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from $1.89
LACED 004
28 Feb 22
Deep Dubstep
28 Feb 22
Deep Dubstep
Played by: DJ Cable
Review: Three time DMC Champion, BBC 1Xtra Resident and multi award-winning DJ Cable returns. The 'super dope mixtape maker' brings it courtesy of his own Triangulum Recordings with the Ancients EP and as the name may suggest: these are some really spiritual and esoteric insights into the UK bass sound. "Aztec Riddim" rolls deep with its low-end theory steeped in Amazonian aesthetics, while "Inca Riddim" follows in suit with its immaculate polyrhythms that will truly lead you into the exotic. "Olmec Riddim" is the same kind of bass driven tribal techno that Arthur Smith aka Grain (aka Artwork) was smashing out in the late nineties and had us really impressed
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TR 021
10 Feb 17
Bass
10 Feb 17
Bass
Played by: DJ Cable
Review: DJ Cable is as gifted behind the mixing desk as he is it at mixing on three turntables, which makes the three-time DMC champion a real asset all-round. Triangulum Recordings is the platform on which he marks the flow this time, starting with the London grime affair "Ride To This", guided by the vocal bars of GHSTLY XXVII; there's an acapella, too, so you can sample the days out of this gear. "Minty Fresh" powers up the juke and delivers a mind-bending, twisted rhythm for late night car drives across the metropolis. The ill s***!
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TR 020
25 Nov 16
Dirty Dubstep/Trap/Grime
25 Nov 16
Dirty Dubstep/Trap/Grime
Played by: DJ Cable
Review: Cable and Ghostly wire up for some toe-to-toe badness. What originally began a few years back as the hard-nosed, two-steppy "Ganon" (also included) is now an all-out rifle jam as Ghostly spits out concentrated messages and confident hype, ensuring everyone knows who's in the building. Complete with an acapella and a swear-free version to play to your mum, there's no messing around in 'ere.
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TR 013
19 Feb 16
Dirty Dubstep/Trap/Grime
19 Feb 16
Dirty Dubstep/Trap/Grime
Various
Played by: Normaling
Review: 10 years of US/UK grime feedback: Slit Jockey celebrate a decade of dirt with this extensive collection of classics, currents and previously unheard cuts. There might be 10 years between some of the tracks but you'd never tell; such is the solid signature and high quality control of the label. Every track is a highlight but cuts like Lenkemz savage club shredder "Can't See U", Blak Twang & Conrank's midnight murker "Go Getter" and Mr Mitch's eerie moon-bouncing trapisms are essential staples for any grime and bass connoisseur's collection. Here's to another 10 years.
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72883
10 Jul 15
Dirty Dubstep/Trap/Grime
10 Jul 15
Dirty Dubstep/Trap/Grime
Played by: DJ Cable
Review: In case you didn't know who DJ Cable is, the man is none other than a DMC scratch champion (three times!) and an all-round badman when it comes to production. Hi trademark brand of broken, hard-hitting dubstep is a perfect hybrid of the UK's vast dance music heritage. Pounding kicks, dicey snares and of course, a shedload of mutant bass coming at you left, right and centre. If you're into tha heavy s*** then this is for you...
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TR 007
13 Apr 15
Dirty Dubstep/Trap/Grime
13 Apr 15
Dirty Dubstep/Trap/Grime
Various
Review: Northern darkstepper Kilner steps up to curate the second Four40 compendium, and he's looted the most exclusive of vaults to create a collection that's wholly unique to him. Tightly sprung in unreleased cuts and dubs, it's sharp-tailored document of where 130 bass music is at in the UK right now. From the lean groaning two-step shuffles of Hybrid Theory's "Tempering" via the warehouse-battering tubular bass and twisted vocal flexes of Adjected Deleted & Scullious's "Enemy" via the murderous grumblings and bounce-bass badness of Fogg & The Bumpy Fool, Kilner's so on point right now he sleeps on a bed of nails. Sharp.
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FF 064
09 Mar 15
Bass
09 Mar 15
Bass
Review: Triple DMC champion DJ Cable has devoted more time of late to his production work, and it shows. "Cartridge", featuring the venerable mic skills of mega-mouth MC Goldfinger, is arguably his most sure-footed release to date. With its sparse, rolling grime rhythm, 8-bit melodies, pulsating sub-bass and vintage video game samples, it sounds like a contemporary love letter to grime's halcyon days as a genuinely fresh East London sound. The vocal original is joined by an instrumental version and a handy acapella. There's also the small matter of the Devil Mix, which makes more of the bass, "power-up" noises and occasional 808 cowbells.
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44564
08 Jul 13
Dirty Dubstep/Trap/Grime
08 Jul 13
Dirty Dubstep/Trap/Grime
