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Delroy Edwards
Browse the latest digital releases by Delroy Edwards
Played by: Da GobliNN /Remuted
Review: We've always been big fans of Delroy Edwards, something which you've probably picked up on given the man's storming podcast for us a few years back. But, we don't only rate his music; we love his attitude and the way in which he's gone about releasing material through his own LA Club Resource imprint. Whether it be grainy, maladjusted techno or noise and distorted juke, he has managed to build a concrete sound aesthetic for himself. Moreover, we love the fact that he's waited until now to drop his debut album instead of going in too early and risking to dilute his talents because of pressure from the scene of which he's part of, a scene which expects instant gratification and albums from the start. Hanging At The Beach has been described by Edwards himself as the most personal work he's done to date, and it truly sounds like the artist has space to play and get his mood across correctly throughout its thirty cuts. These range from his signature house sound, through to lo-Fi drum machine sketches and fine segments of power electronics. This one comes hugely recommended, so just hit that DL button.
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634457 458963
05 Aug 16
Experimental/Electronic
05 Aug 16
Experimental/Electronic
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634457 461499
21 Jul 16
Experimental/Electronic
21 Jul 16
Experimental/Electronic
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634457 459205
20 Jun 16
Techno
20 Jun 16
Techno
Played by: Erol Alkan
Review: By sampling a famous scene from Scarface for this release's first track, is Delroy Edwards, like Tony Montana, trying to say: "You need people like me so you can point your fuckin' fingers and say, 'That's the bad guy'"? With an EP title like Kickin' Butts!! it's certainly possible, and he's the type of artist that's made it known he doesn't care what others think of his music. It's a minimal five-track EP overall and very lo-fi, none more so than the Steve Poindexter-styled "Str8 Fuckd" and on the swirling, metallic phase action of "Insane In The Membrane". Edwards throws down a basic hip hop beat in "Die Motherfucker" while it's the title-track that provides this release with the most dynamic moment of the lot.
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LACR 015
20 Jan 15
Techno
20 Jan 15
Techno
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LACR 001
08 Jul 14
Techno
08 Jul 14
Techno
Review: Operating at a speed of releases that shouldn't be possible with your label boss is in the midst of a 3 month European tour, the LIES juggernaut spits out its latest slab of essential, grizzled floor weaponry in the shape of this White Owl EP from Delroy Edwards. This three track release maintains the high BPM trajectory of Edwards previous LIES transmissions, with the A Side title track a rugged, heads down DJ tool that could feasibly have been lifted from the unreleased archives of Dance Mania. The same no nonsense approach is retained on the flip, though "The Fast Lane" is markedly less aggressive, relying on a central warbling motif to capture your attention; "Drop Dead" winds it back to the stripped back, gnarled kick drum flex. Strictly for the DJs.
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LIES 024
03 Dec 13
Techno
03 Dec 13
Techno
