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Daniel Avery
Browse the latest digital releases by Daniel Avery
Played by: Juno Recommends Minimal Tech
Review: Daniel Avery and Roman Flugel are Noun! Initially recorded some years ago at Flugel's former Frankfurt studio, the pair's collaboration descends deep into dubby, minimal and warehouse techno territory. Taking the best of Flugel's musical prowess with Avery's drum machine signatures, "Team Silent" embraces elements of '90s blueprint dub techno while "Meeting Of The Minds" leans more towards a sound you could expect to hear in Berghain; deep, cosmic, booming and sci-fi. An exciting new project on the books Live At Robert Johnson!
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PLAYRJC 059D
01 May 20
Minimal/Tech House
01 May 20
Minimal/Tech House
Various
Review: This second 20 Years Of Fabric compilation presents a new arranged selection of the defining network of artists that have come to call fabric home. Taking in deep and atmospheric loops from Groove Armada to the light and sprinkled chords of Call Super, the sound of the Farringdon trips through the live and acoustic percussions of Margaret Dygas, the devastating hardcore cuts of Special Request and pure strads of drum and bass by Source Direct and J Magick. More recent tracks include the epic classicalisms of B.Traits acid-flecked "Mameya" to the industrial and dubbed out techno from Marcel Dettmann and Imogen. And not to be overlooked of course are bonafide classics from Unkle, Shackleton, Cassy and Sascha with "Comet Chaser".
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506500 0444204
31 Jan 20
Techno
31 Jan 20
Techno
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K 7342S
31 Oct 16
Techno
31 Oct 16
Techno
Review: The romping stomping Daniel Avery, is back on Phantasy Sound with a new two-track 12" which doubles up as the label's 50th, and continues the English producer and DJ's path down a streamlined, hard-edge techno path. Unsurprisingly, "Sensation" is a total juggernaut, a heady techno track that slithers its percussion sway amid huge mounds of delays and atmospherics. Over on the flip, "Clear" sticks to a techno formula insofar as its mid-to-fast tempo, but the melodies and chimes emanating from its underbelly are something wilder and altogether more ethereal. Conniving DJ tools!
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PH 50RMXD
19 Aug 16
Techno
19 Aug 16
Techno
Review: New material from UK producer Daniel Avery has been scarce of late - is he living in the shadow of Drone Logic? On the strength of Sensation / Clear, this would appear not to be the case. The former is a mid-tempo, teased out groove, wrapped in trance synths and underpinned by plodding drums. It shows that Avery is master of crafting slow-building grooves, but it only plays a supporting role compared to "Clear". Faster and more tranced out, its warbling bass and whooshing melodies sound inspired by classic Juan Atkins and Derrick May, but fashioned in the blurry metropolis that is London.
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PH 50D
04 Dec 15
Techno
04 Dec 15
Techno
Played by: Chris Liebing
Review: On New Energy, an impressive cast of artists remix UK producer Daniel Avery's original material. Representing German house music is Roman Fluegel, whose dubby, expansive version of "All I Need" fuses jittery keys with blissed out vocal samples. Surprisingly, Volte Face from the BleeD club delivers a similar deep house take on "Platform Zero", its chiming keys unfolding over sweeping filters. There is also an unexpected remix from Token's O [Phase], whose version of "Naive Response" favours a blissful, percussive workout rather than his usual, abrasive sounds. Silent Servant's take on "Spring 27" is one of the few real techno remixes with an insistent, stabbing chord and a rumbling bass prevailing, while Factory Floor's version of "Drone Logic" is a mutant disco dub, laced with bubbling acid and detached vocals.
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BEC 5156066
02 Mar 15
Techno
02 Mar 15
Techno
Review: Riding high after the blanket success of his debut album, Daniel Avery is back on Phantasy Sound once again with some dangerous remixes from his album, collected from several vinyl releases. Audion returns Avery's previous remix favour with the messy mind games of "Need Electric", which find Matthew Dear's alias reaching a previous peak of dark and freaky sound design fit for the more deviant dancers. Matt Walsh takes on "Free Floating" with a curiously dualistic interpretation that flits between sweet natured piano chords and off key acid paranoia, all set to a slow and immersive thud of understated drums. In addition to the album's title track, where an old school progressive house bassline is chewed to pieces by bursts of electronic feedback, Factory Floor's Gabe Gurnsey provide a fine remix that sounds remarkably restrained for a member of the inheritors of Throbbing Gristle's throne; like Avery's original Gurnsey keeps things mid-tempo but strips everything back to basics, with a simple analogue arpeggio which adds an early industrial quality.
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506028 1617934
24 Mar 14
Techno
24 Mar 14
Techno
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PH 21RMX2D
16 Dec 13
Techno
16 Dec 13
Techno
Played by: Steve Angello
Review: Hot on the heels of the album that has cemented his presence on the house and techno circuit, Daniel Avery has been foisted up onto Phantasy Sound's mast one more time with the All I Need single providing a few useful alternative cuts to the original long player tracks on Drone Logic. "All I Need" comes in a clean form that sounds largely like that on the album, all bold punches of synth and solid drum machine hits. Danny Daze takes a radical new route with his version of "Naive Response" that takes the playful bleeps and blurps of the original and strips away the warmth to leave a cold and grubby roller in its place. The "Club Edit" of "Free Floating" does well to keep the wistful qualities of the original intact and simply work some extra limber beats into appropriate junctures.
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BEC 5161656
11 Nov 13
Deep House
11 Nov 13
Deep House
Played by: Anna Maria X, Shadow Dancer, Alkalino, Roberto Rodriguez (Manolo), Juno Recommends Deep House, Juno Recommends Minimal Tech, Juno Recommends Experimental, KevinTsuba, Orthy, Djs: Most Charted - Deep House, NT89, Blah Blah Blah, Zombie Nation, Richmed, Gabriel & Dresden, Jules Etienne J.E.E.P., GUTTERS, The Zars, White Collar Boy, Egokind, Riton, Jon Hopkins, Dimension
Review: Having given keen listeners a healthy preview in his Fabriclive mix last year, the artist formerly known as Stopmakingme delivers his full-length album for Erol Alkan's Phantasy Sound. It's a limber brew that channels a strong dose of analogue trickery through smart and snappy beat constructions, all bubbling, aquatic synths and troubled delays propelled by unfussy drum patterns so that the melodies can do the talking. Primarily this is a dancefloor album, moving from peppy breakbeat driven numbers to gently bumping house, but always the playful, ineffably warm synth work sets the tone, from "Naive Response"s robotic charm to "Drone Logic"s soaring grind. It's an album brimming in confidence and nailed with precision, and it's packed full of incredibly usable floor rockers to boot.
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BEC 5161626
07 Oct 13
Minimal/Tech House
07 Oct 13
Minimal/Tech House
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PH 20RMXD
24 Sep 12
Techno
24 Sep 12
Techno
Review: This could be a match made in heaven. On one side, rising star Daniel Avery (aka Stopmakingme), on the other, veteran producer, DJ and all round legend Justin Robertson (here appearing under recently-adopted Deadstock 33s pseudonym). Musically, "Nylon Icon" and "New Moon" are typical of Robertson's recent work, offering a dark but addictive fusion of bubbling electronic disco, vintage dark wave synth-pop and analogue house. "Eric Zann Revisited" flips the script slightly, touching on Italo whilst retaining a bouncy electronic groove. Remix wise, there's an acid-flecked tweak of the latter track by Filthy Dukes, whilst People Get Real deliver an off-kilter, cowbell-heavy version of "New Moon".
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GOMMADT 043
06 Jul 12
Disco/Nu-Disco
06 Jul 12
Disco/Nu-Disco
