Review: Dehousy has only a few releases to his / her credit, but as Ritual displays, despite its irregular appearance, this project is always worthy of attention. The title track is an intoxicating house groove that revolves around tough tribal drums, warrior chants and wild shrieks, while on "No Rules", there is a similarly funky approach. Rolling drums, percussive drops and more deranged samples abound. "Gates" also mines an Afro path as an insistent groove and somewhat menacing chants take centre stage, while on the Farsight version of "Ritual", the mood swings towards garage as the chants rise a pulsing, stepping bass.
Review: Dehousy is sometimes described as a house producer, but this categorisation is only true in the broadest sense. As "Break", one of the tracks on his new release demonstrates, the French DJ takes a broad, free-wheeling approach to dance music. The result is an irresistibly funky, drum-heavy workout that takes in hypnotic chants, gut-busting bass and centres on a stepping rhythm. "Stage 2" is similarly vivid, with Dehousy throwing Middle Eastern chants and organic percussion into an arrangement that veers from stepping into 4/4s. Rounding off this fine release is Addison Groove's frenetic take on the title track.
Review: Dehousy has been a touch sporadic with his releasing output, with only one release to his name on Conquistadores, but here is proudly surfacing on the French (Re)Sources label with an extended EP of sparse broken breats and cavernous walls of sonics. "Unknown Fluids" itself is a thing of beauty, where dubbed-out drones meet lonesome percussion shots, but we're also vibing "On The Edge" and Trap Door's remix of the same track, a strangely angelic sequence of sounds amid the darkness and menace of the groove. Tight!
John Vitesse - "Bloom Doom" (Vocals By Oklou) - (3:46) 136 BPM
Review: The (Re)Sources label is still relatively young in terms of releases and artists, but they've already instilled a sense of reliability from our viewpoint, particularly for the diversity AND quality of their output, whether that be house, techno, or straight-up bass. This is their first compilation yet, an eight-track spew of all sorts of forward-thinking beats named Club Hexagon Vol.1. Chaams' opener is a twisted pile of bass and morphing samples, and other stand-outs include the techno-minded "Diamonds Foot" by Sheas Drunk, Tommy Kid's gunshot ride "Shanghai", and the moody, deep bass weight of "Bloom Doom" by John Vitesse. Hold tight for the second chapter!