Review: Connaisseur is celebrating a decade in the business and certainly doing it with style. This time around there's some great collaborations; check these out. Melodic, soulful and absolutely emotive vibes courtesy of Swedish legend Aril Brikha teaming up with Ireland's Chymera on "Nihari". Next, The Element teams up label head honcho Alex Flitsch on the deep, tunnelling and atmospheric progressive house of "Puma" which really has the label's classic sound in mind. Finally the mighty trio Of Norway, Linnea Dale & Preben Olram serve up the blissful deep house cover of Pornos For Pyros hit from 1993 "Pets" and what a fantastic tribute it is!
Review: The fifth installment in this series sees German label Connaisseur compile some of the finest deep house in circulation. Thankfully, nothing here has that mushy sameness that has become so pervasive; instead artists like Timelapse, Distortion and Musumeci bring fragile, floaty melodies and chiming chords to their reduced rhythms and dubby grooves. Few Nolder and Lehar up the ante somewhat and the booming bass and cacophony of chilling strings on the latter's "Sarga" is a thing of wonder. Overall though, it's the reflective approach that impresses most; Sam K's "Elido", with its dreamy pattern of chords and vocal that swoons "I will build a castle with a tower high" is worth the price of this compilation alone
Review: Livingroom Techno is an interesting concept. As the title suggests, it's Connaisseur Recordings' choice of "techno" records (think tech-house, deep minimal and tech-tinged deep house) that they think are particularly suitable for home listening - not just lounging on the sofa, mind, but also shuffling round your living room like a modern-day house lover. This fourth instalment in the series is as sumptuous, sinewy and sensual as previous instalments, variously delivering breezy sunrise goodness (Chymera), bubbly tech-jazz (Koett), melody rich groovery (Lake People's delicious "Stepwise") and Latin-tinged deep carnival fare (Ian O'Donovan).
Review: This second raft of remixes that interpret Brendan Gregoriy's original material as Chymera prove to be just as inventive as the first. Connaisseur have commissioned Jacob Korn and Orlando Voorn to remake "An Island In Space" and deliver equally idiosyncratic takes. Korn's version is based on a surging, rippling bass and a snaking groove. When the track breaks down into a spacey, Moog solo, it seems almost at odds with the prevailing mood, but Korn is a master arranger and it all makes sense. The second version from Orlando Voorn is longer and more epic; over a rolling rhythm the juxtaposition of summery keys and booming bassline sounds strangely compatible.
Review: Brendan Gregoriy has an intuitive knack for melodies, and on "Threads" he brings this skill to the fore. Over brittle percussion and a techy, somewhat metallic rhythm, he unleashes a glorious, full-blooded melodic flourish, all minor keys and no bombast. It's testament to Gregoriy's abilities that he has managed to attract two highly-respected producers to remix his work. Philly veteran King Britt turns "Trapped in Amber" into a dubby groove, its booming bass underpinning an angelic vocal covered in swathes of acid textures. Meanwhile, Steve Moore drops a version of "Swim Away", which focuses on a spacey, spaced out synth line and a lumbering bass.
Review: Irish producer Bren Gregoriy aka Chymera has released a series of melodic techno records, but his latest album sees him enter a new realm. "The Drop", with its rich strings and sensuous woodwind, explores beatless ambient, while "Who Bends First" is like a halfway house between Ian O'Brien and alt rock, with live drums crashing and flailing to the backdrop of warm Rhodes keys. "Strange Things Are Afoot" makes reference to Chymera's deep techno sound, but the greatest achievement of Misadventure is that it gives vent to Gregoriy's pop leanings. It is audible on the dreamy, vocal-led "Drowning", but is expressed most articulately on "The Chase", where dead paced beats and playful, infectious vocals make for a real FM pop tune.
Review: Frankfurt-based imprint Connaisseur drop the third annual Grand Cru compilation, bulging with goodies from the deeper end of tech and minimal house. Grand Cru - a term no doubt already known to the wine drinkers among you - refers to an elegant bottle or vineyard. And 2010 is proving to be a fine vintage; from the glitchy beat and ethereal vocals on Tom Demac's "Sky Swatches", to the meandering bassline of Franklin De Costa's "Futureboy" and "Jericho Horns" by label stalwart Afrilounge, which sounds like a wonderfully dirty afterhours version of Jesse Rose's "Touch My Horn". And be sure to check out "Black Martin", a rare foray into house music for drum & bass producer Dee Pulse.
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