Review: Three months ago DJ Seinfeld returned to action with the "Galazy EP", a wonderfully spacey, breakbeat-driven affair that arguanly contained some of his most mature and developed productions yet. There's more of the same on the "Lilium EP", a stripped-back two tracker where both cuts are worthy of extensive praise. "Lilium" boasts serious percussive weight - a result of the producer's layering of bongos and congas above a sturdy kick drum pattern - with a trance-inducing synth bassline, fluid electric piano lines and flowery chords providing the loved-up musical accompaniment. He doffs a cap towards both mid 1980s NYC freestyle and Italo-disco on the Bobby Orlando-influenced brilliance of "Lovejoy", whose drums and synth sounds are impressively authentic in their style and execution.
Review: Hyped Barcelona DJ/producer and '90s U.S sitcom fan DJ Seinfeld is in the midst of a rich vein of form, with recent EPs on Lobster Fury and Endotherm only enhancing his rising reputation. This collection of analogue-rich, alien techno workouts on Natural Sciences is, predictably, also rather good. There's a pleasing looseness to the clattering drum machine hits, thrusting analogue bass, psychedelic electronics and cut-up vocal samples of "Vaping Lyf", while "Ruff Hysteria" sounds like late '80s Chicago deep house crossed with the fluttering, head-in-the-clouds innocence of early '90s ambient techno.Then you'll find the drowsy chords, hustling machine drums and wonky vocal samples of "Wombat Bounce" and the roughneck, hardcore style cut-up drum breaks and saucer-eyed chords of "What Kind of Sandwich Is This?"
Review: It's been a whirlwind 12 months for DJ Seinfeld, who has gone from "unknown entity" to hyped producer in what seems like the blink of an eye. There's little doubt that this debut album on Lobster Fury will simply enhance his credentials further. It's a typically dusty and lo-fi affair, but far more positive in tone than your average crackly techno full-length. The Swedish producer makes extensive use of rubbery synth basslines, hazy R&B and pop vocal samples and the kind of production tricks more frequently found on disco-house and old US garage records (while, naturally, rarely sounding exactly like either style). In other words, the album is full of attractive, floor-friendly party techno for those who like their cuts fun and funky, rather than stern and severe.
Review: DJ Seinfeld has really upped his productivity since launching the Young Ethics label earlier this year. "Parallax" marks the Swedish producer's third outing on the imprint and as expected he's served up another strong collection of cuts. Opener "Please Slow Down" is another ear-catching affair, with dreamy, reverb-laden female vocal snippets and vibrant, trance style synthesizer lead lines jauntily dancing above a crunchy two-step beat. "Xoul" sees him wrapping more slightly psychedelic, ambient techno influenced musical elements atop an Armand Van Helden style "dark garage" groove, while "Parallax" is a deliciously warm and loved-up chunk of breakbeat retro-futurism in his now familiar style. To round things off, the Swede offers up the EP's warmest and deepest moment, the rather delicious, "Right, What Time Do U Wanna Meet?"
Review: 1990s sitcom fan turned lo-fi deep house royalty DJ Seinfeld is the latest selector to contribute to K7's long-running DJ Kicks series. This digital download edition naturally contains his mix - a hugely entertaining musical voyage rich in dreamy chords, bustling breakbeats, groovy deep house workouts, skewed techno and post-IDM curiosities - as well as all 21 tracks in unmixed, full-length, DJ-friendly form. Highlights are plentiful and include the downtempo bliss of the producer's own "I See You", the bass-heavy breakbeat/deep house fusion of Rudolf C's "Deep C Survivor", the quirky electronics and low-slung grooves of Falty DL's "Freak Acid" and the loved-up wonder that is Project Pablo's "Who's It For?"
Review: Fabric replace their long-running monthly Fabric/FABRICLIVE mix CD releases with the new quarterly 'Fabric presents' subscription series, so with this being the first volume expectations will be sky-high. Luckily, Brighton lad Simon Green proves himself well up to the job! DJ Seinfeld, ?me, Will Saul and John Beltran all feature but the emphasis is mostly on lesser-known names, as Green takes us on an involving, constantly evolving ride through near-ambience, jazzy house, broken beats, tropical grooves, blissed-out Balearica, melodic techno, trip-hop and more. Listening to it inside a flotation tank is of course entirely optional...
DJ Normal 4 - "UFO Spotted At Ruhr" - (4:46) 140 BPM
DJ Stingray - "Cryptic" - (4:42) 70 BPM
Robert Dietz - "Junk Mail Gem" - (6:52) 127 BPM
Textasy - "Chillin' At The Beach" - (5:32) 120 BPM
Mystik Menn - "Fantastic Jam" - (5:12) 126 BPM
Bell Towers - "My Body Is A Tempo" (Andras remix) - (6:41) 127 BPM
Florian Kupfer - "Post Present" - (8:53) 120 BPM
DJ Boneyard - "Original" - (6:16) 123 BPM
DJ Steaw - "Get Down" (dub mix) - (7:14) 124 BPM
SE62 - "Night People" - (6:17) 122 BPM
ZZZ - "UZKZOWZ" (DJ Haus Body Heat mix) - (4:52) 125 BPM
Stratton - "Out There" - (7:13) 129 BPM
Cliff Lothar - "Tool Tyme" - (6:03) 120 BPM
Legowelt - "Amateur Astronomy" - (5:25) 124 BPM
DJ Seinfeld - "Tell Me What U Want" - (4:23) 131 BPM
Hugo Massien & DJ Haus - "Network Processor" - (5:29) 123 BPM
Justin Cudmore - "Straight No Chaser" - (6:45) 123 BPM
FRAK - "Protes" - (7:52) 126 BPM
Cosmic Garden - "Nature Spirits" - (5:49) 122 BPM
Louie From The Club - "Emoshuns" - (6:44) 121 BPM
Gropina - "Cristallo Di Bismuto" - (4:34) 113 BPM
SkatebArrd - "Maskindans" - (2:33) 103 BPM
Neil Landstrumm - "DX Madness" - (5:51) 85 BPM
Lauren Flax & Jimmy Edgar - "It's Ours" (Jimmy Edgar remix) - (5:35) 126 BPM
DJ Plant Texture - "Lloyd Goes To Mars" (Simoncino remix) - (5:50) 126 BPM
TRP - "Stellar" - (8:45) 127 BPM
DJ Shark - "Outro" (Fantastic Man remix) - (6:26) 130 BPM
Review: The second volume in DJ Haus's "Enters The Unknown" series is even more epic than its' predecessor. This digital edition is particularly potent, as it not only features two action-packed, CD length mixes from the Unknown To The Unknown chief, but also all 46 tracks he used in unmixed, DJ-friendly form. Given the quality of the retro-futurist gems contained in the UTTU archives (modern cuts variously inspired by ghetto-house, early trance, slamming techno, bleep, proto-jungle, hardcore and early New Jersey garage), it's unsurprising that the showcased material is so damn hot. The set also boasts a handful of previously unheard cuts, too, including DJ Haus's collaborations with DJ Boring, DJ Deeon and Marquis Hawkes.