chris Stussy, the album covers an impressive range of house ground, from filter disco (see, for instance, Weeks/Hector Moralez/Fries & Bridges collab 'Peep Game') to chunky, eyes-down 3am throbbers (Politics Of Dancing's 'Hi Soul') to Weeks & Kid Enigma's retro, electro-tinged 'Love Me Right'. As such, it's a package that warrants investigation by househeads of many persuasions.
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RBCD 76
28 Feb 20
Deep House
28 Feb 20
Deep House
