Review: It may have been a pretty rubbish year in general, but Midnight Riot has done its best to keep us entertained via a wealth of disco and boogie-centric EPs. If you missed out on many of the label's 2020 treats, don't worry, because they've gathered together the best of their recent output on this epic compilation. Drawing on original nu-disco, revivalist disco, feel-good house, synth-heavy boogie sounds and gently tooled-up edits, highlights are predictably plentiful. Our picks include the summery soulful house goodness of 'Nothing But the Music (Hotevilla Mix)' by Platinum City, the nu-boogie brilliance of Qwestlife's remix of 'Savage' by Tommy Glasses, the loopy disco-house joy of Mottes 'The Horse Ride' and Yam Who's 'Full Vocal Mix' of Sam Shelley's sunshine disco number 'Groove It'.
Review: Sadly we fear more than love may be needed to fix 2020, but those plucky Midnight Rioters are on hand to give it a go anyway, as they serve up a 19-track compilation of disco, nu-boogie, disco-house and soulful house grooves, with the emphasis firmly on dancefloor thrills and belt-along vocals. Some of tracks are re-edits (Musta's 'I Like Dance', for instance, reworks Cheryl Lynn's classic 'Got To Be Real'), some are original productions; all are built with slinky hips and dancing feet in mind, and with cuts from the likes of Situation, Andre Espeut and Natasha Katt, not to mention Rony Breaker's soulful anthem-of-the-moment 'Change', disco dollies will be more than satisfied.
Review: This tidy two-tracker marks sometime Midnight Riot, Tropical Disco and Re-Loved artist Da Lukas's first appearance on Hotmood's fast-rising Discoweey label. Check first the vibrant and funk-fuelled opener "Hot Sensation", a hot-to-trot disco-house number that utilizes ear-catching, horn, vocal, synth and bass samples from a bona-fide party-starting disco-funk jam. Energetic, groovy and ear-catching, it sounds like a peak-time anthem in the making. He changes tack on "Disco In Space", promoting the twin attractions of low-slung bass guitar and squelchy, acid-style motifs on an suitably intergalactic chunk of deep space nu-disco pleasure. While not as instantly attractive as its predecessor, it's similarly as impressive in its own way.
Review: If tooled-up, house-friendly disco and boogie reworks is your thing, you should already be familiar with Seamus Haji's Re-Loved label. Here the long-serving DJ presents an expansive collection of high-grade edits, revisions and remixes from the label's recent past, plus a couple of bonus all-action DJ mixes. There's naturally not enough room to list all of the highlights, but our current favourites include the celebratory disco-house bump of Birdee's "Start The Weekend", a tasty combo of Class Action vocal snippets and sweeping, string-laden peak-time riches, the percussive Afro-disco/deep house fusion of Frank Virgilio's "Clouds", the sweaty, horn-heavy bump of Hotmood's bustling "We Got It", and the kaleidoscopic electrofunk colour of '80s Child's boogie-soul re-rub "Comin' Back 2 U".
Review: Italian producer Da Lukas has released music on some significant and/or well-known labels in the past - think Ministry of Sound, Hed Kandi, Strictly Rhythm and Re-Loved. He received plenty of praise too for his first appearance on Midnight Riot earlier in the year, and here returns to Yam Who's imprint with two more tooled-up peak-time workouts. Opener "Groove On" sees him successfully add bouncy but beefy beats, filter effects and various disco-house production techniques to Reuben Wilson funk classic "Got To Get Your Own". Meanwhile, "In A Disco" is little less than a celebratory disco-house romp built around the variously throbbing, life-affirming and over-the-top elements of a stone-cold disco classic.
Review: When it comes to celebratory, life-affirming musical positivity, you can't beat Midnight Riot's ongoing "Disco Made Me Do It" compilation series, which gathers together a mixture of re-edits, reworks and original productions from the label's vast roster of artists. At 24 tracks deep it's a bit of an epic, though we can happily confirm that the quality threshold remains impressively high throughout. Our current favourites include the Redux Inc re-edit of Casa Blanco's P-funk flavoured hip-wiggler, "Funk & Dub With You", the rushing, piano-powered house bounce of "Got Me" by Ladies on Mars, label boss Yam Who's sparkling nu-boogie revision of Phil Jaimes' "My Sensitivity" and the deep, groovy '80s soul flex of Chevals' "Thank You For The Ride".
Review: Like its predecessors, Re-Loved's fifth "All Stars" EP is packed to the rafters with peak-time ready fare provided by some of the re-edit scene's most reliable producers. Leading the charge is Discoweey chiefs Hotmood, whose EP opener "We Got It" is an infectious chunk of orchestrated disco whose wild synth solos and rolling groove make it a tried and tested treat. Elsewhere, C Da Afro's "With You" is a loopy, nu-disco tinged disco-house bumper, Da Lukas's slap bass propelled "Be Freak" sounds a little like one of Todd Terje's classic dub disco reworks, and Di Saronno's "Mademoiselle" is a French Touch style re-edit full of rich horn lines, dewy-eyed female vocals and energy creating filter sweeps.