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Baebie
NDL 021
29 Aug 16
Footwork/Juke
BUY
Baebie - (3:22) 77 BPM
BUY
DOPE BOY - (2:40) 156 BPM Biggest-selling track on this release
BUY
Without - (4:09) 155 BPM
BUY
Just A Freak - (3:44) 155 BPM
from $1.95
PTS
GSTR 073
12 Dec 17
Footwork/Juke
BUY
One Way Ticket - (3:36) 80 BPM
BUY
L2 - (4:03) 80 BPM Biggest-selling track on this release
BUY
MF Cash - (4:18) 80 BPM
BUY
When I'm Alone - (4:51) 80 BPM
BUY
PTS - (3:18) 80 BPM
BUY
Home Is Where The Arp Is - (4:51) 80 BPM
BUY
Stranger Than Fantazy - (3:39) 80 BPM
from $1.95
Played by: Sun People
Review: DJ Ends stops by alongside the Good Street imprint for a solid seven track project entitled 'PTS'. Overall this project takes an interesting look at the rapidly developing juke movement, but with a much more melodically pleasing approach than your average producer. Through well crafted synthesisers and crispy drum patterns, DJ Ends lays down an overall super solid body of work. Without a doubt our highlights of the EP are the spaced out 'L2' which takes you on a synthesised musical journey, and the fantastically unpredictable 'Hope Is Where The Arp Is' which focuses on rolling filtration and catchy breakbeat patterns.
Walkin
MODRU 022
10 Aug 18
Footwork/Juke
BUY
Time 2 Lose - (4:36) 80 BPM Biggest-selling track on this release
BUY
Tru Da Night - (3:41) 80 BPM
BUY
Shame - (3:16) 80 BPM
BUY
Dubadub - (3:56) 80 BPM
BUY
Away - (3:39) 80 BPM
BUY
Walkin - (3:42) 80 BPM
BUY
Time 2 Lose (BSN Posse remix) - (4:10) 80 BPM
BUY
Shame (Sideswipe remix) - (3:03) 80 BPM
from $1.95
Review: DJ Ends' first two EPs have been the key to his arrival on Modern Ruin, a label which, in our minds, is making some of the very best footwork experiments around and who have clearly seen the value in the DJ Ends output. There're 8 tunes on here, making this closer to a mini-LP, all of them geared towards the dancefloor and often mashing up diverse pop styles to fit within the neo-juke aesthetic. There's plenty of r&b at the core of this EP, particularly on "Shame", where vintage soul vocals are infused with glitchy, high-powered beats - an element which is blended into pretty much all of these tunes. Wicked style.
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