Review: Tal Der Verwirrung's latest offering features a quintet of trusted artists remixing each other. Nutia gets to work first, turning in a woozy, ultra-deep take on Billy Caso's "Alive", before Caso turns Christopher Schwarzwalder's "Ess" into a dub-tinged chunk of spacey deep house liquidity. Schwarzwalder opts for a hybrid deep Italo-disco/nu-disco sound on his interpretation of Lopal's "Attitude", while Zebra Centauri wraps Nutia's "Bridge" in ghostly chords, subtle strings and oodles of deep tech-house textures. Finally, Lopal steals the show with an evocative, fluid and quietly contemplative mid-tempo revision of Zebra Centauri's hushed "One On One".
Review: Two Journeys ("Mar Y Tierra"/"Welcome Woodi") by Feathered Sun which is comprised of Berlin legends Acid Pauli, Christopher Schwarzwalder, Jo.ke, NU and the inimitable Raz Ohara. Bringing to mind shores of a deep blue sea, mountain tops with blinding hats and wrapped up greenery in recurring patterns. Three places, two journeys, heavenly lit in gentle warmth by the Feathered Sun. A collaboration of impressive beauty and beautiful impressions. They take us, you, me, Luise by the hand to paint a picture of shifting shapes and scenery.
Christopher Schwarzwalder & Iannis Ritter - "Flowers Are Green" (FEAT mO) - (6:45) 116 BPM
Christopher Schwarzwalder & David Dorad - "Elevator Music" (feat Iannis Ritter) - (7:44) 120 BPM
Review: Rivers shows that German house is evolving into something new and exciting. On "High", Ritter and Scahwarzwalder work slow and mournful vocals over a stripped back, minimal house groove, while a loose guitar strums away in the background. It's an enticing, albeit kooky affair. The same can be said about "Flowers Are Green". On this occasion, the intriguingly named mO is on vocals, with mysterious inflections puncturing the subtle, rolling groove and fretless guitar chimes. The last track, "Elevator Music", sees Schwarzwalder work with David Dorad and Ritter relegated to a side role, but it doesn't diminish the quality. A baked-sounding vocalist claims that 'this ain't elevator music' and the pared back, acid-peppered rhythm that has echoes of trippy releases from Derrick Carter's Classic label makes it hard to disagree.