Review: In September 2020, Crosstown Rebels main man Damian Lazarus will release his first solo album in almost a decade. To get us in the mood, he's decided to offer up this teaser single. In its original form, "Mountain" is a drowsy, bass-heavy breakbeat affair in which his own atmospheric spoken word vocals combine with gently pulsing, sunrise-ready chords and short vocal snippets from a much-loved Joanna Law classic ("The First Time Ever I Saw Your Face", a Balearic-era classic whose acapella is much-loved by chill-out DJs). Tornado Wallace delivers a superb remix in which sparkling synth sounds and decidedly Balearic flourishes ride a dark analogue bassline and bongo-boosted breakbeats, while Tbi Dabo re-imagines "Mountain" as a bumpin', peak-time ready tech-house treat.
Review: This is not the first compilation to drop whose sole aim is to raise funds for NHS Chartities Together - R&S Records and Bass Agenda both delivered similarly epic sets - but "Care4Life" may well be the strongest and most diverse. As you'd expect, each one of the 45 tracks is previously unreleased, and the cast list reads like a who's who of dance music culture. Notable highlights include an ultra-deep, saucer-eyed number from Daniel Avery, an unheard rework of the Chemical Brothers' "Catch Me I'm Falling", a superb revision of Harvey's Locussolus project by Kiwi, Matthew Herbert in jazzy broken beat mode, a rare solo outing from Optimo's JD Twitch, a rip-roaring rave workout from Jas Shaw, and thumping peak-time bangers from Dusky, Eats Everything and Patrick Topping.
Review: Now in its third year, Crosstown Rebels' annual "Spirits" compilation does a great job of championing floor-friendly fare from a mixture of up-and-coming and established artists. As you'd expect volume three boasts some suitably sizable cuts, all of which have been extensively road-tested by CR boss Damian Lazarus. We're particularly enjoying the smoky Afro-tech shuffle of Dennis Cruz's "Mother Earth", the bongo-laden percussive bounce of Piem's "Freak Out, the bass-heavy throb of Harry Romero's similarly drum-laden "It's You" and the druggy early morning tech-house hypnotism of Lazarus's "Ergot", though there's plenty more must-check gems scattered throughout the compilation.
Review: Damian Lazarus celebrates the 10th anniversary of his acclaimed 2009 debut album 'Smoke The Monster Out' with a remastered and expanded edition on his famed Crosstown Rebels label. He originally released the opus on the Berlin-based label Get Physical, and it was the first time he had let himself loose in the studio - resulting in a psychedelic collection of 'extremely strange and bizarre songs.' Packed full of his inspirations and influences, and with no consideration for genres, airtime or getting played in the clubs. Lazarus is proud to celebrate this milestone in his career - going on to admit that that the album 'is still as weird as it ever was.' Be sure to check out the Moment In The Dark EP as well, featuring two of the album's original tracks, "Moment "and "Diamond In The Dark" reworked and remixed by Keinemusik resident Adam Port, rising newcomer Tibi Dabo and Dutch talent Satori.
Review: For the moment, Damian Lazarus has dispelled with his Ancient Moons collective. Instead, he's gone back into the studio alone and crafted some tracks tailor made for creating "moments in the dark". Lead cut "Moment" is a curious but undeniably quietly impressive affair, where fragile female vocals and gentle melodic elements weave in and out of relaxed tech-house drums and wobbly sub-bass. In contrast, "Diamond In The Dark" is largely beat-free: a tipsy chunk of psychedelic folk music laden with weird effects and trippy spoken word snippets. The package also contains a trio of tidy remixes, of which the standout is undoubtedly Satori's loose-limbed, broken-house revision of "Moment".
All I Need To Get High (BUTCH remix) - (6:49) 120 BPM
All I Need To Get High (Ae:ther Dreaming dub remix) - (8:28) 125 BPM
Review: Crosstown Rebels head honcho Damian Lazarus and his live project The Ancient Moons released his third studio album titled Heart Of Sky around this time last year. The album's opening cut "All I Need To Get High" now receives two new renditions by two recent label signees who provide their own take on the track. The original version's arcane and evocative sense of soul gets reworked into a sublime and hypnotic daydream fantasy by the Watergate/Cocoon affiliated producer Butch - you could imagine the likes of Lee Burridge playing this one on a rooftop party somewhere this summer. This is followed by Berlin-based Italian Ae:ther's darkly hypnotic dub - which is perfect for those heads down moments under the strobelight.
Review: Feedback Loop is the latest single to be taken from Damian Lazarus and the Ancient Moons' recent album Heart of Sky, a set with far more warmth and humanity than its' deliciously trippy predecessor. For this single release, the hazy, humid and mildly druggy original - a bit like Spiritualized brought kicking and screaming into the tech-house era - is accompanied by a quartet of remixes. Serge Devant kicks things off with a shuffling, peak-time tech-house take marked out by a prominent raw, analogue bassline, before Bedouin wraps selected vocal passages, twinkling pianos and alien electronics around a tough but tactile groove. The most revolutionary - and arguably greatest - interpretations come from UK soundsystem legend Mad Professor, who delivers two thrillingly weird, psychedelic and bass-heavy dub interpretations.
Review: Crosstown Rebels chief Damian Lazarus is back with The Ancient Moons on their sophomore effort, which follows up 2015's Message From The Other Side which was co-produced by James Ford (Simian Mobile Disco, Arctic Monkeys, Florence & The Machine). It features a wide assortment of vocalists and collaborators from around the world. Heart Of Sky combines his cosmic world influences with '80s soul and funk. With Lazarus' background very much in these vintage genres, he found a way to connect that heart and soul to a positive, trippy, psychedelic sound. From the the emotive and life-affirming power of "All I Need To Get High", drifting and esoteric pop-house indicative of his Crosstown sound on "All I Need To Get High" and even some sexy nu-disco deepness on "Help Me Find A Way"
Message From The Other Side (Red Axes remix) - (6:34) 120 BPM
Tangled Web (Acid Pauli remix) - (7:30) 120 BPM
Lovers Eyes (Mehmet Aslan remix) - (10:07) 117 BPM
Review: Damian Lazarus & The Ancient Moons' Message From The Other Side LP was released back in 2015 but is still riding on its resounding success, this time in the form of several tracks receiving some stellar remixes. Obviously there were the ones for the singles "Vermillion" and "Lovers' Eyes (Mohe Pi Ki Najariya)" but now comes Remixes From The Other Side Part I. Lazarus has called in hot Tel Aviv duo Red Axes to makeover the title track and it's as sweet as you can imagine with its combination of punk funk, psych rock and nu-disco. The now legendary Acid Pauli also steps in to remix said track and his rendition is a deep and sexy serving of low slung and bassline driven deep house. Finally Disco Halal main man Mehmet Aslan does over "Lovers Eyes", delving into some sublime and exotic Middle Eastern flavour.
Review: The boss is back! The legendary UK pioneer and Bedrock head honcho gives us a live set from Canada's second city, complete with crowd noise. Digweed's knack for sniffing out the most cutting edge progressive and tech house grooves is second to none and you can bet that this set is chock block full of narrative, innovative grooves: one journey you'll never forget! Featuring contributions from Germany's Recondite ("Tame"/"Baro"), Glasgow's Sei A ("You Can Bring"), Berlin's Smash TV ("Cascadia"/"God Key") and Los Angeles' Eagles & Butterflies amongst a host of other big names. Also comes as six continuous mixes for your listening pleasure. Enjoy!
Review: Don't worry if you weren't able to get to hear veteran DJ and Bedrock co-founder John Digweed's recent set at Treehouse in Miami's South Beach, because its all here for you to enjoy. There are a whopping 41 tracks included, spread over three mixes and also provided in their individual form including such gems as Agoria's moody synth-drenched reworking of Damian Lazarus' "Vermillion", the fuzzy Fairlight fancy of Solaris Heights's "Nightfall" and Digitaria's Art Of Noise-style electro jam "Little Boy".
Review: One of Ibiza's biggest tickets, Defected throw parties in the same spirit as they release music. With full force and serious knowhow. Here they've curated 40 perfected positioned tacks that don't just represent their vibe, or the spirit of their parties, but also a fitting snapshot of what's going on in house music right now. From Low Steppa to Damian Lazarus, Skream to Claude VonStroke, Josh Butler to The Shapeshifters, the entire tracklist reads (and sounds) like a who's who in house music 2015. Delivered with two mixes and whole host of exclusives, Defected aren't messing around right now.