Review: Since launching in 2013, London's Brokntoys imprint has released a number of fine EPs of mutant electro from the likes of Scape One, Rutherford and Marco Bernadi. Here, they drop a second split EP featuring similarly minded tracks from a variety of obscure artists. Crystal Maze kicks things off with the foreboding electronics, off-kilter techno rhythms and mind-melting acid lines of "Crossroad Blues", before Desz Williams goes in hard with the fiery electro beats, booming bottom end and eyes-closed chords of "Hand On Mouth". Flip for the alien-sounding, sci-fi techno pulse of Echo 106's brilliantly atmospheric "100m Splutter", and the distorted intelligent techno-meets-electro madness of The Pulse Projects' "Grounds".
Review: G String and Ma Spaventi join forces again for a release under the Crystal Maze guise. Deeper and more reflective than usual, this three-track release delivers tough and heavy drum tracks fused with musical elements. The title track is the pick of this crop, with tough 909 kicks and tough claps underscoring some beautiful, mysterious melodies and ponderous synth lines. "Off The Grid" sees the duo pick up the pace as heavy drums and hissing percussion take centre stage and serve to keep the haunting pads to a minimum, lingering in the background. The final track, "Encounter" is more off beat and revolves around a stepping rhythm providing a backdrop for flourishing synths.
Review: While it would be nice to think that this EP of melodic analogue techno and shuffling deep house was the work of hyperactive British eccentric Richard O'Brien (less so the irritating Ed Tudor-Pole), Crystal Maze is in fact Amsterdam-based duo G-string and Marco Antonio Spaventi. Having previously impressed with releases on aDepth Audio and Bio Rhythm, they now find themselves on Greek imprint Echovolt, a label famed for the depth and variety of their analogue explorations. All three tracks ripple with feverish humidity, from the Mood Hut/Future Times-ish tropical pagan shuffle of "Orchidea Nera" (think Confused House meets the Belleville Three) and sumptuous "DECAY", to the apocalyptic, droning pulse of "XR84".
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