Review: French producer DJ Steaw dives deep into the world of house music with his debut release on the legendary Nu Groove label, the aptly titled "Seascape EP." This four-track journey explores the producer's signature sound - think driving basslines and warm, soulful vibes - while incorporating a range of influences that keep things fresh. The EP kicks off with "Take It There," a powerful track that sets the tone with its pulsating stabs and undeniable groove. The title track, "Seascape," offers a beautiful contrast, layering airy pads over dynamic percussion, creating a dreamlike atmosphere on the dance floor. "Close To U" and "Exotica" further showcase DJ Steaw's versatility. Both tracks maintain a recognizable, nostalgic feel, perfect for those who appreciate classic deep house with a modern twist. They're undeniably club-ready, yet possess a quality that's equally suited for home listening.
Review: Following a two-year gap in which he focused on his House Puff and Rutilence labels, Parisian house stalwart DJ Steaw returns to Kerri Chandler's Kaoz Theory imprint. The three original cuts on show are prime Steaw: rock-solid, high-grade house workouts full of audible nods to the halcyon days of US house in the nineties and early noughties. The headline attraction is 'Get Back To The Fonk', a bumpin', spacey and tactile chunk of peak-time ready deep house haziness blessed with plenty of percussive funk. Kaoz Theory regular Josh Buttler remixes, opting for a more loose-limbed rhythm track, echoing melodic snippets and cut-up, garage-style vocal samples. Elsewhere, 'In My House' is an organ and synth-sax-sporting slab of '90s New Jersey nostalgia and 'Don't Stop' is gently acid-flecked deep house hypnotism.
Review: Local Talk's celebration of the '90s house-inspired corners of its now vast catalogue continues, with the much admired Swedish stable serving up 12 tidy tracks from a mixture of rising stars and scene stalwarts. It begins with the tactile, sunrise-ready wonder of Sean McCabe's '6AM Dub' of his own superb 'It's My Life', and ends with the densely layered, loop-powered disco-house rush of Circulation's 'The Return (1997 Mix)'; in between, you'll find an array of highlights including Dirtytwo's 'Moody' (an on-point Mood II Swing tribute), the deep, Italo-house style colour of Willie Graff and Tuccillo's 'Sunday Morning', the vintage Kerri Chandler-esque bump of Tom Noir's 'Feel Me' and the rolling warmth of Art of Tones' 'Dirty Stories'.
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